13 ideas
| 20955 | Art can make reason more all-inclusive, by articulating what seemed inexpressible [Bowie] |
| Full Idea: The early German Romantics argued that art pointed to a more all-inclusive conception of reason, which can offer ways of articulating what is not conceptually accessible. | |
| From: Andrew Bowie (Introduction to German Philosophy [2003], 5 'Reason') | |
| A reaction: [This is Novalis, F.Schlegel, Schleiermacher, and Hölderlin] I'm in favour of expanding reason, to include assessment of situations and coherence, rather than just stepwise reasoning. Not sure that art 'articulates' something new. |
| 16669 | Everything that exists is either a being, or some mode of a being [Malebranche] |
| Full Idea: It is absolutely necessary that everything in the world be either a being or a mode [manière] of a being. | |
| From: Nicolas Malebranche (The Search After Truth [1675], III.2.8.ii), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 13.4 |
| 22049 | Transcendental idealism aims to explain objectivity through subjectivity [Bowie] |
| Full Idea: The aim of transcendental idealism is to give a basis for objectivity in terms of subjectivity. | |
| From: Andrew Bowie (German Philosophy: a very short introduction [2010], 1) | |
| A reaction: Hume used subjectivity to undermine the findings of objectivity. There was then no return to naive objectivity. Kant's aim then was to thwart global scepticism. Post-Kantians feared that he had failed. |
| 20950 | German Idealism says our thinking and nature have the same rational structure [Bowie] |
| Full Idea: German Idealism aims to demonstrate that our thinking relates to a nature which is intelligibly structured in the same way as our thinking is structured. | |
| From: Andrew Bowie (Introduction to German Philosophy [2003], 3 'Limits') | |
| A reaction: Now that's an idealism I might buy into. Frege thought his logic was mapping rational reality. My angle is that we are a product of this 'reality', so we should expect our thinking to be similarly structured. Reason is derived from nature. |
| 22055 | The Idealists saw the same unexplained spontaneity in Kant's judgements and choices [Bowie] |
| Full Idea: The Idealist saw in Kant that knowledge, which depends on the spontaneity of judgement, and self-determined spontaneous action, can be seen as sharing the same source, which is not accessible to scientific investigation. | |
| From: Andrew Bowie (German Philosophy: a very short introduction [2010]) | |
| A reaction: This is the 'spontaneity' of judgements and choices which was seen as the main idea in Kant. It inspired romantic individualism. The judgements are the rule-based application of concepts. |
| 22054 | German Idealism tried to stop oppositions of appearances/things and receptivity/spontaneity [Bowie] |
| Full Idea: A central aim of German Idealism is to overcome Kant's oppositions between appearances and thing in themselves, and between receptivity and spontaneity. | |
| From: Andrew Bowie (German Philosophy: a very short introduction [2010], 2) | |
| A reaction: I have the impression that there were two strategies: break down the opposition within the self (Fichte), or break down the opposition in the world (Spinozism). |
| 22056 | Crucial to Idealism is the idea of continuity between receptivity and spontaneous judgement [Bowie] |
| Full Idea: A crucial idea for German Idealism (from Hamann) is that apparently passive receptivity and active spontaneity are in fact different degrees of the same 'activity, and the gap between subject and world can be closed. | |
| From: Andrew Bowie (German Philosophy: a very short introduction [2010], 3) | |
| A reaction: The 'passive' bit seems to be Hume's 'impressions', which are Kant's 'intuitions', which need 'spontaneous' interpretation to become experiences. Critics of Kant said this implied a dualism. |
| 20942 | Nazis think race predetermines the self [Bowie] |
| Full Idea: The Nazi idea is that the self is predetermined primarily by its race. | |
| From: Andrew Bowie (Introduction to German Philosophy [2003], Intro) | |
| A reaction: I suspect that I occasionally encounter this view, in very patriotic people. But then you meet people who feeling that their self is mainly determined by support of a football team. Note, though, 'pre-'determined. Hegel makes this idea possible? |
| 20946 | Rhetoric is built into language, so it cannot be stripped from philosophy [Bowie] |
| Full Idea: The attempt to rid philosophy of rhetoric falls prey precisely to that fact that what is involved in rhetoric is inherent in what is built into all natural languages by their genesis in the real historical world. | |
| From: Andrew Bowie (Introduction to German Philosophy [2003], 2 'Hamann') | |
| A reaction: Rhetoric can range from charming to bullying, and it is the latter which is the problem. The underlying issue is dogma versus dialectic. Some analytic philosophers have a good shot at being non-rhetorical. |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |
| 20441 | An ordinary object can be a work of art, but only if some theory of art supports it [Danto] |
| Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is. | |
| From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto | |
| A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion. |
| 12726 | In a true cause we see a necessary connection [Malebranche] |
| Full Idea: A true cause is one in which the mind perceives a necessary connection between the cause and its effect. | |
| From: Nicolas Malebranche (The Search After Truth [1675], 1.649 (450)), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 5 | |
| A reaction: Presumably Hume was ignorant of 'true' causes, since he says he never saw this connection. But then is the perception done by the mind, or by the senses? |
| 2594 | A true cause must involve a necessary connection between cause and effect [Malebranche] |
| Full Idea: A true cause as I understand it is one such that the mind perceives a necessary connection between it and its effects. | |
| From: Nicolas Malebranche (The Union of Body and Soul [1675], p.116) |