Combining Philosophers

All the ideas for Melvin Fitting, Johann Winckelmann and Trent Dougherty

unexpand these ideas     |    start again     |     specify just one area for these philosophers


11 ideas

4. Formal Logic / E. Nonclassical Logics / 8. Intensional Logic
If terms change their designations in different states, they are functions from states to objects [Fitting]
     Full Idea: The common feature of every designating term is that designation may change from state to state - thus it can be formalized by a function from states to objects.
     From: Melvin Fitting (Intensional Logic [2007], 3)
     A reaction: Specifying the objects sounds OK, but specifying states sounds rather tough.
Intensional logic adds a second type of quantification, over intensional objects, or individual concepts [Fitting]
     Full Idea: To first order modal logic (with quantification over objects) we can add a second kind of quantification, over intensions. An intensional object, or individual concept, will be modelled by a function from states to objects.
     From: Melvin Fitting (Intensional Logic [2007], 3.3)
4. Formal Logic / E. Nonclassical Logics / 9. Awareness Logic
Awareness logic adds the restriction of an awareness function to epistemic logic [Fitting]
     Full Idea: Awareness logic enriched Hintikka's epistemic models with an awareness function, mapping each state to the set of formulas we are aware of at that state. This reflects some bound on the resources we can bring to bear.
     From: Melvin Fitting (Intensional Logic [2007], 3.6.1)
     A reaction: [He cites Fagin and Halpern 1988 for this]
4. Formal Logic / E. Nonclassical Logics / 10. Justification Logics
Justication logics make explicit the reasons for mathematical truth in proofs [Fitting]
     Full Idea: In justification logics, the logics of knowledge are extended by making reasons explicit. A logic of proof terms was created, with a semantics. In this, mathematical truths are known for explicit reasons, and these provide a measure of complexity.
     From: Melvin Fitting (Intensional Logic [2007], 3.6.1)
5. Theory of Logic / A. Overview of Logic / 8. Logic of Mathematics
Classical logic is deliberately extensional, in order to model mathematics [Fitting]
     Full Idea: Mathematics is typically extensional throughout (we write 3+2=2+3 despite the two terms having different meanings). ..Classical first-order logic is extensional by design since it primarily evolved to model the reasoning of mathematics.
     From: Melvin Fitting (Intensional Logic [2007], §1)
5. Theory of Logic / F. Referring in Logic / 3. Property (λ-) Abstraction
λ-abstraction disambiguates the scope of modal operators [Fitting]
     Full Idea: λ-abstraction can be used to abstract and disambiguate a predicate. De re is [λx◊P(x)](f) - f has the possible-P property - and de dicto is ◊[λxP(x)](f) - possibly f has the P-property. Also applies to □.
     From: Melvin Fitting (Intensional Logic [2007], §3.3)
     A reaction: Compare the Barcan formula. Originated with Church in the 1930s, and Carnap 1947, but revived by Stalnaker and Thomason 1968. Because it refers to the predicate, it has a role in intensional versions of logic, especially modal logic.
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
Definite descriptions pick out different objects in different possible worlds [Fitting]
     Full Idea: Definite descriptions pick out different objects in different possible worlds quite naturally.
     From: Melvin Fitting (Intensional Logic [2007], 3.4)
     A reaction: A definite description can pick out the same object in another possible world, or a very similar one, or an object which has almost nothing in common with the others.
11. Knowledge Aims / B. Certain Knowledge / 3. Fallibilism
Fallibilism is consistent with dogmatism or scepticism, and is not alternative to them [Dougherty]
     Full Idea: There has been a tendency to treat fallibilism as an alternative to either dogmatism or scepticism. ...But it is much better to think of fallibilism as consistent with either dogmatism or skepticism.
     From: Trent Dougherty (Fallibilism [2011], 'Closure')
     A reaction: It seems perfectly reasonably to describe oneself as a 'fallibilist dogmatist' (perhaps from the Pope?), or a 'fallibilist sceptic' (perhaps from Peter Unger?), so this idea sounds correct.
It is best to see the fallibility in the reasons, rather than in the agents or the knowledge [Dougherty]
     Full Idea: It seems best to take fallible reasons as the basic notion of fallibilism. So fallible knowers are agents who know what they know on the basis of fallible reasons. Fallible knowledge will be knowledge on basis of fallible reasons.
     From: Trent Dougherty (Fallibilism [2011], 'Cognates')
     A reaction: This is because an ideal knower would be compelled by the evidence, so if fallibilism is universal it must reside in the evidence and not in the knower (bottom p.131).
We can't normally say that we know something 'but it might be false' [Dougherty]
     Full Idea: It will ordinarily be conversationally inappropriate to say 'I know that p, but p might be false' even if it is true, since this would mislead an interlocutor to infer that that possibility was an epistemically significant one.
     From: Trent Dougherty (Fallibilism [2011], 'Epistemic')
     A reaction: This seems to imply hypocrisy when a fallibilist philosopher claims (in non-philosophical company) to know something. Fair enough. Philosophers are in a permanent state of hypocrisy about what they are really thinking. That's the fun of it.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy]
     Full Idea: According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present).
     From: report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked.