17 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 3144 | Everything is what it is, and not another thing [Butler] |
| Full Idea: Everything is what it is, and not another thing. | |
| From: Joseph Butler (works [1732]), quoted by Georges Rey - Contemporary Philosophy of Mind 2.4 |
| 21315 | A tree remains the same in the popular sense, but not in the strict philosophical sense [Butler] |
| Full Idea: When a man swears to the same tree having stood for fifty years in the same place, he means ...not that the tree has been all that time the same in the strict philosophical sense of the word. ...In a loose and popular sense they are said to be the same. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: A helpful distinction which we should hang on. Of course, by the standards of modern physics, nothing is strictly the same from one Planck time to the next. All is flux. So we either drop the word 'same' (for objects) or relax a bit. |
| 21317 | Despite consciousness fluctuating, we are aware that it belongs to one person [Butler] |
| Full Idea: Though the successive consciousnesses which we have of our own existence are not the same, yet they are consciousnesses of one and the same thing or object; of the same person, self, or living agent. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: Butler's arguments seems to be that he appears to be the same person, so he is the same person. He is explicitly disagreeing with Locke. |
| 21313 | If consciousness of events makes our identity, then if we have forgotten them we didn't exist then [Butler] |
| Full Idea: Though consciousness of what is past does ascertain our personal identity to ourselves, yet to say that it makes personal identity, or is necessary to our being the same persons is to say a person has not existed a single moment but what he can remember. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: An over-cautious scepticism has crept in about the reliability of bodily identity. Now we can have photographs and CCTV to prove that we experienced events we have forgotten. Butler is right. |
| 21314 | Consciousness presupposes personal identity, so it cannot constitute it [Butler] |
| Full Idea: One would think it really self-evident that consciousness of personal identity presupposes, and therefore cannot constitute, personal identity, any more than knowledge can presuppose truth, which it presupposes. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: It rather begs the question to dogmatically assert that mere consciousness presupposes a self, especially after Hume's criticisms. That consciousness implies a subject to experience needs arguing for. Is it the best explanation? |
| 21318 | If the self changes, we have no responsibilities, and no interest in past or future [Butler] |
| Full Idea: If personality is a transient thing ...then it follows that it is a fallacy to charge ourselves with any thing we did, or to imagine our present selves interested in any thing which befell us yesterday, or what will befall us tomorrow. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: We seem to care about the past and future of our children, without actually being our children. Can't my future self be my descendant, a close one, instead of me? |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 8066 | Butler exalts conscience, but it may be horribly misleading [Anscombe on Butler] |
| Full Idea: Butler exalts conscience, but appears ignorant that a man's conscience may tell him to do the vilest things. | |
| From: comment on Joseph Butler (Fifteen Sermons [1726]) by G.E.M. Anscombe - Modern Moral Philosophy p.176 | |
| A reaction: That would appear to be the end of conscience. To make conscience work, it must have a huge authority to back it, and also a fairly infallible means of knowing what it truly says, and that an impostor hasn't replaced it (e.g. via a bad upbringing). |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |