8 ideas
| 12270 | Being is one [Melissus, by Aristotle] |
| Full Idea: Being is one. | |
| From: report of Melissus (fragments/reports [c.443 BCE]) by Aristotle - Topics 104b23 | |
| A reaction: I can only really understand this in terms of physics, as the belief that ultimately there is one simple theory which explains everything. That project doesn't look terribly promising, despite the lovely simplifications of modern physics. |
| 5880 | Xenocrates held that the soul had no form or substance, but was number [Xenocrates, by Cicero] |
| Full Idea: Xenocrates denied that the soul had form or any substance, but said that it was number, and the power of number, as had been held by Pythagoras long before, was the highest in nature. | |
| From: report of Xenocrates (fragments/reports [c.327 BCE]) by M. Tullius Cicero - Tusculan Disputations I.x.20 | |
| A reaction: This shows how strong the Pythagorean influence was in the Academy. This is not totally stupid. Dawkins holds that the essence of DNA is information, which can be expressed mathematically. Xenocrates was a functionalist. |
| 7276 | All art is quite useless [Wilde] |
| Full Idea: All art is quite useless. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions. |
| 7274 | Books are only well or badly written, not moral or immoral [Wilde] |
| Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels. |
| 7275 | Having ethical sympathies is a bad mannerism of style in an artist [Wilde] |
| Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully. |
| 3059 | There is no real motion, only the appearance of it [Melissus, by Diog. Laertius] |
| Full Idea: There is no such thing as real motion, but there only appears to be such. | |
| From: report of Melissus (fragments/reports [c.443 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.4.3 |
| 5100 | The void is not required for change, because a plenum can alter in quality [Aristotle on Melissus] |
| Full Idea: There is no need for void to be the cause of all change, because it is perfectly possible for a plenum to alter qualitatively (which is something Melissus overlooked). | |
| From: comment on Melissus (fragments/reports [c.443 BCE]) by Aristotle - Physics 214a27 | |
| A reaction: In modern physics this presumably gives us fluctuations in a force field. Motion is like a cat being digested by a python. The atomist claim that emptiness is needed if anything is to move still has intuitive appeal. |
| 456 | Nothing could come out of nothing [Melissus] |
| Full Idea: If Nothing existed, in no way could anything come into being out of nothing. | |
| From: Melissus (fragments/reports [c.443 BCE], B1), quoted by (who?) - where? |