8 ideas
| 19086 | Does the pragmatic theory of meaning support objective truth, or make it impossible? [Macbeth] |
| Full Idea: Peirce and Sellars takes Peirce's conception of meaning, on which pragmatism is founded, to support an adequate account of objective truth; James, Dewey and Rorty say it forecloses all possibility of such an account. | |
| From: Danielle Macbeth (Pragmatism and Objective Truth [2007], p.169) | |
| A reaction: Ah. Very helpful. I thought there was a pragmatic theory of truth, then began to think that it was just a denial of truth. I've long suspected that Peirce is wonderful, and James is not very good (on this topic). |
| 19093 | Greek mathematics is wholly sensory, where ours is wholly inferential [Macbeth] |
| Full Idea: Ancient mathematical concepts were essentially sensory; they were not mathematical in our sense - that is, wholly constituted by their inferential potential. | |
| From: Danielle Macbeth (Pragmatism and Objective Truth [2007], p.187) | |
| A reaction: The latter view is Frege's, though I suppose it had been emerging for a couple of centuries before him. I like the Greek approach, and would love to see that reunited with the supposedly quite different modern view. (Keith Hossack is attempting it). |
| 12887 | A whole must have one characteristic, an internal relation, and a structure [Rescher/Oppenheim] |
| Full Idea: A whole must possess an attribute peculiar to and characteristic of it as a whole; there must be a characteristic relation of dependence between the parts; and the whole must have some structure which gives it characteristics. | |
| From: Rescher,N/Oppenheim,P (Logical Analysis of Gestalt Concepts [1955], p.90), quoted by Peter Simons - Parts 9.2 | |
| A reaction: Simons says these are basically sensible conditions, and tries to fill them out. They seem a pretty good start, and I must resist the temptation to rush to borderline cases. |
| 19091 | Seeing reality mathematically makes it an object of thought, not of experience [Macbeth] |
| Full Idea: As mathematically understood, the world is not an object of experience but instead an object of thought. | |
| From: Danielle Macbeth (Pragmatism and Objective Truth [2007], p.183) | |
| A reaction: Since I am keen on citing biology to show that science does not have to be mathematical, this nicely shows that there is something wrong with a science which places a large gap between itself and the world. |
| 19088 | For pragmatists a concept means its consequences [Macbeth] |
| Full Idea: In the pragmatist view, the meaning of a concept is exhausted by its consequences. | |
| From: Danielle Macbeth (Pragmatism and Objective Truth [2007], p.173) | |
| A reaction: I'm unclear why the concept of a volcanic eruption only concerns its dire consequences, and is supposed to contain nothing of its causes. Pragmatists seem to be all future, and no past. Very American. |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |