Combining Philosophers

All the ideas for Leo Tolstoy, Anil Gupta and Jean Calvin

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24 ideas

2. Reason / D. Definition / 1. Definitions
Definitions usually have a term, a 'definiendum' containing the term, and a defining 'definiens' [Gupta]
     Full Idea: Many definitions have three elements: the term that is defined, an expression containing the defined term (the 'definiendum'), and another expression (the 'definiens') that is equated by the definition with this expression.
     From: Anil Gupta (Definitions [2008], 2)
     A reaction: He notes that the definiendum and the definiens are assumed to be in the 'same logical category', which is a right can of worms.
Notable definitions have been of piety (Plato), God (Anselm), number (Frege), and truth (Tarski) [Gupta]
     Full Idea: Notable examples of definitions in philosophy have been Plato's (e.g. of piety, in 'Euthyphro'), Anselm's definition of God, the Frege-Russell definition of number, and Tarski's definition of truth.
     From: Anil Gupta (Definitions [2008], Intro)
     A reaction: All of these are notable for the extensive metaphysical conclusions which then flow from what seems like a fairly neutral definition. We would expect that if we were defining essences, but not if we were just defining word usage.
2. Reason / D. Definition / 2. Aims of Definition
A definition needs to apply to the same object across possible worlds [Gupta]
     Full Idea: In a modal logic in which names are non-vacuous and rigid, not only must existence and uniqueness in a definition be shown to hold necessarily, it must be shown that the definiens is satisfied by the same object across possible worlds.
     From: Anil Gupta (Definitions [2008], 2.4)
The 'revision theory' says that definitions are rules for improving output [Gupta]
     Full Idea: The 'revision theory' of definitions says definitions impart a hypothetical character, giving a rule of revision rather than a rule of application. ...The output interpretation is better than the input one.
     From: Anil Gupta (Definitions [2008], 2.7)
     A reaction: Gupta mentions the question of whether such definitions can extend into the trans-finite.
2. Reason / D. Definition / 3. Types of Definition
Traditional definitions are general identities, which are sentential and reductive [Gupta]
     Full Idea: Traditional definitions are generalized identities (so definiendum and definiens can replace each other), in which the sentential is primary (for use in argument), and they involve reduction (and hence eliminability in a ground language).
     From: Anil Gupta (Definitions [2008], 2.2)
Traditional definitions need: same category, mention of the term, and conservativeness and eliminability [Gupta]
     Full Idea: A traditional definition requires that the definiendum contains the defined term, that definiendum and definiens are of the same logical category, and the definition is conservative (adding nothing new), and makes elimination possible.
     From: Anil Gupta (Definitions [2008], 2.4)
A definition can be 'extensionally', 'intensionally' or 'sense' adequate [Gupta]
     Full Idea: A definition is 'extensionally adequate' iff there are no actual counterexamples to it. It is 'intensionally adequate' iff there are no possible counterexamples to it. It is 'sense adequate' (or 'analytic') iff it endows the term with the right sense.
     From: Anil Gupta (Definitions [2008], 1.4)
2. Reason / D. Definition / 4. Real Definition
Chemists aim at real definition of things; lexicographers aim at nominal definition of usage [Gupta]
     Full Idea: The chemist aims at real definition, whereas the lexicographer aims at nominal definition. ...Perhaps real definitions investigate the thing denoted, and nominal definitions investigate meaning and use.
     From: Anil Gupta (Definitions [2008], 1.1)
     A reaction: Very helpful. I really think we should talk much more about the neglected chemists when we discuss science. Theirs is the single most successful branch of science, the paradigm case of what the whole enterprise aims at.
2. Reason / D. Definition / 6. Definition by Essence
If definitions aim at different ideals, then defining essence is not a unitary activity [Gupta]
     Full Idea: Some definitions aim at precision, others at fairness, or at accuracy, or at clarity, or at fecundity. But if definitions 'give the essence of things' (the Aristotelian formula), then it may not be a unitary kind of activity.
     From: Anil Gupta (Definitions [2008], 1)
     A reaction: We don't have to accept this conclusion so quickly. Human interests may shift the emphasis, but there may be a single ideal definition of which these various examples are mere parts.
2. Reason / D. Definition / 10. Stipulative Definition
Stipulative definition assigns meaning to a term, ignoring prior meanings [Gupta]
     Full Idea: Stipulative definition imparts a meaning to the defined term, and involves no commitment that the assigned meaning agrees with prior uses (if any) of the term
     From: Anil Gupta (Definitions [2008], 1.3)
     A reaction: A nice question is how far one can go in stretching received usage. If I define 'democracy' as 'everyone is involved in decisions', that is sort of right, but pushing the boundaries (children, criminals etc).
2. Reason / D. Definition / 11. Ostensive Definition
Ostensive definitions look simple, but are complex and barely explicable [Gupta]
     Full Idea: Ostensive definitions look simple (say 'this stick is one meter long', while showing a stick), but they are effective only because a complex linguistic and conceptual capacity is operative in the background, of which it is hard to give an account.
     From: Anil Gupta (Definitions [2008], 1.2)
     A reaction: The full horror of the situation is brought out in Quine's 'gavagai' example (Idea 6312)
3. Truth / F. Semantic Truth / 1. Tarski's Truth / a. Tarski's truth definition
Truth rests on Elimination ('A' is true → A) and Introduction (A → 'A' is true) [Gupta]
     Full Idea: The basic principles governing truth are Truth Elimination (sentence A follows from ''A' is true') and the converse Truth Introduction (''A' is true' follows from A), which combine into Tarski's T-schema - 'A' is true if and only if A.
     From: Anil Gupta (Truth [2001], 5.1)
     A reaction: Introduction and Elimination rules are the basic components of natural deduction systems, so 'true' now works in the same way as 'and', 'or' etc. This is the logician's route into truth.
3. Truth / F. Semantic Truth / 2. Semantic Truth
A weakened classical language can contain its own truth predicate [Gupta]
     Full Idea: If a classical language is expressively weakened - for example, by dispensing with negation - then it can contain its own truth predicate.
     From: Anil Gupta (Truth [2001], 5.2)
     A reaction: Thus the Tarskian requirement to move to a metalanguage for truth is only a requirement of a reasonably strong language. Gupta uses this to criticise theories that dispense with the metalanguage.
4. Formal Logic / F. Set Theory ST / 6. Ordering in Sets
The ordered pair <x,y> is defined as the set {{x},{x,y}}, capturing function, not meaning [Gupta]
     Full Idea: The ordered pair <x,y> is defined as the set {{x},{x,y}}. This does captures its essential uses. Pairs <x,y> <u,v> are identical iff x=u and y=v, and the definition satisfies this. Function matters here, not meaning.
     From: Anil Gupta (Definitions [2008], 1.5)
     A reaction: This is offered as an example of Carnap's 'explications', rather than pure definitions. Quine extols it as a philosophical paradigm (1960:§53).
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
The Liar reappears, even if one insists on propositions instead of sentences [Gupta]
     Full Idea: There is the idea that the Liar paradox is solved simply by noting that truth is a property of propositions (not of sentences), and the Liar sentence does not express a proposition. But we then say 'I am not now expressing a true proposition'!
     From: Anil Gupta (Truth [2001], 5.1)
     A reaction: Disappointed to learn this, since I think focusing on propositions (which are unambiguous) rather than sentences solves a huge number of philosophical problems.
Strengthened Liar: either this sentence is neither-true-nor-false, or it is not true [Gupta]
     Full Idea: An example of the Strengthened Liar is the following statement SL: 'Either SL is neither-true-nor-false or it is not true'. This raises a serious problem for any theory that assesses the paradoxes to be neither true nor false.
     From: Anil Gupta (Truth [2001], 5.4.2)
     A reaction: If the sentence is either true or false it reduces to the ordinary Liar. If it is neither true nor false, then it is true.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
True works of art transmit completely new feelings [Tolstoy]
     Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man.
     From: Leo Tolstoy (What is Art? [1898], Ch.9)
     A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord).
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
     Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them.
     From: Leo Tolstoy (What is Art? [1898], Ch.5)
     A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition.
The highest feelings of mankind can only be transmitted by art [Tolstoy]
     Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art.
     From: Leo Tolstoy (What is Art? [1898], Ch.17)
     A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
     Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art.
     From: Leo Tolstoy (What is Art? [1898], Ch.16)
     A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!).
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
     Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life.
     From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206
     A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel.
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
     Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality.
     From: Leo Tolstoy (What is Art? [1898], Ch.17)
     A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art.
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]
     Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time.
     From: Leo Tolstoy (What is Art? [1898], Ch.3)
     A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible.
25. Social Practice / E. Policies / 2. Religion in Society
Only when working people are poor do they remain obedient to God [Calvin, by Weber]
     Full Idea: Calvin made the much-quoted statement that only when the people, i.e. the mass of labourers and craftsmen, were poor did they remain obedient to God.
     From: report of Jean Calvin (works [1549]) by Max Weber - The Protestant Ethic and the Spirit of Capitalism 5
     A reaction: This is only one aspect of Christian influence. The alternative is John Wesley's exhortation to work diligently, live modestly, save, invest and get rich. Most people want a comfortable intermediate state, but who proclaims that?