Combining Philosophers

All the ideas for James Rachels, Alex Orenstein and Roger Fry

unexpand these ideas     |    start again     |     specify just one area for these philosophers


28 ideas

4. Formal Logic / B. Propositional Logic PL / 1. Propositional Logic
Sentential logic is consistent (no contradictions) and complete (entirely provable) [Orenstein]
     Full Idea: Sentential logic has been proved consistent and complete; its consistency means that no contradictions can be derived, and its completeness assures us that every one of the logical truths can be proved.
     From: Alex Orenstein (W.V. Quine [2002], Ch.5)
     A reaction: The situation for quantificational logic is not quite so clear (Orenstein p.98). I do not presume that being consistent and complete makes it necessarily better as a tool in the real world.
4. Formal Logic / B. Propositional Logic PL / 2. Tools of Propositional Logic / e. Axioms of PL
Axiomatization simply picks from among the true sentences a few to play a special role [Orenstein]
     Full Idea: In axiomatizing, we are merely sorting out among the truths of a science those which will play a special role, namely, serve as axioms from which we derive the others. The sentences are already true in a non-conventional or ordinary sense.
     From: Alex Orenstein (W.V. Quine [2002], Ch.5)
     A reaction: If you were starting from scratch, as Euclidean geometers may have felt they were doing, you might want to decide which are the simplest truths. Axiomatizing an established system is a more advanced activity.
4. Formal Logic / D. Modal Logic ML / 4. Alethic Modal Logic
S4: 'poss that poss that p' implies 'poss that p'; S5: 'poss that nec that p' implies 'nec that p' [Orenstein]
     Full Idea: The five systems of propositional modal logic contain successively stronger conceptions of necessity. In S4 'it is poss that it is poss that p' implies 'it is poss that p'. In S5, 'it is poss that it is nec that p' implies 'it is nec that p'.
     From: Alex Orenstein (W.V. Quine [2002], Ch.7)
     A reaction: C.I. Lewis originated this stuff. Any serious student of modality is probably going to have to pick a system. E.g. Nathan Salmon says that the correct modal logic is even weaker than S4.
4. Formal Logic / F. Set Theory ST / 1. Set Theory
Unlike elementary logic, set theory is not complete [Orenstein]
     Full Idea: The incompleteness of set theory contrasts sharply with the completeness of elementary logic.
     From: Alex Orenstein (W.V. Quine [2002], Ch.5)
     A reaction: This seems to be Quine's reason for abandoning the Frege-Russell logicist programme (quite apart from the problems raised by Gödel.
4. Formal Logic / G. Formal Mereology / 1. Mereology
Mereology has been exploited by some nominalists to achieve the effects of set theory [Orenstein]
     Full Idea: The theory of mereology has had a history of being exploited by nominalists to achieve some of the effects of set theory.
     From: Alex Orenstein (W.V. Quine [2002], Ch.3)
     A reaction: Some writers refer to mereology as a 'theory', and others as an area of study. This appears to be an interesting line of investigation. Orenstein says Quine and Goodman showed its limitations.
5. Theory of Logic / G. Quantification / 1. Quantification
Traditionally, universal sentences had existential import, but were later treated as conditional claims [Orenstein]
     Full Idea: In traditional logic from Aristotle to Kant, universal sentences have existential import, but Brentano and Boole construed them as universal conditionals (such as 'for anything, if it is a man, then it is mortal').
     From: Alex Orenstein (W.V. Quine [2002], Ch.2)
     A reaction: I am sympathetic to the idea that even the 'existential' quantifier should be treated as conditional, or fictional. Modern Christians may well routinely quantify over angels, without actually being committed to them.
5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
The substitution view of quantification says a sentence is true when there is a substitution instance [Orenstein]
     Full Idea: The substitution view of quantification explains 'there-is-an-x-such-that x is a man' as true when it has a true substitution instance, as in the case of 'Socrates is a man', so the quantifier can be read as 'it is sometimes true that'.
     From: Alex Orenstein (W.V. Quine [2002], Ch.5)
     A reaction: The word 'true' crops up twice here. The alternative (existential-referential) view cites objects, so the substitution view is a more linguistic approach.
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / b. Types of number
The whole numbers are 'natural'; 'rational' numbers include fractions; the 'reals' include root-2 etc. [Orenstein]
     Full Idea: The 'natural' numbers are the whole numbers 1, 2, 3 and so on. The 'rational' numbers consist of the natural numbers plus the fractions. The 'real' numbers include the others, plus numbers such a pi and root-2, which cannot be expressed as fractions.
     From: Alex Orenstein (W.V. Quine [2002], Ch.2)
     A reaction: The 'irrational' numbers involved entities such as root-minus-1. Philosophical discussions in ontology tend to focus on the existence of the real numbers.
6. Mathematics / C. Sources of Mathematics / 6. Logicism / a. Early logicism
The logicists held that is-a-member-of is a logical constant, making set theory part of logic [Orenstein]
     Full Idea: The question to be posed is whether is-a-member-of should be considered a logical constant, that is, does logic include set theory. Frege, Russell and Whitehead held that it did.
     From: Alex Orenstein (W.V. Quine [2002], Ch.5)
     A reaction: This is obviously the key element in the logicist programme. The objection seems to be that while first-order logic is consistent and complete, set theory is not at all like that, and so is part of a different world.
7. Existence / E. Categories / 3. Proposed Categories
Just individuals in Nominalism; add sets for Extensionalism; add properties, concepts etc for Intensionalism [Orenstein]
     Full Idea: Modest ontologies are Nominalism (Goodman), admitting only concrete individuals; and Extensionalism (Quine/Davidson) which admits individuals and sets; but Intensionalists (Frege/Carnap/Church/Marcus/Kripke) may have propositions, properties, concepts.
     From: Alex Orenstein (W.V. Quine [2002], Ch.3)
