16061
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If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow]
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Full Idea:
Logical supervenience, restricted to individuals, seems to imply strong reduction. It is said that where the B-facts logically supervene on the A-facts, the B-facts simply re-describe what the A-facts describe, and the B-facts come along 'for free'.
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From:
Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C)
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A reaction:
This seems to be taking 'logically' to mean 'analytically'. Presumably an entailment is logically supervenient on its premisses, and may therefore be very revealing, even if some people think such things are analytic.
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12750
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The question is whether force is self-sufficient in bodies, and essential, or dependent on something [Lenfant]
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Full Idea:
The whole question is to know if the force to act in bodies is in matter something distinct and independent of everything else that one conceives there. Without that, this force cannot be its essence, and will remain the result of some primitive quality.
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From:
Jacques Lenfant (Letters to Leibniz [1693], 1693.11.07), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 8
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A reaction:
This challenge to Leibniz highlights the drama of trying to simultaneously arrive at explanations of things, and to decide the nature of essence. Leibniz replied that force is primitive, because it is the 'principle' of behaviour and dispositions.
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8119
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Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy]
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Full Idea:
According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present).
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From:
report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3
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A reaction:
This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked.
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