17 ideas
| 6368 | If my ticket won't win the lottery (and it won't), no other tickets will either [Kyburg, by Pollock/Cruz] |
| Full Idea: The Lottery Paradox says you should rationally conclude that your ticket will not win the lottery, and then apply the same reasoning to all the other tickets, and conclude that no ticket will win the lottery. | |
| From: report of Henry E. Kyburg Jr (Probability and Logic of Rational Belief [1961]) by J Pollock / J Cruz - Contemporary theories of Knowledge (2nd) §7.2.8 | |
| A reaction: (Very compressed by me). I doubt whether this is a very deep paradox; the conclusion that I will not win is a rational assessment of likelihood, but it is not the result of strict logic. |
| 7647 | The imagination alone perceives all objects; it is the soul, playing all its roles [La Mettrie] |
| Full Idea: The imagination alone perceives; it forms an idea of all objects, with the words and figures that characterise them; thus the imagination is the soul, because it plays all its roles. | |
| From: Julien Offray de La Mettrie (Machine Man [1747], p.15) | |
| A reaction: This is not just a big claim for the importance of imagination, in strong opposition to Descartes's rather dismissive view (Idea 1399), but also appears to be the germ of an interesting theory about the nature of personal identity. |
| 7645 | When falling asleep, the soul becomes paralysed and weak, just like the body [La Mettrie] |
| Full Idea: The soul and body fall asleep together. The soul slowly becomes paralysed, together with all the body's muscles. They can no longer hold up the weight of the head, while the soul can no longer bear the burden of thought. | |
| From: Julien Offray de La Mettrie (Machine Man [1747], p.6) | |
| A reaction: A very nice observation, to place alongside other evidence such as drunkenness and blushing. Personally I find it hard to see why anyone ever believed dualism. You don't need modern brain scans and brain lesion research to see the problem. |
| 23225 | The soul's faculties depend on the brain, and are simply the brain's organisation [La Mettrie] |
| Full Idea: All the soul's faculties depend so much on the specific organisation of the brain and of the whole body that they are clearly nothing but that organisation. | |
| From: Julien Offray de La Mettrie (Machine Man [1747], p.26) | |
| A reaction: An interesting idea because it suggests that La Mettrie is a functionalist, rather than simply a reductive physicalist. |
| 7652 | Man is a machine, and there exists only one substance, diversely modified [La Mettrie] |
| Full Idea: Let us conclude boldly that man is a machine and that there is in the whole universe only one diversely modified substance. | |
| From: Julien Offray de La Mettrie (Machine Man [1747], p.39) | |
| A reaction: What courage it must have taken to write what now seems a perfectly acceptable and normal view. One day there should be a collective monument to Hobbes, Gassendi, Spinoza, La Mettrie and Hume, who thought so boldly. |
| 7650 | All thought is feeling, and rationality is the sensitive soul contemplating reasoning [La Mettrie] |
| Full Idea: Thought is only a capacity to feel, and the rational soul is only the sensitive soul applied to the contemplation of ideas and to reasoning. | |
| From: Julien Offray de La Mettrie (Machine Man [1747], p.33) | |
| A reaction: What a very nice idea. La Mettrie wants to bring us closer to animals. Because we can pursue a train of rational thought, it does not follow that we have a faculty called 'rationality'. A dog can follow a clever series of clues that lead to food. |
| 7651 | With wonderful new machines being made, a speaking machine no longer seems impossible [La Mettrie] |
| Full Idea: If wonderful machines like Huygens's planetary clock can be made, it would take even more cogs and springs to make a speaking machine, which can no longer be considered impossible, particularly at the hands of a new Prometheus. | |
| From: Julien Offray de La Mettrie (Machine Man [1747], p.34) | |
| A reaction: Compare Descartes in Idea 3614. The idea of artificial intelligence does not arise with the advent of computers; it follows naturally from the materialist view of the mind, along with a bit of ambition to build complex machines. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 7648 | The sun and rain weren't made for us; they sometimes burn us, or spoil our seeds [La Mettrie] |
| Full Idea: The sun was not made in order to heat the earth and all its inhabitants - whom it sometimes burns - any more than the rain was created in order to grow seeds - which it often spoils. | |
| From: Julien Offray de La Mettrie (Machine Man [1747]) | |
| A reaction: This denial of Aristotelian (and divine) teleology is as much part of the movement against religion, as are concerns about natural evil, and about the weakness of arguments for God's existence. These facts were obvious long before La Mettrie. |
| 7646 | There is no abrupt transition from man to animal; only language has opened a gap [La Mettrie] |
| Full Idea: From animals to man there is no abrupt transition. What was man before he invented words and learnt languages? An animal of a particular species, with much less natural instinct than the others. | |
| From: Julien Offray de La Mettrie (Machine Man [1747], p.13) | |
| A reaction: This shows how strongly the evolutionary idea was in the air, a century before Darwin proposed a mechanism for it. This thought is the beginning of a very new view of man, and also of a very new view of animals. |
| 7649 | There is no clear idea of the soul, which should only refer to our thinking part [La Mettrie] |
| Full Idea: The soul is merely a vain term of which we have no idea and which a good mind should use only to refer to that part of us which thinks. | |
| From: Julien Offray de La Mettrie (Machine Man [1747]) | |
| A reaction: I have always found the concept of the soul particularly baffling. It seems that it is only believed in to make immortality possible, with no other purpose to the belief, let alone evidence. I suspect that Descartes agreed with La Mettrie on this. |