     A reaction: I don't like sets, because of Idea 7035. Even the ontology of individuals could collapse dramatically (see the ideas of Merricks, e.g. 6124). The intensional items may be real enough, but needn't have a place at the ontological high table.
14. Science / B. Scientific Theories / 1. Scientific Theory
The Principle of Conservatism says we should violate the minimum number of background beliefs [Orenstein]
     Full Idea: The principle of conservatism in choosing between theories is a maxim of minimal mutilation, stating that of competing theories, all other things being equal, choose the one that violates the fewest background beliefs held.
     From: Alex Orenstein (W.V. Quine [2002], Ch.2)
     A reaction: In this sense, all rational people should be conservatives. The idea is a modern variant of Hume's objection to miracles (Idea 2227). A Kuhnian 'paradigm shift' is the dramatic moment when this principle no longer seems appropriate.
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
     Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible.
     From: Roger Fry (An Essay in Aesthetics [1909], p.30)
     A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well.
19. Language / A. Nature of Meaning / 10. Denial of Meanings
People presume meanings exist because they confuse meaning and reference [Orenstein]
     Full Idea: A good part of the confidence people have that there are meanings rests on the confusion of meaning and reference.
     From: Alex Orenstein (W.V. Quine [2002], Ch.6)
     A reaction: An important point. Everyone assumes that sentences link to the world, but Frege shows that that is not part of meaning. Words like prepositions and conjunctions ('to', 'and') don't have 'a meaning' apart from their function and use.
19. Language / C. Assigning Meanings / 3. Predicates
Three ways for 'Socrates is human' to be true are nominalist, platonist, or Montague's way [Orenstein]
     Full Idea: 'Socrates is human' is true if 1) subject referent is identical with a predicate referent (Nominalism), 2) subject reference member of the predicate set, or the subject has that property (Platonism), 3) predicate set a member of the subject set (Montague)
     From: Alex Orenstein (W.V. Quine [2002], Ch.3)
     A reaction: Orenstein offers these as alternatives to Quine's 'inscrutability of reference' thesis, which makes the sense unanalysable.
19. Language / D. Propositions / 4. Mental Propositions
If two people believe the same proposition, this implies the existence of propositions [Orenstein]
     Full Idea: If we can say 'there exists a p such that John believes p and Barbara believes p', logical forms such as this are cited as evidence for our ontological commitment to propositions.
     From: Alex Orenstein (W.V. Quine [2002], Ch.7)
     A reaction: Opponents of propositions (such as Quine) will, of course, attempt to revise the logical form to eliminate the quantification over propositions. See Orenstein's outline on p.171.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
     Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception
     From: Roger Fry (An Essay in Aesthetics [1909], p.24)
     A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy.
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
     Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
     Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'.
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
     Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts.
     From: Roger Fry (An Essay in Aesthetics [1909], p.31)
     A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
     Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated.
     From: Roger Fry (An Essay in Aesthetics [1909], p.32)
     A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher?
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
     Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people.
     From: Roger Fry (An Essay in Aesthetics [1909], p.23)
     A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs?
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
     Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
     Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
     Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious.
     From: Roger Fry (An Essay in Aesthetics [1909], p.25)
     A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
     Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful.
     From: Roger Fry (An Essay in Aesthetics [1909], p.26)
     A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection.
25. Social Practice / F. Life Issues / 2. Euthanasia
If it is desirable that a given patient die, then moral objections to killing them do not apply [Rachels]
     Full Idea: The cause of death (injection or disease) is important from the legal point of view, but not morally. If euthanasia is desirable in a given case then the patient's death is not an evil, so the usual objections to killing do not apply.
     From: James Rachels (No Moral Difference [1975], p.102)
     A reaction: Seems reasonable, but a very consequentialist view. Is it good that small children should clean public toilets?
It has become normal to consider passive euthanasia while condemning active euthanasia [Rachels]
     Full Idea: It seems to have become accepted that passive euthanasia (by withholding treatment and allowing a patient to die) may be acceptable, whereas active euthanasia (direct action to kill the patient) is never acceptable.
     From: James Rachels (No Moral Difference [1975], p.97)
     A reaction: He goes on to attack the distinction. It is hard to distinguish the two cases, as well as being hard to judge them.
28. God / B. Proving God / 2. Proofs of Reason / c. Moral Argument
God must be fit for worship, but worship abandons morally autonomy, but there is no God [Rachels, by Davies,B]
     Full Idea: Rachels argues 1) If any being is God, he must be a fitting object of worship, 2) No being could be a fitting object of worship, since worship requires the abandonment of one's role as an autonomous moral agent, so 3) There cannot be a being who is God.
     From: report of James Rachels (God and Human Attributes [1971], 7 p.334) by Brian Davies - Introduction to the Philosophy of Religion 9 'd morality'
     A reaction: Presumably Lionel Messi can be a fitting object of worship without being God. Since the problem is with being worshipful, rather than with being God, should I infer that Messi doesn't exist?