86 ideas
| 5896 | Speak the truth, for this alone deifies man [Pythagoras, by Porphyry] |
| Full Idea: Pythagoras advised above all things to speak the truth, for this alone deifies man. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Porphyry - Life of Pythagoras §41 | |
| A reaction: Idea 4421 (of Nietzsche) stands in contrast to this. I am not quite sure why speaking the truth has such a high value. I am inclined to a minimalist view, which is just that philosophy is an attempt to speak the truth, as fishermen try to catch fish. |
| 3051 | Pythagoras discovered the numerical relation of sounds on a string [Pythagoras, by Diog. Laertius] |
| Full Idea: Pythagoras discovered the numerical relation of sounds on a string. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 08.1.11 |
| 7113 | Phenomenology assumes that all consciousness is of something [Sartre] |
| Full Idea: The essential principle of phenomenology is that 'all consciousness is consciousness of something'. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (B)) | |
| A reaction: This idea is found well before Husserl, in Schopenhauer (Idea 4166). It seems to contradict a thought such as Locke's (Idea 1202), that self-awareness is a separate and distinct criterion for personal identity. Sartre gives a nice account. |
| 7485 | For Pythagoreans 'one' is not a number, but the foundation of numbers [Pythagoras, by Watson] |
| Full Idea: For Pythagoreans, one, 1, is not a true number but the 'essence' of number, out of which the number system emerges. | |
| From: report of Pythagoras (reports [c.530 BCE], Ch.8) by Peter Watson - Ideas Ch.8 | |
| A reaction: I think this is right! Counting and numbers only arise once the concept of individuality and identity have arisen. Counting to one is no more than observing the law of identity. 'Two' is the big adventure. |
| 22227 | For Sartre there is only being for-itself, or being in-itself (which is beyond experience) [Sartre, by Daigle] |
| Full Idea: The two most fundamental modes of being in Sartre's ontology are being in-itself, and being for-itself. ...The in-itself lies beyond our experience of it. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Christine Daigle - Jean-Paul Sartre 2.2 | |
| A reaction: This appears to be Kant's ding-an-sich, paired with Heidegger's Dasein. If those are the only options, then reality is either subjective or unknown, which seems to make Sartre an idealist, but he asserted that phenomena vindicate the in-itself. |
| 7112 | The Cogito depends on a second-order experience, of being conscious of consciousness [Sartre] |
| Full Idea: We must remember that all authors who have described the Cogito have presented it as a reflective operation, i.e. as second-order. This Cogito is performed by a consciousness directed towards consciousness, which takes consciousness as its object. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (B)) | |
| A reaction: Sartre is raising the nice question of whether the Cogito still works for first-order consciousness, which attends totally to external objects. He claims that it doesn't. Contrast Russell, who says (Idea 5380) that it only works when it is first-order! |
| 7114 | The consciousness that says 'I think' is not the consciousness that thinks [Sartre] |
| Full Idea: The consciousness that says 'I think' is precisely not the consciousness that thinks. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (B)) | |
| A reaction: All parties seem to be agreed that if we are going to introspect in search of our own ego, we must distinguish between the mental act of instrospection and the mental act of applying the mind to the world. Each gives a different result. |
| 7119 | Is the Cogito reporting an immediate experience of doubting, or the whole enterprise of doubting? [Sartre] |
| Full Idea: When Descartes says 'I doubt therefore I am', is he talking about the spontaneous doubt that reflective consciousness grasps in its instantaneous character, or is he talking of the enterprise of doubting? This ambiguity can lead to serious errors. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], II (B)) | |
| A reaction: Interesting. The obvious response is that it is about the immediate experience, but that leads to the problem of an instantaneous ego, which can't be justified over time. The 'enterprise' gives an enduring ego, but it is a more intellectual concept. |
| 20743 | Appearances do not hide the essence; appearances are the essence [Sartre] |
| Full Idea: We reject the dualism of appearance and essence. The appearance does not hide the essence, it reveals it; it is the essence. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.4-5), quoted by Kevin Aho - Existentialism: an introduction 2 'Phenomenology' | |
| A reaction: This idea, expressed in the language of Hegel and Husserl, strikes me as the same as the analytic phenomenalism of Mill and Ayer. Hence I take it to be wrong. |
| 7125 | A consciousness can conceive of no other consciousness than itself [Sartre] |
| Full Idea: A consciousness can conceive of no other consciousness than itself. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], Conc (1)) | |
| A reaction: This is why we don't know what it is like to be a bat. This seems right, though it looks like a contingent truth, and yet Sartre seems to offer it as a necessary truth. Can God conceive of my consciousness? |
| 7122 | We can never, even in principle, grasp other minds, because the Ego is self-conceiving [Sartre] |
| Full Idea: The Ego can be conceived only through itself and this is why we cannot grasp the consciousness of another (for this reason alone, and not because bodies separate us). | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], II (D)) | |
| A reaction: Interesting. This makes telepathy a logical impossibility, and the body the only possible route for the communication between two minds. But, is Sartre is right, how do bodily events penetrate the inturned world of the Ego? |
| 7108 | The eternal truth of 2+2=4 is what gives unity to the mind which regularly thinks it [Sartre] |
| Full Idea: The unity of the thousand active consciousnesses through which I have added two and two to make four, is the transcendent object '2+2=4'. Without the permanence of this eternal truth, it would be impossible to conceive of a real unity of mind. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (A)) | |
| A reaction: This is the germ of externalism, here presented as a Platonic attitude to arithmetic, rather than being about water or gold. He claims that internalist attitudes to unity are fictions. I am inclined to think he is wrong, and that unity is biological. |
| 24016 | Consciousness always transcends itself [Sartre] |
| Full Idea: It is of the essence of consciousness to transcend itself | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: As usual, I am a bit baffled by these sorts of pronouncement. Sounds like an oxymoron to me. Maybe it is a development of Schopenhauer's thought. |
| 6151 | Sartre says consciousness is just directedness towards external objects [Sartre, by Rowlands] |
| Full Idea: Sartre defends a view of consciousness as nothing but a directedness towards objects, insisting that these objects are transcendent with respect to that consciousness; hence Sartre is one of the first genuine externalists. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Mark Rowlands - Externalism Ch.1 | |
| A reaction: An ancestor here is, I think, Schopenhauer (Idea 4166). The idea is attractive, as we are brought up with idea that we have a thing called 'consciousness', but if you removed its contents there would literally be nothing left. |
| 7111 | Consciousness exists as consciousness of itself [Sartre] |
| Full Idea: The existence of consciousness is an absolute, because consciousness is consciousness of itself; the type of existence that consciousness has is that it is consciousness of itself. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (A)) | |
| A reaction: I find this unconvincing. Anyone analysis the nature of the mind should think as much about animal minds as human minds. It seems obvious to me that there is likely to be an animal consciousness which is entirely of environment and its body. |
| 22226 | Since we are a consciousness, Sartre entirely rejected the unconscious mind [Sartre, by Daigle] |
| Full Idea: Sartre refused, denied and fought against the unconscious. Since we are consciousness, there cannot be such a thing as unconsciousness. | |
| From: report of Jean-Paul Sartre (Transcendence of the Ego [1937]) by Christine Daigle - Jean-Paul Sartre 2.1 | |
| A reaction: The modern view is increasingly opposed to this, as neuroscience and psychology uncover hidden motives etc. Sartre's view is still legitimate, though. An unconscious motive is not more my motive than a law of the land is part of me? |
| 7107 | Intentionality defines, transcends and unites consciousness [Sartre] |
| Full Idea: Consciousness is defined by intentionality. Through intentionality it transcends itself, it unifies itself by going outside itself. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (A)) | |
| A reaction: The standard view for a hundred years was Brentano's idea that intentionality defines the mind. Qualia are the modern rival. If I had to choose I think I would go for intentionality, but they may be naturally and metaphysically inseparable. |
| 3847 | Man is nothing else but the sum of his actions [Sartre] |
| Full Idea: Man is nothing else but the sum of his actions. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.41) | |
| A reaction: This might be plausible if unperformed actions are included. For some people, their whole life story consists of what they failed to do. |
| 7109 | If you think of '2+2=4' as the content of thought, the self must be united transcendentally [Sartre] |
| Full Idea: It is possible that those who think that '2 and 2 make 4' is the content of my representations may be forced to resort to a transcendental and subjective principle of unification - in other words, the I. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (A)) | |
| A reaction: He suggests that thoughts themselves unite the mind, externally. If you think of thoughts as internal, you must resort to a transcendental fiction to unify the mind. Personally I think the mind is inherently unified by brain structures. |
| 7106 | The Ego is not formally or materially part of consciousness, but is outside in the world [Sartre] |
| Full Idea: I should like to show here that the Ego is neither formally nor materially in consciousness; it is outside, in the world; it is a being in the world, like the Ego of another. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], Intro) | |
| A reaction: This idea is the germ of what has got modern externalists about the mind (see quotations from Mark Rowlands) interested in Sartre. Personally I think he is wrong, and the Ego is a part of consciousness. It doesn't, though, have sharp boundaries. |
| 7117 | How could two I's, the reflective and the reflected, communicate with each other? [Sartre] |
| Full Idea: If the 'I' is part of consciousness, there will be two I's: the reflective and the reflected. ...but it is unacceptable for any communication to be established between the reflective I and the reflected I, if they are real elements of consciousness. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (B)) | |
| A reaction: If we accept that there are two orders of consciousness (reflective, about itself, and reflected, about the world) it seems reasonable to say that there cannot be an 'I' in both of them. A nice, and intriguing, argument. |
| 7123 | Knowing yourself requires an exterior viewpoint, which is necessarily false [Sartre] |
| Full Idea: 'To know oneself well' is inevitably to look at oneself from the point of view of someone else, in other words from a point of view that is necessarily false. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], II (D)) | |
| A reaction: (This is because the Ego cannot be known from the outside). I agree with Russell that the self is most evident when we are engaged with the world, which implies that you can only acquire self-knowledge by studying those engagements. |
| 22225 | My ego is more intimate to me, but not more certain than other egos [Sartre] |
| Full Idea: My I, in efffect, is no more certain for consciousness than the I of other men. It is only more intimate. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], p.104), quoted by Christine Daigle - Jean-Paul Sartre 2.1 | |
| A reaction: Not sure how to assess this. Other people seem just as real as I do, when I encounter them, as friend or as foe. And in dealing with them we act as if dealing with their Self (rather than their legs, say). So this idea seems a good one. |
| 7124 | The Ego never appears except when we are not looking for it [Sartre] |
| Full Idea: The Ego never appears except when we are not looking for it. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], II (D)) | |
| A reaction: He denies that we know the Ego when engaged with the world, and agrees with Hume that the ego can't be directly known. All that is left is this, which seems to be introspection 'out of the corner of your eye'. Not persuasive. |
| 7116 | When we are unreflective (as when chasing a tram) there is no 'I' [Sartre] |
| Full Idea: There is no 'I' on the unreflected level. When I run after a tram, ...there is no I. There is a consciousness of the tram-needing-to-be-caught, and a non-positional consciousness of consciousness. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (B)) | |
| A reaction: Russell (Idea 5380) says exactly the opposite. My sympathies are more with Russell. I don't just focus on the tram, I focus on the relation between myself and the tram, and that includes my need to catch it, as well as my body. |
| 7120 | It is theoretically possible that the Ego consists entirely of false memories [Sartre] |
| Full Idea: One cannot rule out the metaphysical hypothesis that my Ego is not composed of elements that have existed in reality (ten years or one second ago), but is merely constituted by false memories. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], II (D)) | |
| A reaction: (He mentions the evil demon as a source). The problem that false memories (such as George IV 'remembering' he was at Waterloo, when he wasn't) is well known. But this raises the possibility of all memories being false, yet constituting the person. |
| 7110 | If the 'I' is transcendental, it unnecessarily splits consciousness in two [Sartre] |
| Full Idea: The superfluous transcendental 'I' is actually a hindrance. If it existed, it would violently separate consciousness from itself, it would divide it, slicing through consciousness like an opaque blade. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (A)) | |
| A reaction: I see no a priori reason why consciousness should not be split in two, if that's how it is. Personally I am happy with a fairly traditional Cartesian view, that the self is the will and understanding, and the rest of consciousness is its working material. |
| 7115 | Maybe it is the act of reflection that brings 'me' into existence [Sartre] |
| Full Idea: Might it not be precisely the reflective act that brings the me into being in reflected consciousness? | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], I (B)) | |
| A reaction: He admits some sort of self a second-order entity, but this is 'transcendental', and essentially an illusion. This elimination of the first-order self clears the way for the existential view, that we can create whatever self we want. I disagree. |
| 7121 | The Ego only appears to reflection, so it is cut off from the World [Sartre] |
| Full Idea: The Ego is an object that appears only to reflection, and is thereby radically cut off from the World. | |
| From: Jean-Paul Sartre (Transcendence of the Ego [1937], II (D)) | |
| A reaction: This is the culmination of Sartre's attack (in 1937) on the Ego, paving the way for the freedom of existentialism. Personally I don't accept this picture of the Ego as a second-order fiction. My Ego is part of my relationship with the World. |
| 3846 | Man IS freedom [Sartre] |
| Full Idea: There is no determinism - man is free, man IS freedom. …Man is condemned to be free. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.34) |
| 24013 | An emotion and its object form a unity, so emotion is a mode of apprehension [Sartre] |
| Full Idea: Emotion returns to its object every moment, and feeds upon it. …The emotional subject and the object of the emotion are united in an indissoluble synthesis. Emotion is a specific manner of apprehending the world. …[39] It is a transformation of the world. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: The last sentence is the essence (or existence?) of Sartre's core theory of the emotions. They are, it seems, a mode of perception, like a colour filter added to a camera. I don't think I agree. I see them as a response to perceptions, not part of them. |
| 24017 | Emotion is one of our modes of understanding our Being-in-the-World [Sartre] |
| Full Idea: Emotion is not an accident, it is a mode of our conscious existence, one of the ways in which consciousness understands (in Heidegger's sense of verstehen) its Being-in-the-World. …It has a meaning. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: Calling emotions a 'mode' suggests that this way of understanding is intermittent, which seems wrong. Even performing arithmetical calculations is coloured by emotions, so they go deeper than a 'mode'. |
| 24014 | Emotions are a sort of bodily incantation which brings a magic to the world [Sartre] |
| Full Idea: Joy is the magical behaviour which tries, by incantation, to realise the possession of the desired object as an instantaneous totality. [47] Emotions are all reducible to the constitution of a magic world by using our bodies as instruments of incantation. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: I can't pretend to understand this, but I am reminded of the fact that the so-called primary qualities of perception are innately boring, and it is only the secondary qualities (like colour and smell) which make the world interesting. |
| 24015 | Emotions makes us believe in and live in a new world [Sartre] |
| Full Idea: Emotion is a phenomenon of belief. Consciousness does not limit itself to the projection of affective meanings upon the world around it; it lives the new world it has thereby constituted. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: There seems to be an implied anti-realism in this, since the emotions prevent us from relating more objectively to the world. The 'magic' seems to be compulsory. |
| 6164 | Sartre rejects mental content, and the idea that the mind has hidden inner features [Sartre, by Rowlands] |
| Full Idea: Sartre's attack on the idea that consciousness has contents is an attack on the idea that the mental possesses features that are hidden, inner and constituted or revealed by the individual's inwardly directed awareness. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Mark Rowlands - Externalism Ch.5 | |
| A reaction: This is part of the move towards 'externalism' about the mind. The notion of 'content' implies a container. It seems slightly ridiculous, though, to try to say that the mind just 'is the world'. How is reasoning possible, and the relation of ideas? |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| Full Idea: The contemplation of pure form leads to a state of extraordinary exaltation and complete detachment from the concerns of life. | |
| From: Clive Bell (Art [1913], I.III) | |
| A reaction: The last part is what gets the arts a bad name with the people who do deal with the concerns of life (which won't go away, even for an artist!). However, being totally trapped in the concerns of life is probably a recipe for misery. |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| Full Idea: The word 'beauty' connotes objects of quite distinguishable emotions, and the term would land me in confusions and misunderstandings. | |
| From: Clive Bell (Art [1913], I.I) | |
| A reaction: His main example is a comparison of beautiful women with beautiful art. Personally I don't think the word aspires to be precise, so there is no problem. Maths has beautiful solutions, golf has beautiful shots, cooking has beautiful results. Wow! |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| Full Idea: It is not what I call an aesthetic emotion that most of us feel, generally, for natural beauty. …Most people feel a very different kind of emotion for birds, flowers and butterfly wings from that we feel for pictures, pots, temples and statues. | |
| From: Clive Bell (Art [1913], I.I) | |
| A reaction: Not convinced. I think the main difference is our awareness that art is a human production, the result of choice, whereas nature is a given. Beethoven 9 and a good sunset don't seem to me far apart in our responses. |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| Full Idea: It is only when we cease to regard the objects in a landscape as means to anything that we can feel the landscape artistically. | |
| From: Clive Bell (Art [1913], II.I) | |
| A reaction: This sounds as if only the exploitative attitude blocks the artistic view, but I would expect the scientific view (of an ecologist, for example) to do the same. |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| Full Idea: Pure visual form transports me to an infinitely sublime state of mind. | |
| From: Clive Bell (Art [1913], I.I) | |
| A reaction: Unusual for anyone to use to term 'sublime' for works of art, and I suspect that Bell was the last to do so. Bell offers a quasi-religious role for art. I accept that being struck by something exceptionally good in art is a very distinctive experience. |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| Full Idea: My hypothesis is that art is the expression of an emotion for ultimate reality. | |
| From: Clive Bell (Art [1913], II.II) | |
| A reaction: So later in his discussion the word 'ultimate' has crept in, after a chapter about the close relation between religious and artistic attitudes. He also sees good art as deeply 'spiritual'. It seems that religious belief is essential to his theory of art. |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| Full Idea: The danger of aestheticism is that the artist who has got nothing to do but make something beautiful hardly knows where to begin or where to end | |
| From: Clive Bell (Art [1913], I.III) | |
| A reaction: Aestheticism strikes me as the main motivation for art nouveau artifacts, which I love. You start with beautiful lines, and then find ways to implement them. Bell has a point, though! |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| Full Idea: Bell thinks that only artists can discern significant form directly in the natural world, and that all others must look to art for significant form. | |
| From: report of Clive Bell (Art [1913]) by Sebastian Gardner - Aesthetics 3.3 | |
| A reaction: I have a horrible feeling that 'significant' form will turn out to be the sort of form that artists can see. Presumably the form spotted by geologists won't be quite so 'significant'. Not a promising theory. |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| Full Idea: When we strip things of all associations and significance, what is left is 'the thing in itself', or 'ultimate reality'. …Artists can express an emotion felt for reality through line and colour. …So through 'significant form' we sense ultimate reality. | |
| From: Clive Bell (Art [1913], I.III) | |
| A reaction: [compressed] The thing in itself is a Kantian idea. He offers this as a speculation, rather than a fact. Maybe quantum physics gets us closer to the thing in itself? Bell knows that his faith in significant form needs more justification than an emotion. |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| Full Idea: My view that the essential quality in work of art is significant form was based on experience I am sure about. Of my view that significant form is the expression of a peculiar emotion felt for reality I am far from confident. | |
| From: Clive Bell (Art [1913], II.II) | |
| A reaction: It is hard to understand the idea of 'significant' form without a clear proposal for the nature of the significance. A detective doesn't stop at the point where evidence is seen as significant. Why should a 'peculiar' emotion matter? |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| Full Idea: By 'form' Bell means the relations of lines, colours and shapes. Forms are 'significant' when the relationships of lines and so on move us aesthetically. If something is art it must have, to at least a minimum extent, significant form. | |
| From: report of Clive Bell (Art [1913], p.17) by Susan Feagin - Roger Fry and Clive Bell 3 | |
| A reaction: So art has two necessary conditions - that it move us aesthetically, and that it does so by means of its form. The obvious problem is to explain which forms are 'significant' without mentioning the aesthetic feeling they have to invoke. |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| Full Idea: If art expresses anything, it expresses an emotion felt for pure form and that which gives pure form its extraordinary significance. | |
| From: Clive Bell (Art [1913], III.I) | |
| A reaction: I don't think 'expresses' is the right word here. Artists express, but works just transmit. I personally doubt whether anything can have 'extraordinary significance' simply because it expresses one particular emotion. Why art, but not geometry? |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| Full Idea: A literal copy is seldom reckoned even by its owner a work of art. Its forms are not significant. Yet if it were an absolutely exact copy, clearly it would be as moving as the original, and a photographic reproduction of a drawing often is. | |
| From: Clive Bell (Art [1913], I.III) | |
| A reaction: What if the original artist made the copy? In 1913, Bell begins to spot this modern problem. He undermines his own theory of significant form here, if the form only becomes significant once we have checked it is an original. |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| Full Idea: The characteristic of a work of art is its power of provoking aesthetic emotion; the expression of emotion is what gives it its power. ...Rightness of form is invariably a consequence of rightness of emotion. | |
| From: Clive Bell (Art [1913], I.III) | |
| A reaction: Bell doesn't dig very deep, because the obvious next question, not really addressed, is what makes the emotion 'right'. He suggests that significant form reveals reality, but why would an emotion do that? Does each work have a distinct emotion? |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| Full Idea: Art is not only a means to good states of mind, but, perhaps, the best and most potent that we possess; …there is no state of mind more excellent or more intense than the state of aesthetic contemplation. | |
| From: Clive Bell (Art [1913], II.III) | |
| A reaction: Why does intensity make it good? It is pretty intense being involved in a road accident, but that doesn't make it good. There are many states of mind we enjoy or value highly, but we need more than that to prove them objectively 'excellent'. |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| Full Idea: Those who have been thrilled by the pure aesthetic significance of a work of art …carry a state of excitement and exaltation making them more sensitive to all that is going forward about them. Thus they realise …the significance and possibility of life. | |
| From: Clive Bell (Art [1913], IV.III) | |
