Combining Philosophers

All the ideas for John Buridan, H. Paul Grice and Gary Kemp

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24 ideas

1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
The greatest philosophers are methodical; it is what makes them great [Grice]
     Full Idea: The greatest philosophers have been the greatest, and most self-conscious, methodologists; indeed, I am tempted to regard the fact as primarily accounting for their greatness as philosophers.
     From: H. Paul Grice (Reply to Richards [1986], p.66), quoted by Stephen Boulter - Why Medieval Philosophy Matters 3
     A reaction: I agree. Philosophy is nothing if it is not devoted to the attempt to be fully rational, and that implies consistency and coherence. If a thinker doesn't even try to be systematic, I would not consider them to be a philosopher.
2. Reason / A. Nature of Reason / 9. Limits of Reason
A rational donkey would starve to death between two totally identical piles of hay [Buridan, by PG]
     Full Idea: A rational donkey faced with two totally identical piles of hay would be unable to decide which one to eat first, and would therefore starve to death
     From: report of Jean Buridan (talk [1338]) by PG - Db (ideas)
     A reaction: also De Caelo 295b32 (Idea 19740).
9. Objects / C. Structure of Objects / 4. Quantity of an Object
Without magnitude a thing would retain its parts, but they would have no location [Buridan]
     Full Idea: If magnitude were removed from matter by divine power, it would still have parts distinct from one another, but they would not be positioned either outside one another or inside one another, because position would be removed.
     From: Jean Buridan (Questions on Aristotle's Physics [1346], I.8 f. 11va), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 14.4
     A reaction: This shows why Quantity is such an important category for scholastic philosopher.
9. Objects / E. Objects over Time / 8. Continuity of Rivers
A thing is (less properly) the same over time if each part is succeeded by another [Buridan]
     Full Idea: Less properly, one thing is said to be numerically the same as another according to the continuity of distinct parts, one in succession after another. In this way the Seine is said to be the same river after a thousand years.
     From: Jean Buridan (Questions on Aristotle's Physics [1346], I.10, f. 13vb), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 29.3
     A reaction: This is a rather good solution to the difficulty of the looser non-transitive notion of a thing being 'the same'. The Ship of Theseus endures (in the simple case) as long as you remember to replace each departing plank. Must some parts be originals?
10. Modality / B. Possibility / 8. Conditionals / c. Truth-function conditionals
Conditionals are truth-functional, but we must take care with misleading ones [Grice, by Edgington]
     Full Idea: Grice argued that the truth-functional account of conditionals can withstand objections, provided that we are careful to distinguish the false from the misleadingly true.
     From: report of H. Paul Grice (Logic and Conversation [1975]) by Dorothy Edgington - Do Conditionals Have Truth Conditions? 2
The odd truth table for material conditionals is explained by conversational conventions [Grice, by Fisher]
     Full Idea: According to Grice, it is the rules that govern conversation beyond the merely logical that account for the counter-intuitiveness of the truth table for the material conditional.
     From: report of H. Paul Grice (Logic and Conversation [1975]) by Jennifer Fisher - On the Philosophy of Logic 8.I
     A reaction: There is a conversational rule which says that replies should normally relevant to context. It would be nice if logical implications were also relevant to context.
Conditionals might remain truth-functional, despite inappropriate conversational remarks [Edgington on Grice]
     Full Idea: Grice defended the truth-functional account of conditionals, noting the gap between what we are justified in believing and what is appropriate to say. .But the problem arises at the level of belief, not at the level of inappropriate conversational remarks
     From: comment on H. Paul Grice (Logic and Conversation [1975]) by Dorothy Edgington - Conditionals 17.1.3
10. Modality / B. Possibility / 8. Conditionals / f. Pragmatics of conditionals
A person can be justified in believing a proposition, though it is unreasonable to actually say it [Grice, by Edgington]
     Full Idea: Grice drew attention to situations in which a person is justified in believing a proposition, which would nevertheless by an unreasonable thing for the person to say, in normal circumstances. I think he is right about disjunction and negated conjunctions.
     From: report of H. Paul Grice (Logic and Conversation [1975]) by Dorothy Edgington - Conditionals (Stanf) 2.4
     A reaction: Edgington considers Grice's ideas of implicature as of permanent value, especially as a clarification of 1950s ordinary language philosophy.
Conditionals are truth-functional, but unassertable in tricky cases? [Grice, by Read]
     Full Idea: The 'conversational defence' of the truth-functional view of conditionals is that a conditional may not be assertible in difficult cases.
     From: report of H. Paul Grice (Presupposition and Conversational Implicature [1977]) by Stephen Read - Thinking About Logic Ch.3
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / b. Primary/secondary
Why can't we deduce secondary qualities from primary ones, if they cause them? [Buridan]
     Full Idea: The entire difficulty in this question is why through a knowledge of the primary tangible qualities we cannot come to a knowledge of flavors or odors, since these are their causes, since we often go from knowledge of causes to knowing their effects.
     From: Jean Buridan (Questions on Aristotle's Posterior Analytics [1344], I.28c), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 22.2
     A reaction: He is commenting on Idea 16725. Still a nice puzzle in the philosophy of mind. Will neuroscientists ever be able to infer to actual character of some quale, just from the structures of the neurons?
14. Science / A. Basis of Science / 2. Demonstration
Induction is not demonstration, because not all of the instances can be observed [Buridan]
     Full Idea: Inductions are not demonstrations, because they do not conclude on account of their form, since it is not possible to make an induction from all cases.
     From: Jean Buridan (Questions on Aristotle's Physics [1346], I.15 f. 18vb), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 02.3
     A reaction: Thus showing that demonstration really is meant to be as conclusive as a mathematical proof, and that Aristotle seems to think such a thing is possible in physical science.
14. Science / C. Induction / 2. Aims of Induction
Science is based on induction, for general truths about fire, rhubarb and magnets [Buridan]
     Full Idea: Induction should be regarded as a principle of natural science. For otherwise you could not prove that every fire is hot, that all rhubarb is purgative of bile, that every magnet attracts iron.
     From: Jean Buridan (Questions on Aristotle's Physics [1346], I.15 f. 18vb), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 02.3
     A reaction: He is basing this on Aristotle, and refers to 'Physics' 190a33-b11.
19. Language / A. Nature of Meaning / 3. Meaning as Speaker's Intention
Only the utterer's primary intention is relevant to the meaning [Grice]
     Full Idea: Only what I may call the primary intention of an utterer is relevant to the (non-natural) meaning of an utterance.
     From: H. Paul Grice (Meaning [1957], p.47)
     A reaction: This sounds okay for simple statements, but gets really tricky with complex statements, such as very ironic remarks delivered to an audience of diverse people.
Meaning needs an intention to induce a belief, and a recognition that this is the speaker's intention [Grice]
     Full Idea: For a statement to have (non-naturally) meant something, not merely must it have been 'uttered' with the intention of inducing a certain belief, but also the utterer must have intended an 'audience' to recognise the intention behind the utterance.
     From: H. Paul Grice (Meaning [1957], p.43)
     A reaction: This is Grice's famous and distinctive theory of meaning. I am struck by the problem of a password, which seems to have a quite different intention from its literal meaning. Also a speaker with two different audiences and opposite intentions.
We judge linguistic intentions rather as we judge non-linguistic intentions, so they are alike [Grice]
     Full Idea: To show that the criteria for judging linguistic intentions are very like the criteria for judging non-linguistic intentions is to show that linguistic intentions are very like non-linguistic intentions.
     From: H. Paul Grice (Meaning [1957], p.48)
     A reaction: This hint at the end of his paper is one of the key attractions of Grice's view. It offers an account of language that fits it into the world of animal communication and evolution. It never seems to quite capture the way meaning goes beyond intentions.
19. Language / A. Nature of Meaning / 6. Meaning as Use
Grice said patterns of use are often semantically irrelevant, because it is a pragmatic matter [Grice, by Glock]
     Full Idea: The slogan that meaning is use came under scrutiny by Grice's theory of conversational implicature. He said patterns of use shown in analysis were often semantically irrelevant, snce they are due not meanings of expressions but to pragmatic principles.
     From: report of H. Paul Grice (Some Models for Implicature [1967]) by Hans-Johann Glock - What is Analytic Philosophy? 2.8
     A reaction: I think the simplest objection is that words only have use because they have a meaning; The most interesting part of pragmatics is what you DON'T say in conversation.
19. Language / F. Communication / 5. Pragmatics / b. Implicature
Grice's maxim of quality says do not assert what you believe to be false [Grice, by Magidor]
     Full Idea: Grice's maxim of quality says one ought not to assert what one believes to be false.
     From: report of H. Paul Grice (Some Models for Implicature [1967]) by Ofra Magidor - Category Mistakes 5.2
     A reaction: The obvious exception is irony, where are truth is asserted, but the listener is supposed to spot that you are not really asserting it.
Key conversational maxims are 'quality' (assert truth) and 'quantity' (leave nothing out) [Grice, by Read]
     Full Idea: Grice particularly identified two maxims as guiding conversation: the maxim of 'quality' (that one should assert only what one believes to be true and justified), and of 'quantity' (one should not assert less than one can).
     From: report of H. Paul Grice (Presupposition and Conversational Implicature [1977]) by Stephen Read - Thinking About Logic Ch.3
     A reaction: I think it would be very foolish to boldly embrace the second maxim when talking to strangers. If white lies are occasionally acceptable, then what is the status of the first 'maxim'? Is it a moral maxim?
Grice's maxim of quantity says be sufficiently informative [Grice, by Magidor]
     Full Idea: Grice's maxim of quantity says 'make your contributions as informative as required'.
     From: report of H. Paul Grice (Some Models for Implicature [1967]) by Ofra Magidor - Category Mistakes 5.2
     A reaction: Is the 'requirement' of informative for the speaker or for the listener? It is easy to image situations where, one way or the other, the two people don't agree about informativenss.
Grice's maxim of manner requires one to be as brief as possible [Grice, by Magidor]
     Full Idea: Grice's maxim of manner requires one to be as brief as possible.
     From: report of H. Paul Grice (Some Models for Implicature [1967]) by Ofra Magidor - Category Mistakes 5.2
     A reaction: An alternative maxim of conversation is that there should not be long silences between contributions - which would probably result if the contributions are all curtly abbreviated.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
     Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold.
     From: Gary Kemp (Croce and Collingwood [2012], Intro)
     A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
     Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.
The horror expressed in some works of art could equallly be expressed by other means [Kemp]
     Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art!
We don't already know what to express, and then seek means of expressing it [Kemp]
     Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing.