27 ideas
| 19504 | My modus ponens might be your modus tollens [Pritchard,D] |
| Full Idea: One philosopher's modus ponens is another philosopher's modus tollens. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 3.§2) | |
| A reaction: [Anyone know the originator of this nice thought?] You say A is true, and A proves B, so B is true. I reply that if A proves something as daft as B, then so much the worse for A. Ain't it the truth? |
| 3144 | Everything is what it is, and not another thing [Butler] |
| Full Idea: Everything is what it is, and not another thing. | |
| From: Joseph Butler (works [1732]), quoted by Georges Rey - Contemporary Philosophy of Mind 2.4 |
| 21315 | A tree remains the same in the popular sense, but not in the strict philosophical sense [Butler] |
| Full Idea: When a man swears to the same tree having stood for fifty years in the same place, he means ...not that the tree has been all that time the same in the strict philosophical sense of the word. ...In a loose and popular sense they are said to be the same. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: A helpful distinction which we should hang on. Of course, by the standards of modern physics, nothing is strictly the same from one Planck time to the next. All is flux. So we either drop the word 'same' (for objects) or relax a bit. |
| 19503 | An improbable lottery win can occur in a nearby possible world [Pritchard,D] |
| Full Idea: Low probability events such as lottery wins can occur in nearby possible worlds. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 2.n2) | |
| A reaction: This seems to ruin any chance of mapping probabilities and counterfactuals in the neat model of nested possible worlds (like an onion). [Lewis must have thought of this, surely? - postcards, please] |
| 19505 | Moore begs the question, or just offers another view, or uses 'know' wrongly [Pritchard,D, by PG] |
| Full Idea: The three main objections to Moore's common-sense refutation of scepticism is that it either begs the question, or it just offers a rival view instead of a refutation, or it uses 'know' in a conversationally inappropriate way. | |
| From: report of Duncan Pritchard (Epistemological Disjunctivism [2012], 3.§2) by PG - Db (ideas) | |
| A reaction: [I deserve applause for summarising two pages of Pritchard's wordy stuff so neatly] |
| 19499 | We can have evidence for seeing a zebra, but no evidence for what is entailed by that [Pritchard,D] |
| Full Idea: The closure principle forces us to regard Zula as knowing that what she is looking at is not a cleverly disguised mule, and yet she doesn't appear to have any supporting evidence for this knowledge. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 2.§3) | |
| A reaction: [Zula observes a zebra in the zoo] Entailment is a different type of justification from perception. If we add fallibilism to the mix, then fallibility can increase as we pursue a string of entailments. But proper logic, of course, should not be fallible. |
| 19500 | Favouring: an entailment will give better support for the first belief than reason to deny the second [Pritchard,D] |
| Full Idea: The Favouring Principle says that if S knows two things, and that the first entails the second, then S has better evidence in support of her belief in the first than she has for denying the second. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 2.§3) | |
| A reaction: [his version is full of Greek letters, but who wants that stuff?] Pritchard concludes that if you believe in the closure principle then you should deny the favouring principle. |
| 19502 | Maybe knowledge just needs relevant discriminations among contrasting cases [Pritchard,D] |
| Full Idea: According to the 'contrastivist' proposal knowledge is to be understood as essentially involving discrimination, such that knowing a proposition boils down to having the relevant discriminatory capacities. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 2.§6) | |
| A reaction: Pritchard says this isn't enough, and we must also to be aware of supporting favouring evidence. I would focus on the concept of coherence, even for simple perceptual knowledge. If I see a hawk in England, that's fine. What if I 'see' a vulture? |
| 19498 | Epistemic internalism usually says justification must be accessible by reflection [Pritchard,D] |
| Full Idea: Typically, internal epistemic conditions are characterised in terms of a reflective access requirement. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 1.§6) | |
| A reaction: If your justification is straightforwardly visual, it is unclear what the difference would be between seeing the thing and having reflective access to the seeing. |
| 19506 | Externalism is better than internalism in dealing with radical scepticism [Pritchard,D] |
| Full Idea: Standard epistemic internalism faces an uphill struggle when it comes to dealing with radical scepticism, which points in favour of epistemic externalist neo-Mooreanism. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 3.§3) | |
| A reaction: I incline towards internalism. I deal with scepticism by being a fallibilist, and adding 'but you never know' to every knowledge claim, and then getting on with life. |
| 19496 | Disjunctivism says perceptual justification must be both factual and known by the agent [Pritchard,D] |
| Full Idea: Slogan for disjunctivism: perceptual knowledge is paradigmatically constituted by a true belief whose epistemic support is both factive (i.e. it entails the truth of the propositions believed) and reflectively accessible to the agent. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], Intro) | |
