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16793
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A thing is (less properly) the same over time if each part is succeeded by another [Buridan]
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Full Idea:
Less properly, one thing is said to be numerically the same as another according to the continuity of distinct parts, one in succession after another. In this way the Seine is said to be the same river after a thousand years.
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From:
Jean Buridan (Questions on Aristotle's Physics [1346], I.10, f. 13vb), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 29.3
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A reaction:
This is a rather good solution to the difficulty of the looser non-transitive notion of a thing being 'the same'. The Ship of Theseus endures (in the simple case) as long as you remember to replace each departing plank. Must some parts be originals?
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16726
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Why can't we deduce secondary qualities from primary ones, if they cause them? [Buridan]
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Full Idea:
The entire difficulty in this question is why through a knowledge of the primary tangible qualities we cannot come to a knowledge of flavors or odors, since these are their causes, since we often go from knowledge of causes to knowing their effects.
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From:
Jean Buridan (Questions on Aristotle's Posterior Analytics [1344], I.28c), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 22.2
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A reaction:
He is commenting on Idea 16725. Still a nice puzzle in the philosophy of mind. Will neuroscientists ever be able to infer to actual character of some quale, just from the structures of the neurons?
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9316
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How is self-representation possible, does it produce a regress, and is experience like that? [Kriegel/Williford]
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Full Idea:
The difficulties with a self-representational view of consciousness are how self-representation of mental states could be possible, whether it leads to an infinite regress, and whether it can capture the actual phenomenology of experience.
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From:
U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §3)
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A reaction:
[compressed] All of these objections strike me as persuasive, especially the first one. I'm not sure I know what self-representation is. Mirrors externally represent, and they can't represent themselves. Two mirrors together achieve something..
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9314
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Unfortunately, higher-order representations could involve error [Kriegel/Williford]
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Full Idea:
A problem for explaining consciousness by higher-order representations is that, like their first-order counterparts, they can misrepresent; there could be a subjective impression of being in a conscious state without actually being in any conscious state.
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From:
U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §1)
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A reaction:
It sounds plausible that this is a logical possibility, but how do you assess whether it is an actual or natural possibility? Are we saying that higher-order representations are judgments, which could be true or false? Hm.
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20327
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Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
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Full Idea:
In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
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From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
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A reaction:
Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
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20326
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Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
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Full Idea:
In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
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From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
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A reaction:
As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
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20330
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The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
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Full Idea:
The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
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From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
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A reaction:
Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.
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