| A reaction: This seems like a bit of an afterthought, because he struggles to explain why his 'significant form' is so important. He shifts between it being an end - an intrinsic value - or a moral state, or now an increaser of life potential. |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| Full Idea: The only relevant qualities in art are artistic qualities: judged as a means to good, no other qualities are worth considering; for there are no qualities of greater moral value than artistic qualities, since there is no greater means to good than art. | |
| From: Clive Bell (Art [1913], II.III) | |
| A reaction: Wishful thinking, I suspect. I can't see anyone acquiring a moral education just by looking a Cezannes. This seems to be a late manifesto for the aesthetic movement. |
| 7074 | Man is a useless passion [Sartre] |
| Full Idea: Man is a useless passion. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], IV.2.III) | |
| A reaction: Memorable and neat. Since all of existence is ultimately 'useless', that part of it is not a revelation. The notion that we are essentially a 'passion' chimes nicely with David Hume's view, against the enlightenment rational view, and against Aristotle. |
| 3843 | There is no human nature [Sartre] |
| Full Idea: There is no human nature. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.28) | |
| A reaction: Everything which can be individuated has a nature, say I, wearing my Aristotelian lapel badge. Does he think the same of cats? Does he think the mind is a blank page? |
| 6687 | Man is the desire to be God [Sartre] |
| Full Idea: Man fundamentally is the desire to be God. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.556?), quoted by Gordon Graham - Eight Theories of Ethics Ch.5 | |
| A reaction: It is better to see man (as seen all the way through the European tradition) as caught between the self-images of being an angel and being a 'quintessence of dust' (Hamlet). |
| 20762 | There are no values to justify us, and no excuses [Sartre] |
| Full Idea: There are no values or commands to turn to which legitimize our conduct. …We are alone with no excuses. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.296), quoted by Kevin Aho - Existentialism: an introduction 6 'Bad' | |
| A reaction: If there are no values or duties, why might you ever need excuses? |
| 3852 | If values depend on us, freedom is the foundation of all values [Sartre] |
| Full Idea: Once a man has seen that values depend upon himself, he can only will one thing, and that is freedom as the foundation of all values. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.51) | |
| A reaction: I don't think so. Is freedom the foundation of all arithmetic, because I am untrammelled when doing addition? Values are ridiculous if they don't reflect facts. |
| 22228 | Sartre's freedom is not for whimsical action, but taking responsibility for our own values [Sartre, by Daigle] |
| Full Idea: Readers often confuse Sartre's notion of freedom with the freedom of acting whimsically ....but since there is no God, we must create our own values. Freedom is not merely a licence to act whimsically.; it entails responsibility. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Christine Daigle - Jean-Paul Sartre 2.3 | |
| A reaction: The idea that we create our values comes from Nietzsche. Did Sartre want everyone to behave like an übermensch? How can you form a society from individuals who create private values, even if they (somehow) take responsibility for them? |
| 3053 | Pythagoras taught that virtue is harmony, and health, and universal good, and God [Pythagoras, by Diog. Laertius] |
| Full Idea: Pythagoras taught that virtue is harmony, and health, and universal good, and God. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 08.1.19 | |
| A reaction: I like the link with health, because I consider that a bridge over the supposed fact-value gap. Very Pythagorean to think that virtue is harmony. Plato liked that thought. |
| 22233 | Love is the demand to be loved [Sartre] |
| Full Idea: Love is the demand to be loved. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.488), quoted by Christine Daigle - Jean-Paul Sartre 2.5 | |
| A reaction: Is that all love is? Hard to imagine someone loving another person without hoping that the other person will reciprocate. You need high self-esteem to 'demand' it. Low self-esteem merely hopes for it. He says the other person may feel the same. |
| 20764 | In becoming what we want to be we create what we think man ought to be [Sartre] |
| Full Idea: In creating the man that we want to be, there is not a single one of our acts which does not at the same time create an image of man as we think he ought to be. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.293), quoted by Kevin Aho - Existentialism: an introduction 7 'Anything' | |
| A reaction: I recall this being one of my earliest thoughts about morality - that in everything we do we are all role models for the people around us. For me, that leads to virtue theory. |
| 5244 | For Pythagoreans, justice is simply treating all people the same [Pythagoras, by Aristotle] |
| Full Idea: Some even think that what is just is simple reciprocity, as the Pythagoreans maintained, because they defined justice simply as having done to one what one has done to another. | |
| From: report of Pythagoras (reports [c.530 BCE], 28) by Aristotle - Nicomachean Ethics 1132b22 | |
| A reaction: One wonders what Pythagoreans made of slavery. Aristotle argues that officials, for example, have superior rights. The Pythagorean idea makes fairness the central aspect of justice, and that must at least be partly right. |
| 3848 | Cowards are responsible for their cowardice [Sartre] |
| Full Idea: The existentialist, when he portrays a coward, shows him as responsible for his cowardice. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.42) |
| 20763 | When my personal freedom becomes involved, I must want freedom for everyone else [Sartre] |
| Full Idea: Freedom as the definition of man does not depend on others, but as soon as there is involvement, I am obliged to want others to have freedom at the same time that I want my own freedom. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.306), quoted by Kevin Aho - Existentialism: an introduction 7 'Anything' | |
| A reaction: Appears to be a highly Kantian sense of rational duty, and a rather odd constraint on someone whose only value is freedom. Sartre is aware that he needs an existential politics, but he's not there yet. 'Involvement' is an interesting addition to Kant. |
| 22229 | Existentialists says that cowards and heroes make themselves [Sartre] |
| Full Idea: What the existentialist says is that the coward makes himself cowardly, that the hero makes himself heroic. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.35), quoted by Christine Daigle - Jean-Paul Sartre 2.3 | |
| A reaction: A nice statement of the existential plasticity of the self, in opposition to the much stronger concept of human nature in Aristotle (who nevertheless believes you can acquire virtues and vices). |
| 20755 | Fear concerns the world, but 'anguish' comes from confronting my self [Sartre] |
| Full Idea: Anguish is distinguished from fear in that fear is fear of being in the world whereas anguish is anguish before myself. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.65), quoted by Kevin Aho - Existentialism: an introduction 5 'Radical' | |
| A reaction: I'm guessing that the anguish comes from the horror of the infinite choices available to me. Once you've made major life choices with full commitment (such as marriage), does that mean that existentialism becomes irrelevant? |
| 3842 | Existence before essence (or begin with the subjective) [Sartre] |
| Full Idea: Existentialism says that existence comes before essence - or, if you will, that we must begin from the subjective. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.26) |
| 6868 | 'Existence precedes essence' means we have no pre-existing self, but create it through existence [Sartre, by Le Poidevin] |
| Full Idea: I take 'existence precedes essence' to mean that we do not have a pre-existing self, which organises our behaviour, but rather that we create our self as we go along, through our existence and activities. | |
| From: report of Jean-Paul Sartre (Existentialism and Humanism [1945]) by Robin Le Poidevin - Interview with Baggini and Stangroom p.222 | |
| A reaction: The direct opponent of this is Aristotle, who builds his ethics on a fairly fixed human nature, but even he agrees that we mould our moral characters through our activities, in a circular way. There are not, though, infinite possibilities in mankind. |
| 3844 | Existentialism says man is whatever he makes of himself [Sartre] |
| Full Idea: Man is nothing else but that which he makes of himself. This is the first principle of existentialism. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.28) |
| 20760 | Sincerity is not authenticity, because it only commits to one particular identity [Sartre, by Aho] |
| Full Idea: Being sincere [in Sartre] has nothing to do with authenticity because, in committing ourselves to a particular identity, we strip away the possibility of transcendence by reducing ourselves to a thing. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Kevin Aho - Existentialism: an introduction 6 'Bad' | |
| A reaction: I take this to mean that sincerity says genuinely what role you are playing (such as a waiter), but authenticity is recognition that you don't have to play that role. I think. |
| 22231 | We flee from the anguish of freedom by seeing ourselves objectively, as determined [Sartre] |
| Full Idea: We are always ready to take refuge in a belief in determinism if this freedom weighs upon us or if we need an excuse. Thus we flee from anguish by attempting to apprehend ourselves from without as an Other or a thing. | |
| From: Jean-Paul Sartre (Being and Nothingness [1943], p.82), quoted by Christine Daigle - Jean-Paul Sartre 2.4 | |
| A reaction: I would have thought we blame social pressures, or biological pressures, rather than metaphysical determinism, but it amounts to the same thing. If we are not free then probably nothing else is. |
| 20754 | It is dishonest to offer passions as an excuse [Sartre] |
| Full Idea: Every man who takes refuge behind the excuse of his passions is a dishonest man. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.305), quoted by Kevin Aho - Existentialism: an introduction 5 'Core' | |
| A reaction: To say 'my passion was so strong that I was too weak to resist it' doesn't sound prima facie dishonest. Sartre's idea is more of an exhortation than a fact, and sounds rather old fashioned and puritan. Do my reasons constitutes excuses? |
| 22230 | Sartre gradually realised that freedom is curtailed by the weight of situation [Sartre, by Daigle] |
| Full Idea: Sartre evolved from a notion of absolute freedom to one that truly takes into account the weight of situation. | |
| From: report of Jean-Paul Sartre (works [1950]) by Christine Daigle - Jean-Paul Sartre 2.3 | |
| A reaction: This change seems to have come much later, in the 1960s. The main influence seems to have been Marxism, which claims that consciousness is created by society, rather than by free individuals. |
| 22232 | Authenticity is taking responsibility for a situation, with all its risks and emotions [Sartre] |
| Full Idea: Authenticity consists in having a true and lucid consciousness of the situation, in assuming the responsibilities and risks that it involves, in accepting it in pride of humiliation, sometimes in horror and hate. | |
| From: Jean-Paul Sartre (Anti-Semite and Jew [1946], p.90), quoted by Christine Daigle - Jean-Paul Sartre 2.4 | |
| A reaction: [Not sure what 'pride of humiliation' is, so it may be a typo for 'or'] |
| 3851 | If I do not choose, that is still a choice [Sartre] |
| Full Idea: If I do not choose, that is still a choice. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.48) |
| 6571 | When a man must choose between his mother and the Resistance, no theory can help [Sartre, by Fogelin] |
| Full Idea: When a young man must choose between his bereft mother and the French Resistance, Sartre says no moral theory is capable of resolving the dilemma; the man must act on his own, and in the process define his moral character. | |
| From: report of Jean-Paul Sartre (Existentialism and Humanism [1945], p.35-9) by Robert Fogelin - Walking the Tightrope of Reason Ch.2 | |
| A reaction: Fogelin agrees, but rejects Sartre's claim that all morality is like this. I agree with Fogelin. However, what I like is the idea of 'defining one's moral character' by choices, but that is because it endorses the views of Aristotle (e.g. Idea 4394). |
| 20491 | States have a monopoly of legitimate violence [Sartre, by Wolff,J] |
| Full Idea: Max Weber observed that states possess a monopoly of legitimate violence. | |
| From: report of Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939]) by Jonathan Wolff - An Introduction to Political Philosophy (Rev) 2 'State' | |
| A reaction: This sounds rather hair-raising, and often is, but it sounds quite good if we describe it as a denial of legitimate violence to individual citizens. Hobbes would like it, since individual violence breaches some sort of natural contract. Guns in USA. |
| 21240 | The truth about events always comes from the oppressed and disadvantaged [Sartre, by Bakewell] |
| Full Idea: Work out who is most oppressed and disadvantaged in the situation, and then adopt their version of events as the right one. If something is not true in the eyes of the least favoured, then it is not true. | |
| From: report of Jean-Paul Sartre (The Communists and Peace [1953], final part) by Sarah Bakewell - At the Existentialist Café 12 | |
| A reaction: A theory of social truth, rather than truth in general. A bit simplistic, but appealing. If you want to know the truth, ask the people involved. This is true of the Savoy Grill, as well as of homeless life. You must first care about the oppressed. |
| 375 | When musical harmony and rhythm were discovered, similar features were seen in bodily movement [Pythagoras, by Plato] |
| Full Idea: When our predecessors discovered musical scales, they also discovered similar features in bodily movement, which should also be measured numerically, and called 'tempos' and 'measures'. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Plato - Philebus 17d |
| 638 | Pythagoreans define timeliness, justice and marriage in terms of numbers [Pythagoras, by Aristotle] |
| Full Idea: The Pythagoreans offered definitions of a limited range of things on the basis of numbers; examples are timeliness, justice and marriage. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Aristotle - Metaphysics 1078b |
| 553 | Pythagoreans think mathematical principles are the principles of all of nature [Pythagoras, by Aristotle] |
| Full Idea: The Pythagoreans thought that the principles of mathematical entities were the principles of all entities. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Aristotle - Metaphysics 985b |
| 554 | Pythagoreans say things imitate numbers, but Plato says things participate in numbers [Pythagoras, by Aristotle] |
| Full Idea: Pythagoreans said that entities existed by imitation of the numbers, whereas Plato said that it was by participation. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Aristotle - Metaphysics 987b |
| 644 | For Pythagoreans the entire universe is made of numbers [Pythagoras, by Aristotle] |
| Full Idea: For Pythagoreans the entire universe is constructed of numbers. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Aristotle - Metaphysics 1080b |
| 3845 | Without God there is no intelligibility or value [Sartre] |
| Full Idea: For the atheist existentialist there disappears with God all possibility of finding values in an intelligible heaven. (Dostoevsky wrote "If God did not exist, everything would be permitted"). | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.33) |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |
| Full Idea: The essence of religion is a conviction that because some things are of infinite value most are profoundly unimportant. | |
| From: Clive Bell (Art [1913], II.I) | |
| A reaction: The aspect of religion which most worries atheists like Nietzsche. You can end up with a rather cool and detached view of genocide, if you really believe that worldly matters are unimportant. Do souls in heaven worry about the next life after that? |
| 7467 | The modern idea of an immortal soul was largely created by Pythagoras [Pythagoras, by Watson] |
| Full Idea: The modern concept of the immortal soul is a Greek idea, which owes much to Pythagoras. | |
| From: report of Pythagoras (reports [c.530 BCE]) by Peter Watson - Ideas Ch.5 | |
| A reaction: You can see why it caught on - it is a very appealing idea. Watson connects the 'modern' view with the ideas of heaven and hell. Obviously the idea of an afterlife goes a long way back (judging from the contents of ancient graves). |