| A reaction: I'm not a fan of externalism, but it could be that the factive bit achieves the knowledge, and then being able to use and answer for that knowledge may just be a bonus, and not an essential ingredient. |
| 19497 | Metaphysical disjunctivism says normal perceptions and hallucinations are different experiences [Pritchard,D] |
| Full Idea: Metaphysical disjunctivists hold that veridical perceptual experiences are not essentially the same as the experiences involved in corresponding cases involving illusion and (especially) hallucination. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 1.§4) | |
| A reaction: Metaphysical disjunctivism concerns what the experiences are; epistemological justification concerns the criteria of justification. I think. I wish Pritchard would spell things out more clearly. Indeed, I wish all philosophers would. |
| 19495 | Epistemic externalism struggles to capture the idea of epistemic responsibility [Pritchard,D] |
| Full Idea: A fundamental difficulty for epistemic externalist positions is that it is hard on this view to capture any adequate notion of epistemic responsibility. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], Intro) | |
| A reaction: He never explains the 'responsibility', but I presume that would be like an expert witness in court, vouching for their knowledge. |
| 19501 | We assess error against background knowledge, but that is just what radical scepticism challenges [Pritchard,D] |
| Full Idea: When faced with an error-possibility we can appeal to background knowledge, as long as the error-possibility does not call into question this background knowledge. The same is not true when we focus on the radical sceptical hypothesis. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 2.§5) | |
| A reaction: [reworded] Doubting everything simultaneously just looks like a mad project. If you doubt linguistic meaning, you can't even express your doubts. |
| 19507 | Radical scepticism is merely raised, and is not a response to worrying evidence [Pritchard,D] |
| Full Idea: Crucially, radical sceptical error-possibilities are never epistemically motivated, but are instead merely raised. | |
| From: Duncan Pritchard (Epistemological Disjunctivism [2012], 3.§5) | |
| A reaction: In 'The Matrix' someone sees a glitch in the software (a cat crossing a passageway), and that would have to be taken seriously. Otherwise it is a nice strategy to ask why the sceptic is raising this bizzare possibility, without evidence. |
| 21317 | Despite consciousness fluctuating, we are aware that it belongs to one person [Butler] |
| Full Idea: Though the successive consciousnesses which we have of our own existence are not the same, yet they are consciousnesses of one and the same thing or object; of the same person, self, or living agent. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: Butler's arguments seems to be that he appears to be the same person, so he is the same person. He is explicitly disagreeing with Locke. |
| 21313 | If consciousness of events makes our identity, then if we have forgotten them we didn't exist then [Butler] |
| Full Idea: Though consciousness of what is past does ascertain our personal identity to ourselves, yet to say that it makes personal identity, or is necessary to our being the same persons is to say a person has not existed a single moment but what he can remember. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: An over-cautious scepticism has crept in about the reliability of bodily identity. Now we can have photographs and CCTV to prove that we experienced events we have forgotten. Butler is right. |
| 21314 | Consciousness presupposes personal identity, so it cannot constitute it [Butler] |
| Full Idea: One would think it really self-evident that consciousness of personal identity presupposes, and therefore cannot constitute, personal identity, any more than knowledge can presuppose truth, which it presupposes. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: It rather begs the question to dogmatically assert that mere consciousness presupposes a self, especially after Hume's criticisms. That consciousness implies a subject to experience needs arguing for. Is it the best explanation? |
| 21318 | If the self changes, we have no responsibilities, and no interest in past or future [Butler] |
| Full Idea: If personality is a transient thing ...then it follows that it is a fallacy to charge ourselves with any thing we did, or to imagine our present selves interested in any thing which befell us yesterday, or what will befall us tomorrow. | |
| From: Joseph Butler (Analogy of Religion [1736], App.1) | |
| A reaction: We seem to care about the past and future of our children, without actually being our children. Can't my future self be my descendant, a close one, instead of me? |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 8066 | Butler exalts conscience, but it may be horribly misleading [Anscombe on Butler] |
| Full Idea: Butler exalts conscience, but appears ignorant that a man's conscience may tell him to do the vilest things. | |
| From: comment on Joseph Butler (Fifteen Sermons [1726]) by G.E.M. Anscombe - Modern Moral Philosophy p.176 | |
| A reaction: That would appear to be the end of conscience. To make conscience work, it must have a huge authority to back it, and also a fairly infallible means of knowing what it truly says, and that an impostor hasn't replaced it (e.g. via a bad upbringing). |