28 ideas
| 9065 | S5 collapses iterated modalities (◊□P→□P, and ◊◊P→◊P) [Keefe/Smith] |
| Full Idea: S5 collapses iterated modalities (so ◊□P → □P, and ◊◊P → ◊P). | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §5) | |
| A reaction: It is obvious why this might be controversial, and there seems to be a general preference for S4. There may be confusions of epistemic and ontic (and even semantic?) possibilities within a single string of modalities. |
| 16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
| Full Idea: It seems unavoidable that the facts about logically necessary relations between levels of facts are themselves logically distinct further facts, irreducible to the microphysical facts. | |
| From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C) | |
| A reaction: I'm beginning to think that rejecting every theory of reality that is proposed by carefully exposing some infinite regress hidden in it is a rather lazy way to do philosophy. Almost as bad as rejecting anything if it can't be defined. |
| 16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
| Full Idea: Logical supervenience, restricted to individuals, seems to imply strong reduction. It is said that where the B-facts logically supervene on the A-facts, the B-facts simply re-describe what the A-facts describe, and the B-facts come along 'for free'. | |
| From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C) | |
| A reaction: This seems to be taking 'logically' to mean 'analytically'. Presumably an entailment is logically supervenient on its premisses, and may therefore be very revealing, even if some people think such things are analytic. |
| 16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
| Full Idea: The root intuition behind nonreductive materialism is that reality is composed of ontologically distinct layers or levels. …The upper levels depend on the physical without reducing to it. | |
| From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], B) | |
| A reaction: A nice clear statement of a view which I take to be false. This relationship is the sort of thing that drives people fishing for an account of it to use the word 'supervenience', which just says two things seem to hang out together. Fluffy materialism. |
| 16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
| Full Idea: Jessica Wilson (1999) says what makes physicalist accounts different from emergentism etc. is that each individual causal power associated with a supervenient property is numerically identical with a causal power associated with its base property. | |
| From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], n 11) | |
| A reaction: Hence the key thought in so-called (serious, rather than self-evident) 'emergentism' is so-called 'downward causation', which I take to be an idle daydream. |
| 9064 | Objects such as a cloud or Mount Everest seem to have fuzzy boundaries in nature [Keefe/Smith] |
| Full Idea: A common intuition is that a vague object has indeterminate or fuzzy spatio-temporal boundaries, such as a cloud. Mount Everest can only have arbitrary boundaries placed around it, so in nature it must have fuzzy boundaries. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §5) | |
| A reaction: We would have to respond by questioning whether Everest counts precisely as an 'object'. At the microscopic or subatomic level it seems that virtually everything has fuzzy boundaries. Maybe boundaries don't really exist. |
| 9044 | If someone is borderline tall, no further information is likely to resolve the question [Keefe/Smith] |
| Full Idea: If Tek is borderline tall, the unclarity does not seem to be epistemic, because no amount of further information about his exact height (or the heights of others) could help us decide whether he is tall. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §1) | |
| A reaction: One should add also that information about social conventions or conventions about the usage of the word 'tall' will not help either. It seems fairly obvious that God would not know whether Tek is tall, so the epistemic view is certainly counterintuitive. |
| 9048 | The simplest approach, that vagueness is just ignorance, retains classical logic and semantics [Keefe/Smith] |
| Full Idea: The simplest approach to vagueness is to retain classical logic and semantics. Borderline cases are either true or false, but we don't know which, and, despite appearances, vague predicates have well-defined extensions. Vagueness is ignorance. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §1) | |
| A reaction: It seems to me that you must have a rather unhealthy attachment to the logicians' view of the world to take this line. It is the passion of the stamp collector, to want everything in sets, with neatly labelled properties, and inference lines marked out. |
| 9055 | The epistemic view of vagueness must explain why we don't know the predicate boundary [Keefe/Smith] |
| Full Idea: A key question for the epistemic view of vagueness is: why are we ignorant of the facts about where the boundaries of vague predicates lie? | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §2) | |
| A reaction: Presumably there is a range of answers, from laziness, to inability to afford the instruments, to limitations on human perception. At the limit, with physical objects, how do we tell whether it is us or the object which is afflicted with vagueness? |
| 9049 | Supervaluationism keeps true-or-false where precision can be produced, but not otherwise [Keefe/Smith] |
| Full Idea: The supervaluationist view of vagueness is that 'tall' comes out true or false on all the ways in which we can make 'tall' precise. There is a gap for borderline cases, but 'tall or not-tall' is still true wherever you draw a boundary. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §1) | |
| A reaction: [Kit Fine is the spokesperson for this; it preserves classical logic, but not semantics] This doesn't seem to solve the problem of vagueness, but it does (sort of) save the principle of excluded middle. |
| 9056 | Vague statements lack truth value if attempts to make them precise fail [Keefe/Smith] |
| Full Idea: The supervaluationist view of vagueness proposes that a sentence is true iff it is true on all precisifications, false iff false on all precisifications, and neither true nor false otherwise. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §3) | |
| A reaction: This seems to be just a footnote to the Russell/Unger view, that logic works if the proposition is precise, but otherwise it is either just the mess of ordinary life, or the predicate doesn't apply at all. |
