Combining Philosophers

All the ideas for Oswald Veblen, Richard Tuck and Johann Herbart

unexpand these ideas     |    start again     |     specify just one area for these philosophers


3 ideas

5. Theory of Logic / A. Overview of Logic / 2. History of Logic
We have no adequate logic at the moment, so mathematicians must create one [Veblen]
     Full Idea: Formal logic has to be taken over by mathematicians. The fact is that there does not exist an adequate logic at the present time, and unless the mathematicians create one, no one else is likely to do so.
     From: Oswald Veblen (Presidential Address of Am. Math. Soc [1924], 141), quoted by Stewart Shapiro - Philosophy of Mathematics
     A reaction: This remark was made well after Frege, but before the advent of Gödel and Tarski. That implies that he was really thinking of meta-logic.
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
Without confidence in our beliefs, how should we actually live? [Tuck]
     Full Idea: The central question for sceptics is if we lose confidence in the truth of most existing beliefs, then how do we actually live?
     From: Richard Tuck (Hobbes [1989], Ch.4)
     A reaction: Scepticism is not, of course, all or nothing. You can lead a 'normal' life in a virtual reality machine. I find it much more of a struggle to live if I lose faith in values, than if I lose faith in tables.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Objects can be beautiful which express nothing at all, such as the rainbow [Herbart, by Tolstoy]
     Full Idea: Objects are often beautiful which express nothing at all, as, for instance, the rainbow, which is beautiful for its lines and colours and not for its mythological connexion with Iris, or Noah's rainbow.
     From: report of Johann Herbart (works [1830]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: A nice counterexample to Tolstoy's own theory. The example is one of a natural beauty, but it would be harder to find examples in human art. How much the artist may feel, though, has little to do with the success of a work of art.