4 ideas
| 22519 | Philosophers are revealed by their fears [Billington] |
| Full Idea: To understand any philosopher, ask 'What are they afraid of?'. | |
| From: Ray Billington (talk [2010]) | |
| A reaction: Yes! So... Plato - disorder. Aristotle - ignorance. Augustine - sin. Descartes - uncertainty. Spinoza - fragmentation. Leibniz - superficiality. Hume - speculation. Bentham - egotism. Kant - self-deception. Nietzsche - nihilism. Russell - imprecision. |
| 17699 | Variables are auxiliary notions, and not part of the 'eternal' essence of logic [Schönfinkel] |
| Full Idea: A variable in a proposition of logic ....has the status of a mere auxiliary notion that is really inappropriate to the constant, 'eternal' essence of the propositions of logic. | |
| From: Moses Schönfinkel (Building Blocks of Mathematical Logic [1924], §1) | |
| A reaction: He presumably thinks that what the variables stand for (and he mentions 'argument places' and 'operators') will be included in the essence. My attention was caught by the thought that he takes logic to have an essence. |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |
| 20441 | An ordinary object can be a work of art, but only if some theory of art supports it [Danto] |
| Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is. | |
| From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto | |
| A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion. |