Combining Philosophers

All the ideas for Lynch,MP/Glasgow,JM, R.G. Collingwood and Michael D. Resnik

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15 ideas

4. Formal Logic / B. Propositional Logic PL / 2. Tools of Propositional Logic / e. Axioms of PL
Axioms are often affirmed simply because they produce results which have been accepted [Resnik]
     Full Idea: Many axioms have been proposed, not on the grounds that they can be directly known, but rather because they produce a desired body of previously recognised results.
     From: Michael D. Resnik (Maths as a Science of Patterns [1997], One.5.1)
     A reaction: This is the perennial problem with axioms - whether we start from them, or whether we deduce them after the event. There is nothing wrong with that, just as we might infer the existence of quarks because of their results.
6. Mathematics / A. Nature of Mathematics / 1. Mathematics
Mathematical realism says that maths exists, is largely true, and is independent of proofs [Resnik]
     Full Idea: Mathematical realism is the doctrine that mathematical objects exist, that much contemporary mathematics is true, and that the existence and truth in question is independent of our constructions, beliefs and proofs.
     From: Michael D. Resnik (Maths as a Science of Patterns [1997], Three.12.9)
     A reaction: As thus defined, I would call myself a mathematical realist, but everyone must hesitate a little at the word 'exist' and ask, how does it exist? What is it 'made of'? To say that it exists in the way that patterns exist strikes me as very helpful.
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / a. Structuralism
Mathematical constants and quantifiers only exist as locations within structures or patterns [Resnik]
     Full Idea: In maths the primary subject-matter is not mathematical objects but structures in which they are arranged; our constants and quantifiers denote atoms, structureless points, or positions in structures; they have no identity outside a structure or pattern.
     From: Michael D. Resnik (Maths as a Science of Patterns [1997], Three.10.1)
     A reaction: This seems to me a very promising idea for the understanding of mathematics. All mathematicians acknowledge that the recognition of patterns is basic to the subject. Even animals recognise patterns. It is natural to invent a language of patterns.
Sets are positions in patterns [Resnik]
     Full Idea: On my view, sets are positions in certain patterns.
     From: Michael D. Resnik (Maths as a Science of Patterns [1997], Three.10.5)
     A reaction: I have always found the ontology of a 'set' puzzling, because they seem to depend on prior reasons why something is a member of a given set, which cannot always be random. It is hard to explain sets without mentioning properties.
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / d. Platonist structuralism
Structuralism must explain why a triangle is a whole, and not a random set of points [Resnik]
     Full Idea: An objection is that structuralism fails to explain why certain mathematical patterns are unified wholes while others are not; for instance, some think that an ontological account of mathematics must explain why a triangle is not a 'random' set of points.
     From: Michael D. Resnik (Maths as a Science of Patterns [1997], Three.10.4)
     A reaction: This is an indication that we are not just saying that we recognise patterns in nature, but that we also 'see' various underlying characteristics of the patterns. The obvious suggestion is that we see meta-patterns.
There are too many mathematical objects for them all to be mental or physical [Resnik]
     Full Idea: If we take mathematics at its word, there are too many mathematical objects for it to be plausible that they are all mental or physical objects.
     From: Michael D. Resnik (Maths as a Science of Patterns [1997], One.1)
     A reaction: No one, of course, has ever claimed that they are, but this is a good starting point for assessing the ontology of mathematics. We are going to need 'rules', which can deduce the multitudinous mathematical objects from a small ontology.
Maths is pattern recognition and representation, and its truth and proofs are based on these [Resnik]
     Full Idea: I argue that mathematical knowledge has its roots in pattern recognition and representation, and that manipulating representations of patterns provides the connection between the mathematical proof and mathematical truth.
     From: Michael D. Resnik (Maths as a Science of Patterns [1997], One.1)
     A reaction: The suggestion that patterns are at the basis of the ontology of mathematics is the most illuminating thought I have encountered in the area. It immediately opens up the possibility of maths being an entirely empirical subject.
Congruence is the strongest relationship of patterns, equivalence comes next, and mutual occurrence is the weakest [Resnik]
     Full Idea: Of the equivalence relationships which occur between patterns, congruence is the strongest, equivalence the next, and mutual occurrence the weakest. None of these is identity, which would require the same position.
     From: Michael D. Resnik (Maths as a Science of Patterns [1997], Three.10.3)
     A reaction: This gives some indication of how an account of mathematics as a science of patterns might be built up. Presumably the recognition of these 'degrees of strength' cannot be straightforward observation, but will need an a priori component?
7. Existence / C. Structure of Existence / 3. Levels of Reality
A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow]
     Full Idea: It seems unavoidable that the facts about logically necessary relations between levels of facts are themselves logically distinct further facts, irreducible to the microphysical facts.
     From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C)
     A reaction: I'm beginning to think that rejecting every theory of reality that is proposed by carefully exposing some infinite regress hidden in it is a rather lazy way to do philosophy. Almost as bad as rejecting anything if it can't be defined.
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow]
     Full Idea: Logical supervenience, restricted to individuals, seems to imply strong reduction. It is said that where the B-facts logically supervene on the A-facts, the B-facts simply re-describe what the A-facts describe, and the B-facts come along 'for free'.
     From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C)
     A reaction: This seems to be taking 'logically' to mean 'analytically'. Presumably an entailment is logically supervenient on its premisses, and may therefore be very revealing, even if some people think such things are analytic.
7. Existence / D. Theories of Reality / 6. Physicalism
Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow]
     Full Idea: The root intuition behind nonreductive materialism is that reality is composed of ontologically distinct layers or levels. …The upper levels depend on the physical without reducing to it.
     From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], B)
     A reaction: A nice clear statement of a view which I take to be false. This relationship is the sort of thing that drives people fishing for an account of it to use the word 'supervenience', which just says two things seem to hang out together. Fluffy materialism.
The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow]
     Full Idea: Jessica Wilson (1999) says what makes physicalist accounts different from emergentism etc. is that each individual causal power associated with a supervenient property is numerically identical with a causal power associated with its base property.
     From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], n 11)
     A reaction: Hence the key thought in so-called (serious, rather than self-evident) 'emergentism' is so-called 'downward causation', which I take to be an idle daydream.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
     Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
     From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
     A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
     Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
     From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
     A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
     Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge.
     From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4
     A reaction: I might believe this of writing novels, but not much else.