| 9058 | Some of the principles of classical logic still fail with supervaluationism [Keefe/Smith] |
| Full Idea: Supervaluationist logic (now with a 'definite' operator D) fails to preserve certain classical principles about consequence and rules of inference. For example, reduction ad absurdum, contraposition, the deduction theorem and argument by cases. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §3) | |
| A reaction: The aim of supervaluationism was to try to preserve some classical logic, especially the law of excluded middle, in the face of problems of vagueness. More drastic views, like treating vagueness as irrelevant to logic, or the epistemic view, do better. |
| 9059 | The semantics of supervaluation (e.g. disjunction and quantification) is not classical [Keefe/Smith] |
| Full Idea: The semantics of supervaluational views is not classical. A disjunction can be true without either of its disjuncts being true, and an existential quantification can be true without any of its substitution instances being true. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §3) | |
| A reaction: There is a vaguely plausible story here (either red or orange, but not definitely one nor tother; there exists an x, but which x it is is undecidable), but I think I will vote for this all being very very wrong. |
| 9060 | Supervaluation misunderstands vagueness, treating it as a failure to make things precise [Keefe/Smith] |
| Full Idea: Why should we think vague language is explained away by how things would be if it were made precise? Supervaluationism misrepresents vague expressions, as vague only because we have not bothered to make them precise. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §3) | |
| A reaction: The theory still leaves a gap where vagueness is ineradicable, so the charge doesn't seem quite fair. Logicians always yearn for precision, but common speech enjoys wallowing in a sea of easy-going vagueness, which works fine. |
| 9050 | A third truth-value at borderlines might be 'indeterminate', or a value somewhere between 0 and 1 [Keefe/Smith] |
| Full Idea: One approach to predications in borderline cases is to say that they have a third truth value - 'neutral', 'indeterminate' or 'indefinite', leading to a three-valued logic. Or a degree theory, such as fuzzy logic, with infinite values between 0 and 1. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §1) | |
| A reaction: This looks more like a strategy for computer programmers than for metaphysicians, as it doesn't seem to solve the difficulty of things to which no one can quite assign any value at all. Sometimes you can't be sure if an entity is vague. |
| 9061 | People can't be placed in a precise order according to how 'nice' they are [Keefe/Smith] |
| Full Idea: There is no complete ordering of people by niceness, and two people could be both fairly nice, nice to intermediate degrees, while there is no fact of the matter about who is the nicer. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §4) | |
| A reaction: This is a difficulty if you are trying to decide vague predicates by awarding them degrees of truth. Attempts to place a precise value on 'nice' seem to miss the point, even more than utilitarian attempts to score happiness. |
| 9062 | If truth-values for vagueness range from 0 to 1, there must be someone who is 'completely tall' [Keefe/Smith] |
| Full Idea: Many-valued theories still seem to have a sharp boundary between sentences taking truth-value 1 and those taking value less than 1. So there is a last man in our sorites series who counts as 'completely tall'. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §4) | |
| A reaction: Lovely. Completely nice, totally red, perfectly childlike, an utter mountain, one hundred per cent amused. The enterprise seems to have the same implausibility found in Bayesian approaches to assessing evidence. |
| 9063 | How do we decide if my coat is red to degree 0.322 or 0.321? [Keefe/Smith] |
| Full Idea: What could determine which is the correct function, settling that my coat is red to degree 0.322 rather than 0.321? | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §4) | |
| A reaction: It is not just the uncertainty of placing the coat on the scale. The two ends of the scale have all the indeterminacy of being red rather than orange (or, indeed, pink). You are struggling to find a spot on the ruler, when the ruler is placed vaguely. |
| 9045 | Vague predicates involve uncertain properties, uncertain objects, and paradoxes of gradual change [Keefe/Smith] |
| Full Idea: Three interrelated features of vague predicates such as 'tall', 'red', 'heap', 'child' are that they have borderline cases (application is uncertain), they lack well-defined extensions (objects are uncertain), and they're susceptible to sorites paradoxes. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §1) | |
| A reaction: The issue will partly depend on what you think an object is: choose from bundles of properties, total denial, essential substance, or featureless substance with properties. The fungal infection of vagueness could creep in at any point, even the words. |
| 9047 | Many vague predicates are multi-dimensional; 'big' involves height and volume; heaps include arrangement [Keefe/Smith] |
| Full Idea: Many vague predicates are multi-dimensional. 'Big' of people depends on both height and volume; 'nice' does not even have clear dimensions; whether something is a 'heap' depends both the number of grains and their arrangement. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §1) | |
| A reaction: Anyone who was hoping for a nice tidy theory for this problem should abandon hope at this point. Huge numbers of philosophical problems can be simplified by asking 'what exactly do you mean here?' (e.g. tall or bulky?). |
| 9053 | If there is a precise borderline area, that is not a case of vagueness [Keefe/Smith] |
| Full Idea: If a predicate G has a sharply-bounded set of cases falling in between the positive and negative, this shows that merely having borderline cases is not sufficient for vagueness. | |
| From: R Keefe / P Smith (Intro: Theories of Vagueness [1997], §1) | |
| A reaction: Thus you might have 'pass', 'fail' and 'take the test again'. But there seem to be two cases in the border area: will decide later, and decision seems impossible. And the sharp boundaries may be quite arbitrary. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |