5 ideas
| 22519 | Philosophers are revealed by their fears [Billington] |
| Full Idea: To understand any philosopher, ask 'What are they afraid of?'. | |
| From: Ray Billington (talk [2010]) | |
| A reaction: Yes! So... Plato - disorder. Aristotle - ignorance. Augustine - sin. Descartes - uncertainty. Spinoza - fragmentation. Leibniz - superficiality. Hume - speculation. Bentham - egotism. Kant - self-deception. Nietzsche - nihilism. Russell - imprecision. |
| 6368 | If my ticket won't win the lottery (and it won't), no other tickets will either [Kyburg, by Pollock/Cruz] |
| Full Idea: The Lottery Paradox says you should rationally conclude that your ticket will not win the lottery, and then apply the same reasoning to all the other tickets, and conclude that no ticket will win the lottery. | |
| From: report of Henry E. Kyburg Jr (Probability and Logic of Rational Belief [1961]) by J Pollock / J Cruz - Contemporary theories of Knowledge (2nd) §7.2.8 | |
| A reaction: (Very compressed by me). I doubt whether this is a very deep paradox; the conclusion that I will not win is a rational assessment of likelihood, but it is not the result of strict logic. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |