Combining Philosophers

All the ideas for Richard Cumberland, Clive Bell and Frank Jackson

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76 ideas

1. Philosophy / E. Nature of Metaphysics / 6. Metaphysics as Conceptual
Serious metaphysics cares about entailment between sentences [Jackson]
     Full Idea: Serious metaphysics is committed to views about which sentences entail which other sentences.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.1)
     A reaction: This does not say that metaphysics is only about entailment, or (even worse) only about sentences. Put another way: if we wish to be wise, we must study the implications of our beliefs. Yes.
1. Philosophy / F. Analytic Philosophy / 4. Conceptual Analysis
Conceptual analysis studies whether one story is made true by another story [Jackson]
     Full Idea: Conceptual analysis is the very business of addressing when and whether a story told in one vocabulary is made true by one told in some allegedly more fundamental vocabulary.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.2)
     A reaction: This is a view of linguistic analysis as focusing on entailments rather than on usage or truth conditions. If philosophy is the attempt to acquire a totally consistent set of beliefs (a plausible view), then Jackson is right.
Intuitions about possibilities are basic to conceptual analysis [Jackson]
     Full Idea: Intuitions about possibilities are the bread and butter of conceptual analysis.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3)
     A reaction: Hence the centrality of the debate over conceivability and possibility. Which seems to reduce to the relationship between 'intuition' and 'imagination'. Imagination is a very weak guide to what is possible, and intuition is very uncertain....
Conceptual analysis is needed to establish that metaphysical reductions respect original meanings [Jackson, by Schroeter]
     Full Idea: On the empiricist view of meaning, the relevance of conceptual analysis to metaphysics is that it establishes that a putative reduction respects the original meaning of the target expression.
     From: report of Frank Jackson (From Metaphysics to Ethics [1998], p.28) by Laura Schroeter - Two-Dimensional Semantics 2.2.4
2. Reason / A. Nature of Reason / 7. Status of Reason
If a decision is in accord with right reason, everyone can agree with it [Cumberland]
     Full Idea: No decision can be in accord with right reason unless all can agree on it.
     From: Richard Cumberland (De Legibus Naturae [1672], Ch.V.XLVI)
     A reaction: Personally I think anyone who disagrees with this should get out of philosophy (and into sociology, fantasy fiction, ironic game-playing, crime…). Of course 'can' agree is not the same as 'will' agree. You must have faith that good reasons are persuasive.
3. Truth / B. Truthmakers / 4. Truthmaker Necessitarianism
Something can only have a place in a preferred account of things if it is entailed by the account [Jackson]
     Full Idea: The one and only way of having a place in an account told in some set of preferred terms is by being entailed by that account - a view I will refer to as the entry by entailment thesis.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.1)
     A reaction: How do we distinguish between the original account, which seems to be just accepted, and the additions which accrue because they are entailed by it? Why does this club distinguish members from guests?
3. Truth / B. Truthmakers / 5. What Makes Truths / d. Being makes truths
Truth supervenes on being [Jackson]
     Full Idea: Truth supervenes on being.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.5)
     A reaction: A nice slogan for those of us who find the word 'truth' to be meaningful.
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
'¬', '&', and 'v' are truth functions: the truth of the compound is fixed by the truth of the components [Jackson]
     Full Idea: It is widely agreed that '¬', '&', and 'v' are 'truth functions': the truth value of a compound sentence formed using them is fully determined by the truth value or values of the component sentences.
     From: Frank Jackson (Conditionals [2006], 'Equiv')
     A reaction: A candidate for not being a truth function might be a conditional →, where the arrow adds something over and above the propositions it connects. The relationship has an additional truth value? Does A depend on B?
7. Existence / C. Structure of Existence / 2. Reduction
Smooth reductions preserve high-level laws in the lower level [Jackson]
     Full Idea: In a 'smooth' reduction the laws of the reduced theory (thermodynamics of gases) are pretty much preserved in (and isomorphic with) the corresponding laws in the reducing theory (molecular or kinetic theory of gases).
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3)
     A reaction: Are the 'laws' of weather (e.g. linking humidity, temperature and pressure to rainfall) preserved at the level of physics? One might say that they are not preserved, but they are not lost either (they just fade away). Contradictions would be worrying.
7. Existence / D. Theories of Reality / 10. Vagueness / b. Vagueness of reality
Baldness is just hair distribution, but the former is indeterminate, unlike the latter [Jackson]
     Full Idea: Baldness is a much more indeterminate matter than is hair distribution, nevetheless baldness is nothing over and above hair distribution.
     From: Frank Jackson (From Metaphysics to Ethics [1998], p.22)
     A reaction: This seems to support Williamson's view that there is no vagueness in nature, and that 'vague' is an entirely epistemological concept.
8. Modes of Existence / B. Properties / 1. Nature of Properties
Redness is a property, but only as a presentation to normal humans [Jackson]
     Full Idea: We typically count things as red just if they have a property that interacts with normal human beings to make the object look red in such a way that their so looking counts as a presentation of the property to normal humans.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.4)
     A reaction: This is Jackson's careful statement of the 'Australian' primary property view of colours. He is trying to make red a real property of objects, but personally I take the mention of 'normal' humans as a huge danger sign. Nice try, but no. See Idea 5456.
8. Modes of Existence / D. Universals / 4. Uninstantiated Universals
Nominalists cannot translate 'red resembles pink more than blue' into particulars [Jackson]
     Full Idea: It is not always possible for nominalists to translate all statements putatively about universals as statements about particulars. It is not possible for 'red is a colour' and 'red resembles pink more than blue'
     From: Frank Jackson (Statements about Universals [1977], p.89)
     A reaction: His second example strikes me as the biggest challenge facing nominalism. I wish they wouldn't use secondary qualities as examples. I am unconvinced that the existence of universals will improve the explanation. It's a mystery.
8. Modes of Existence / E. Nominalism / 2. Resemblance Nominalism
Colour resemblance isn't just resemblance between things; 'colour' must be mentioned [Jackson]
     Full Idea: Some red things resemble some blue things more than some pink things because of factors other than colour. Nominalists must offer 'anything red colour-resembles anything pink', but that may contain a universal in disguise.
     From: Frank Jackson (Statements about Universals [1977], p.90)
     A reaction: Hume and Quine are probably right that we spot resemblances instantly, and only articulate the respect of the resemblance at a later stage.
9. Objects / D. Essence of Objects / 9. Essence and Properties
How do we tell a table's being contingently plastic from its being essentially plastic? [Jackson]
     Full Idea: On a friendly reading of Quine, there is nothing to make the difference between a table's being contingently plastic and its being essentially plastic.
     From: Frank Jackson (Possible Worlds and Necessary A Posteriori [2010], 5)
     A reaction: This is, of course, the dreaded modern usage of 'essential' to just mean 'necessary' and nothing more. In my view, there may be a big problem with knowing whether a problem is necessary, but knowing whether it is essential is much easier.
An x is essentially F if it is F in every possible world in which it appears [Jackson]
     Full Idea: On the possible world's account, x's being essentially F is nothing more nor less than x's being F in every world in which it appears.
     From: Frank Jackson (Possible Worlds and Necessary A Posteriori [2010], 6)
     A reaction: There you go - 'true in every possible world' is the definition of metaphysical necessity, not the definition of essence. Either get back to Aristotle, or stop (forever!) talking about 'essence'!
9. Objects / D. Essence of Objects / 15. Against Essentialism
Quine may have conflated de re and de dicto essentialism, but there is a real epistemological problem [Jackson]
     Full Idea: The unfriendly response to Quine's objection to essentialism is that it conflates the de re and the de dicto. The friendly response is that behind that conflation is a real epistemological problem for essentialism.
     From: Frank Jackson (Possible Worlds and Necessary A Posteriori [2010], 1)
     A reaction: He cites Richard Cartwright 1968 for the friendly response. The epistemological question is how we can know the essentialness of an essence.
10. Modality / A. Necessity / 3. Types of Necessity
We should not multiply senses of necessity beyond necessity [Jackson]
     Full Idea: We should not multiply senses of necessity beyond necessity.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3)
     A reaction: It would be nice if there was just one sense of necessity, with the multiplication arising from the different ways in which necessities arise. In chess, checkmate is a necessity which rests on contingencies. Absolute necessities seem different.
10. Modality / B. Possibility / 8. Conditionals / b. Types of conditional
Possible worlds for subjunctives (and dispositions), and no-truth for indicatives? [Jackson]
     Full Idea: Subjunctive conditionals are intimately connected with dispositional properties and causation. ...Consequently, a position some find attractive is that possible worlds theory applies to subjunctives, while the no-truth theory applies to indicatives.
     From: Frank Jackson (Conditionals [2006], 'Indicative')
     A reaction: My intuitions are to reject this and favour a unified account, where both sorts of conditionals are mappings of the relationships among the facts of actuality. Nice slogan!
10. Modality / B. Possibility / 8. Conditionals / c. Truth-function conditionals
'If A,B' affirms that A⊃B, and also that this wouldn't change if A were certain [Jackson, by Edgington]
     Full Idea: According to Jackson, in asserting 'If A,B' the speaker expresses his belief that A⊃B, and also indicates that this belief is 'robust' with respect to the antecedent A - the speaker would not abandon A⊃B if he were to learn that A.
     From: report of Frank Jackson (On Assertion and Indicative Conditionals [1979]) by Dorothy Edgington - Conditionals (Stanf) 4.2
     A reaction: The point is that you must not believe A⊃B solely on the dubious grounds of ¬A. This is 'to ensure an assertable conditional is fit for modus ponens' - that is, that you really will affirm B when you learn that A is true. Nice idea.
Conditionals are truth-functional, but should only be asserted when they are confident [Jackson, by Edgington]
     Full Idea: Jackson holds that conditionals are truth-functional, but are governed by rules of assertability, rather like 'but' compared to 'and'. The belief must be 'robust' - the speaker would not abandon his belief that A⊃B if he were to learn that A.
     From: report of Frank Jackson (On Assertion and Indicative Conditionals [1979]) by Dorothy Edgington - Conditionals 17.3.2
     A reaction: This seems to spell out more precisely the pragmatic approach to conditionals pioneered by Grice, in Idea 13767. The idea is make conditionals 'fit for modus ponens'. They mustn't just be based on a belief that ¬A.
The truth-functional account of conditionals is right, if the antecedent is really acceptable [Jackson, by Edgington]
     Full Idea: Jackson defends the truth-functional account by saying that for a conditional to be assertable, it must not only be believed that its truth-conditions are satisfied, but the belief must be robust or resilient with respect to the antecedent.
     From: report of Frank Jackson (Conditionals and Possibilia [1981]) by Dorothy Edgington - Do Conditionals Have Truth Conditions? 4
     A reaction: ..That is, one would not abandon the conditional if one believed the antecedent to be true.
There are some assertable conditionals one would reject if one learned the antecedent [Jackson, by Edgington]
     Full Idea: Jackson came to realise that there are assertable conditionals which one would not continue to believe if one learned the antecedent, such as Lewis's "If Reagan worked for the KGB, I'll never find out".
     From: report of Frank Jackson (Conditionals [1987]) by Dorothy Edgington - Conditionals (Stanf) 4.2
     A reaction: That pesky David Lewis made trouble for everybody. Edgington agrees that his earlier formulation (Idea 14288) holds good for nearly all cases. There is a self-referential element in Lewis's example.
Modus ponens requires that A→B is F when A is T and B is F [Jackson]
     Full Idea: Modus ponens is intuitively valid, but in A,A→B|B if A is true and B is false that must be because A→B is false. So A→B is false when A is true and B is false.
     From: Frank Jackson (Conditionals [2006], 'Equiv')
     A reaction: This is his first step in showing how the truth functional account of A→B acquires its truth table. If you are giving up the truth functional view of conditionals, presumably you are not also going to give up modus ponens?
When A and B have the same truth value, A→B is true, because A→A is a logical truth [Jackson]
     Full Idea: (A→A) is a logical truth, so some conditionals with antecedent and consequent the same truth value are true. But if '→' is a truth function, that will be true for all cases. Hence whenever A and B are alike in truth value, (A→B) is true.
     From: Frank Jackson (Conditionals [2006], 'Equiv')
     A reaction: His second step in demonstrating the truth table for →, assuming it is truth functional.
(A&B)→A is a logical truth, even if antecedent false and consequent true, so it is T if A is F and B is T [Jackson]
     Full Idea: (A&B)→A is a logical truth, but A can be true and B false, so that (A&B) is false. So some conditionals with false antecedent and true consequent are true. If → is a truth function, then whenever A is false and B is true (A→B) is true.
     From: Frank Jackson (Conditionals [2006], 'Equiv')
     A reaction: This is his third and final step in showing the truth table of → if it is truth functional.
10. Modality / B. Possibility / 8. Conditionals / d. Non-truthfunction conditionals
In the possible worlds account of conditionals, modus ponens and modus tollens are validated [Jackson]
     Full Idea: In the possible worlds account modus ponens is validated (the closest world, the actual, is a B-world just if B is true), and modus tollens is validated (if B is false, the actual world is not an A-world, so A is false).
     From: Frank Jackson (Conditionals [2006], 'Famous')
     A reaction: [see Jackson for slightly fuller versions] This looks like a minimal requirement for a decent theory of conditionals, so Jackson explains the attractions of the possible worlds view very persuasively.
Only assertions have truth-values, and conditionals are not proper assertions [Jackson]
     Full Idea: In the no-truth theory of conditionals they have justified assertion or acceptability conditions but not truth conditions. ...The motivation is that only assertions have truth values, and conditionals are arguments, not proper assertions.
     From: Frank Jackson (Conditionals [2006], 'No-truth')
     A reaction: Once I trim this idea down to its basics, it suddenly looks very persuasive. Except that I am inclined to think that conditional truths do state facts about the world - perhaps as facts about how more basic truths are related to each other.
Possible worlds account, unlike A⊃B, says nothing about when A is false [Jackson]
     Full Idea: In the possible worlds account of conditionals A⊃B is not sufficient for A→B. If A is false then A⊃B is true, but here nothing is implied about whether the world most like the actual world except that A is true is or is not a B-world.
     From: Frank Jackson (Conditionals [2006], 'Possible')
     A reaction: The possible worlds account seems to be built on Ramsey's idea of just holding A true and seeing what you get. Being committed to B being automatically true if A is false seems highly counterintuitive.
10. Modality / B. Possibility / 8. Conditionals / f. Pragmatics of conditionals
We can't insist that A is relevant to B, as conditionals can express lack of relevance [Jackson]
     Full Idea: One addition to the truth functional account of conditionals is that A be somehow relevant to B. However, sometimes we use conditionals to express lack of relevance, as in 'If Fred works he will fail, and if Fred doesn't work he will fail'.
     From: Frank Jackson (Conditionals [2006], 'Possible')
     A reaction: This certainly seems to put paid to an attractive instant solution to the problem.
10. Modality / D. Knowledge of Modality / 3. A Posteriori Necessary
How can you show the necessity of an a posteriori necessity, if it might turn out to be false? [Jackson]
     Full Idea: If something is offered as a candidate necessary a posteriori truth, how could we show that it is necessary, in the face of the fact that it takes investigation to show that it is true, and so, in some sense, it might have turned out to be false?
     From: Frank Jackson (Possible Worlds and Necessary A Posteriori [2010], 1)
     A reaction: This is the topic of his paper, which he compares with how we can know that essences are essential.
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
Mathematical sentences are a problem in a possible-worlds framework [Jackson]
     Full Idea: There is notoriously a problem about what to say concerning mathematical sentences within the possible-worlds framework.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3 n25)
     A reaction: Presumably this concerns possible axioms and their combinations.
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
Possible worlds could be concrete, abstract, universals, sentences, or properties [Jackson]
     Full Idea: Possible worlds might be concrete (Lewis), or abstract (Stalnaker), or structured universals (Forrest), or collections of sentences (Jeffrey), or mere combinations of properties and relations (Armstrong).
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.1)
     A reaction: A helpful summary. I don't like concrete, or collections of sentences. Whatever they are, they had better be 'possible', so not any old collection or idea will do.
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
Long arithmetic calculations show the a priori can be fallible [Jackson]
     Full Idea: We know that being fallible and being a priori can co-exist - the results of long numerical additions are well-known examples.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.2)
     A reaction: I see this realisation as a good example of progress in philosophy. Russell, who says self-evidence comes in degrees, deserves major credit. It is the key idea that once again makes rationalism respectable.
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / a. Qualities in perception
We examine objects to determine colour; we do not introspect [Jackson]
     Full Idea: We examine objects to determine their colour; we do not introspect.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3)
     A reaction: Interesting, but the theory of secondary qualities did not arise from experience, but from a theory about what is actually going on. Compare pain appearing to be in your foot.
15. Nature of Minds / B. Features of Minds / 5. Qualia / a. Nature of qualia
I say Mary does not have new knowledge, but knows an old fact in a new way [Perry on Jackson]
     Full Idea: I say Mary knows an old fact in a new way, but I do not find a new bit of knowledge and a new fact.
     From: comment on Frank Jackson (What Mary Didn't Know [1986]) by John Perry - Knowledge, Possibility and Consciousness §7.3
     A reaction: This seems roughly the right way to attack Jackson's 'knowledge argument', by asking exactly what he means by 'knowledge'. It is hard to see how 'qualia' can be both the means of acquiring knowledge, and the thing itself.
Is it unfair that physicalist knowledge can be written down, but dualist knowledge can't be [Perry on Jackson]
     Full Idea: Jackson seems to imply that it isn't fair that all physicalist knowledge can be written down, but not all dualist knowledge can be.
     From: comment on Frank Jackson (What Mary Didn't Know [1986]) by John Perry - Knowledge, Possibility and Consciousness §7.5
     A reaction: This pinpoints a problem for the 'Mary' example - that Mary's new sight of colour is claimed as 'knowledge', and yet the whole point is that it cannot be expressed in propositions (which seems to leave it as 'procedural' or 'acquaintance' knowledge).
Mary knows all the physical facts of seeing red, but experiencing it is new knowledge [Jackson]
     Full Idea: Mary knows all the physical facts. ..It seems, however, that Mary does not know all there is to know. For when she is let out of the black and white room .. she will learn what it is like to see something red.
     From: Frank Jackson (What Mary Didn't Know [1986], §1.4)
     A reaction: Jackson is begging the question. A new physical event occurs when the red wavelength stimulates Mary's visual cortex for the first time. For an empiricist raw experience creates knowledge, so it can't BE knowledge. Does Mary acquire a new concept?
17. Mind and Body / E. Mind as Physical / 1. Physical Mind
In physicalism, the psychological depends on the physical, not the other way around [Jackson]
     Full Idea: Physicalism is associated with various asymmetry doctrines, most famously with the idea that the psychological depends in some sense on the physical, and not the other way around.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.1)
     A reaction: Sounds okay to me. Shadows depend on objects, and not the other way round. It might suggest properties depending on substances (or bare particulars), but I prefer the dependence of processes on mechanisms (waterfalls on liquid water).
17. Mind and Body / E. Mind as Physical / 2. Reduction of Mind
Is the dependence of the psychological on the physical a priori or a posteriori? [Jackson]
     Full Idea: Should the necessary passage from the physical account of the world to the psychological one that physicalists are committed to, be placed in the a posteriori or the a priori basket?
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3)
     A reaction: That is, is 'the physical entails the mental' empirical or a priori? See Idea 3989. If we can at least dream of substance dualism, it is hard to see how it could be fully a priori. I think I prefer to see it as an inductive explanation.
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / b. Multiple realisability
If different states can fulfil the same role, the converse must also be possible [Jackson]
     Full Idea: It would be strange if having learnt the lesson of multiple realisability that the same role may be filled by different states, we turned around and insisted that the converse - different roles filled by the same state - is impossible.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.4 n3)
     A reaction: Good. The world is full of creatures who seem to enjoy the smell of decay etc. Some people (not me) like horror films. The separation of qualia and role leaves type-type physicalism as a possibility. Survival needs similar roles, not similar qualia.
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / c. Knowledge argument
If a blind persons suddenly sees a kestrel, that doesn't make visual and theoretical kestrels different [Papineau on Jackson]
     Full Idea: An ornithological Mary might know everything theoretical about kestrels, but be blind from birth, then have her sight restored. She now knows "That bird eats mice", so visual kestrels must be ontologically distinct from theoretical ones.
     From: comment on Frank Jackson (Epiphenomenal Qualia [1982]) by David Papineau - Thinking about Consciousness 6.3
     A reaction: A nice reductio, and I think this pinpoints best what is wrong with the knowledge argument. Knowledge, and the means of acquiring it, are two distinct things. When I see x, I don't acquire knowledge of x, AND knowledge of my seeing x.
No one bothers to imagine what it would really be like to have ALL the physical information [Dennett on Jackson]
     Full Idea: That Mary "has all the physical information" is not readily imaginable, so no one bothers. They just imagine she knows lots and lots - perhaps everything known today - but that is just a drop in the bucket.
     From: comment on Frank Jackson (Epiphenomenal Qualia [1982]) by Daniel C. Dennett - Consciousness Explained 12.5
     A reaction: I certainly don't see how we can rule out a priori the possibility that someone who really had all the physical knowledge might be able to infer the phenomenal properties of colour.
Mary learns when she sees colour, so her complete physical information had missed something [Jackson]
     Full Idea: It seems obvious that Mary will learn something about the world when she is released from her black-and-white room; but then it is inescapable that her previous knowledge was incomplete; she had all the physical information, so there is more to have.
     From: Frank Jackson (Epiphenomenal Qualia [1982], §1)
     A reaction: This is Jackson's famous 'knowledge argument', which seems to me misconceived. Since I don't think phenomenal colours are properties of objects (Idea 5456), Mary learns more about herself, and about her means of acquiring knowledge.
18. Thought / A. Modes of Thought / 4. Folk Psychology
Folk psychology covers input, internal role, and output [Jackson]
     Full Idea: Folk psychology has a tripartite nature, with input clauses, internal role clauses, and output clauses.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.5)
     A reaction: Interesting, particularly that folk psychology refers to internal roles, or attempts to explain what is going on inside the 'black box'. The folk have collectively worked out a standard flow diagram for human thought.
18. Thought / C. Content / 1. Content
Egocentric or de se content seems to be irreducibly so [Jackson]
     Full Idea: I have been convinced by arguments (e.g. of Perry, Castañeda and Lewis) that egocentric or de se content is irreducibly so.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.1)
     A reaction: This is associated with the use of indexicals (like 'I' and 'now') in language. Quine disagrees, and should not be written off. Any theory of content, concepts, meaning etc. must clearly taken account of such subjective language.
18. Thought / C. Content / 5. Twin Earth
Keep distinct the essential properties of water, and application conditions for the word 'water' [Jackson]
     Full Idea: My guess is that objectors to the deflationary account of the Twin Earth parable are confusing the essential properties of water with the question of what is essential for being water.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3)
     A reaction: That is, we must distinguish between the actual ontology of water's properties and the conditions under which we (in our society) apply the word 'water'. Interesting. The latter issue, though, might push us back towards internalism...
18. Thought / D. Concepts / 4. Structure of Concepts / c. Classical concepts
Analysis is finding necessary and sufficient conditions by studying possible cases [Jackson]
     Full Idea: Conceptual analysis is sometimes understood as the business of finding necessary and sufficient conditions by the method of possible cases.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3)
     A reaction: Some (e.g. Stich) reject this, but it seems to me undeniable that the procedure can be very illuminating, even if it is never totally successful. Jackson prefers to see analysis as the study of entailments between stories about the world.
19. Language / C. Assigning Meanings / 3. Predicates
Successful predication supervenes on nature [Jackson]
     Full Idea: Successful predication supervenes on nature.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.5)
     A reaction: A nice slogan, but it is in danger of being a tautology. If I say x and y 'are my favourites/are interesting', is that 'successful' predication? Is 'Juliet is the sun' unsuccessful?
19. Language / C. Assigning Meanings / 6. Truth-Conditions Semantics
I can understand "He has a beard", without identifying 'he', and hence the truth conditions [Jackson]
     Full Idea: If I hear someone say "He has a beard", and I don't know whether it is Jackson, Jones, or someone else, I don't know which proposition is being expressed in the sense of not knowing the conditions under which what is said is true.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.3)
     A reaction: This is the neatest and simplest problem I have encountered for Davidson's truth-conditions account of meaning. However, we probably just say that we understand the sense but not the reference. The strict-and-literal but not contextual meaning.
20. Action / C. Motives for Action / 5. Action Dilemmas / c. Omissions
Folk morality does not clearly distinguish between doing and allowing [Jackson]
     Full Idea: We have, it seems to me, currently no clear sense of the place and rationale of the distinction between doing and allowing in folk morality.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.5)
     A reaction: Does this mean that philosophers should endeavour to appear on television in order to improve folk morality, so that Jackson, back at the ranch, can then infer the meanings of moral terms from the new improved version?
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
     Full Idea: The contemplation of pure form leads to a state of extraordinary exaltation and complete detachment from the concerns of life.
     From: Clive Bell (Art [1913], I.III)
     A reaction: The last part is what gets the arts a bad name with the people who do deal with the concerns of life (which won't go away, even for an artist!). However, being totally trapped in the concerns of life is probably a recipe for misery.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
     Full Idea: The word 'beauty' connotes objects of quite distinguishable emotions, and the term would land me in confusions and misunderstandings.
     From: Clive Bell (Art [1913], I.I)
     A reaction: His main example is a comparison of beautiful women with beautiful art. Personally I don't think the word aspires to be precise, so there is no problem. Maths has beautiful solutions, golf has beautiful shots, cooking has beautiful results. Wow!
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
     Full Idea: It is not what I call an aesthetic emotion that most of us feel, generally, for natural beauty. …Most people feel a very different kind of emotion for birds, flowers and butterfly wings from that we feel for pictures, pots, temples and statues.
     From: Clive Bell (Art [1913], I.I)
     A reaction: Not convinced. I think the main difference is our awareness that art is a human production, the result of choice, whereas nature is a given. Beethoven 9 and a good sunset don't seem to me far apart in our responses.
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
     Full Idea: It is only when we cease to regard the objects in a landscape as means to anything that we can feel the landscape artistically.
     From: Clive Bell (Art [1913], II.I)
     A reaction: This sounds as if only the exploitative attitude blocks the artistic view, but I would expect the scientific view (of an ecologist, for example) to do the same.
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
     Full Idea: Pure visual form transports me to an infinitely sublime state of mind.
     From: Clive Bell (Art [1913], I.I)
     A reaction: Unusual for anyone to use to term 'sublime' for works of art, and I suspect that Bell was the last to do so. Bell offers a quasi-religious role for art. I accept that being struck by something exceptionally good in art is a very distinctive experience.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
     Full Idea: My hypothesis is that art is the expression of an emotion for ultimate reality.
     From: Clive Bell (Art [1913], II.II)
     A reaction: So later in his discussion the word 'ultimate' has crept in, after a chapter about the close relation between religious and artistic attitudes. He also sees good art as deeply 'spiritual'. It seems that religious belief is essential to his theory of art.
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
     Full Idea: The danger of aestheticism is that the artist who has got nothing to do but make something beautiful hardly knows where to begin or where to end
     From: Clive Bell (Art [1913], I.III)
     A reaction: Aestheticism strikes me as the main motivation for art nouveau artifacts, which I love. You start with beautiful lines, and then find ways to implement them. Bell has a point, though!
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
     Full Idea: Bell thinks that only artists can discern significant form directly in the natural world, and that all others must look to art for significant form.
     From: report of Clive Bell (Art [1913]) by Sebastian Gardner - Aesthetics 3.3
     A reaction: I have a horrible feeling that 'significant' form will turn out to be the sort of form that artists can see. Presumably the form spotted by geologists won't be quite so 'significant'. Not a promising theory.
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
     Full Idea: When we strip things of all associations and significance, what is left is 'the thing in itself', or 'ultimate reality'. …Artists can express an emotion felt for reality through line and colour. …So through 'significant form' we sense ultimate reality.
     From: Clive Bell (Art [1913], I.III)
     A reaction: [compressed] The thing in itself is a Kantian idea. He offers this as a speculation, rather than a fact. Maybe quantum physics gets us closer to the thing in itself? Bell knows that his faith in significant form needs more justification than an emotion.
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
     Full Idea: My view that the essential quality in work of art is significant form was based on experience I am sure about. Of my view that significant form is the expression of a peculiar emotion felt for reality I am far from confident.
     From: Clive Bell (Art [1913], II.II)
     A reaction: It is hard to understand the idea of 'significant' form without a clear proposal for the nature of the significance. A detective doesn't stop at the point where evidence is seen as significant. Why should a 'peculiar' emotion matter?
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
     Full Idea: By 'form' Bell means the relations of lines, colours and shapes. Forms are 'significant' when the relationships of lines and so on move us aesthetically. If something is art it must have, to at least a minimum extent, significant form.
     From: report of Clive Bell (Art [1913], p.17) by Susan Feagin - Roger Fry and Clive Bell 3
     A reaction: So art has two necessary conditions - that it move us aesthetically, and that it does so by means of its form. The obvious problem is to explain which forms are 'significant' without mentioning the aesthetic feeling they have to invoke.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
     Full Idea: If art expresses anything, it expresses an emotion felt for pure form and that which gives pure form its extraordinary significance.
     From: Clive Bell (Art [1913], III.I)
     A reaction: I don't think 'expresses' is the right word here. Artists express, but works just transmit. I personally doubt whether anything can have 'extraordinary significance' simply because it expresses one particular emotion. Why art, but not geometry?
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
     Full Idea: A literal copy is seldom reckoned even by its owner a work of art. Its forms are not significant. Yet if it were an absolutely exact copy, clearly it would be as moving as the original, and a photographic reproduction of a drawing often is.
     From: Clive Bell (Art [1913], I.III)
     A reaction: What if the original artist made the copy? In 1913, Bell begins to spot this modern problem. He undermines his own theory of significant form here, if the form only becomes significant once we have checked it is an original.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
     Full Idea: The characteristic of a work of art is its power of provoking aesthetic emotion; the expression of emotion is what gives it its power. ...Rightness of form is invariably a consequence of rightness of emotion.
     From: Clive Bell (Art [1913], I.III)
     A reaction: Bell doesn't dig very deep, because the obvious next question, not really addressed, is what makes the emotion 'right'. He suggests that significant form reveals reality, but why would an emotion do that? Does each work have a distinct emotion?
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
     Full Idea: Art is not only a means to good states of mind, but, perhaps, the best and most potent that we possess; …there is no state of mind more excellent or more intense than the state of aesthetic contemplation.
     From: Clive Bell (Art [1913], II.III)
     A reaction: Why does intensity make it good? It is pretty intense being involved in a road accident, but that doesn't make it good. There are many states of mind we enjoy or value highly, but we need more than that to prove them objectively 'excellent'.
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
     Full Idea: Those who have been thrilled by the pure aesthetic significance of a work of art …carry a state of excitement and exaltation making them more sensitive to all that is going forward about them. Thus they realise …the significance and possibility of life.
     From: Clive Bell (Art [1913], IV.III)
     A reaction: This seems like a bit of an afterthought, because he struggles to explain why his 'significant form' is so important. He shifts between it being an end - an intrinsic value - or a moral state, or now an increaser of life potential.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
     Full Idea: The only relevant qualities in art are artistic qualities: judged as a means to good, no other qualities are worth considering; for there are no qualities of greater moral value than artistic qualities, since there is no greater means to good than art.
     From: Clive Bell (Art [1913], II.III)
     A reaction: Wishful thinking, I suspect. I can't see anyone acquiring a moral education just by looking a Cezannes. This seems to be a late manifesto for the aesthetic movement.
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / d. Ethical theory
Moral functionalism says moral terms get their meaning from their role in folk morality [Jackson]
     Full Idea: Moral functionalism is the view that the meanings of moral terms are given by their place in the network of input, internal clauses, and output that makes up folk psychology.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.5)
     A reaction: Jackson considers this enough to support a cognitivist view of morality. In assuming that there is something stable called 'folk morality' he seems to be ignoring questions about cultural relativism.
Which are prior - thin concepts like right, good, ought; or thick concepts like kindness, equity etc.? [Jackson]
     Full Idea: 'Centralists' (e.g. Bernard Williams) say thin ethical concepts (right, good, ought) are conceptually fundamental; 'non-centralists' (e.g. Susan Hurley) say that such concepts are not conceptually prior to kindness, equity and the like.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.5)
     A reaction: My immediate intuition is to side with Susan Hurley, since morality grows out of immediate relationships, not out of intellectual principles and theoretical generalisations. This would go with particularist views of virtue theory.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / d. Biological ethics
Natural law is supplied to the human mind by reality and human nature [Cumberland]
     Full Idea: Some truths of natural law, concerning guides to moral good and evil, and duties not laid down by civil law and government, are necessarily supplied ot the human mind by the nature of things and of men.
     From: Richard Cumberland (De Legibus Naturae [1672], Ch.I.I)
     A reaction: I agree that some moral truths have the power of self-evidence. If you say they are built into the mind, we now ask what did the building, and evolution is the only answer, and hence we distance ourselves from the truths, seeing them as strategies.
22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value
If there are different ultimate goods, there will be conflicting good actions, which is impossible [Cumberland]
     Full Idea: If there be posited different ultimate ends, whose causes are opposed to each other, then there will be truly good actions likewise opposed to each other, which is impossible.
     From: Richard Cumberland (De Legibus Naturae [1672], Ch.V.XVI)
     A reaction: A very interesting argument for there being one good rather than many, and an argument which I don't recall in any surviving Greek text. A response might be to distinguish between what is 'right' and what is 'good'. See David Ross.
23. Ethics / E. Utilitarianism / 1. Utilitarianism
The happiness of individuals is linked to the happiness of everyone (which is individuals taken together) [Cumberland]
     Full Idea: The happiness of each person cannot be separated from the happiness of all, because the whole is no different from the parts taken together.
     From: Richard Cumberland (De Legibus Naturae [1672], Ch.I.VI)
     A reaction: Sounds suspiciously like the fallacy of composition (Idea 6219). An objection to utilitarianism is its assumption that a group of people have a 'total happiness' that is different from their individual states. Still, Cumberland is on to utilitarianism.
The happiness of all contains the happiness of each, and promotes it [Cumberland]
     Full Idea: The common happiness of all contains the greatest happiness for each, and most effectively promotes it. …There is no path leading anyone to his own happiness, other than the path which leads all to the common happiness.
     From: Richard Cumberland (De Legibus Naturae [1672], Ch.I.VI)
     A reaction: I take this as a revolutionary idea, which leads to utilitarianism. It is doing what seemed to the Greeks unthinkable, which is combining hedonism with altruism. There is no proof for it, but it is a wonderful clarion call for building a civil society.
25. Social Practice / D. Justice / 2. The Law / c. Natural law
Natural law is immutable truth giving moral truths and duties independent of society [Cumberland]
     Full Idea: Natural law is certain propositions of immutable truth, which guide voluntary actions about the choice of good and avoidance of evil, and which impose an obligation to act, even without regard to civil laws, and ignoring compacts of governments.
     From: Richard Cumberland (De Legibus Naturae [1672], Ch.I.I)
     A reaction: Not a popular view, but I am sympathetic. If you are in a foreign country and find a person lying in pain, there is a terrible moral deficiency in anyone who just ignores such a thing. No legislation can take away a person's right of self-defence.
25. Social Practice / F. Life Issues / 3. Abortion
It is hard to justify the huge difference in our judgements of abortion and infanticide [Jackson]
     Full Idea: We allow that abortion is permissible in many circumstances, but infanticide is hardly ever permissible, and yet it is hard to justify this disparity in moral judgement in the sense of finding the relevant difference.
     From: Frank Jackson (From Metaphysics to Ethics [1998], Ch.5)
     A reaction: The implications of this are tough to face. A foetus is (maybe) just not as important as a new-born babe - and so a new-born babe is of less importance than a five-year old. Birth is (or was) a hugely dangerous hurdle to be cleared.
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]
     Full Idea: The essence of religion is a conviction that because some things are of infinite value most are profoundly unimportant.
     From: Clive Bell (Art [1913], II.I)
     A reaction: The aspect of religion which most worries atheists like Nietzsche. You can end up with a rather cool and detached view of genocide, if you really believe that worldly matters are unimportant. Do souls in heaven worry about the next life after that?