35 ideas
| 5182 | Claims about 'the Absolute' are not even verifiable in principle [Ayer on Bradley] |
| Full Idea: Such a metaphysical pseudo-proposition as 'the Absolute enters into, but is itself incapable of, evolution and progress' (F.H.Bradley) is not even in principle verifiable. | |
| From: comment on F.H. Bradley (Appearance and Reality [1893]) by A.J. Ayer - Language,Truth and Logic Ch.1 | |
| A reaction: One may jeer at the Verification Principle for either failing to be precise, or for failing to pass its own test, but Ayer still has a point here. When we drift off into sustained abstractions, we must keeping asking if we are still saying anything real. |
| 6864 | Metaphysics is finding bad reasons for instinctive beliefs [Bradley] |
| Full Idea: Metaphysics is the finding of bad reasons for what we believe upon instinct; but to find these reasons is no less an instinct. | |
| From: F.H. Bradley (Appearance and Reality [1893]), quoted by Robin Le Poidevin - Interview with Baggini and Stangroom p.165 | |
| A reaction: A famous and very nice remark. The idea of believing things on instinct sounds more like David Hume than an idealist. Personally I am not so pessimistic about the enterprise. I think metaphysics is capable of changing what we believe. |
| 10999 | Names need a means of reidentifying their referents [Bradley, by Read] |
| Full Idea: Unless a name has associated with it a means of reidentifying its referent, we cannot use it. | |
| From: report of F.H. Bradley (Appearance and Reality [1893]) by Stephen Read - Thinking About Logic Ch.4 | |
| A reaction: Brilliant! This point is totally undeniable. It is not enough that someone be 'baptised'. We need to hang onto both the name and what it refers to, and how are we going to do that? |
| 6422 | Internal relations are said to be intrinsic properties of two terms, and of the whole they compose [Bradley, by Russell] |
| Full Idea: The doctrine of internal relations held that every relation between two terms expresses, primarily, intrinsic properties of the two terms and, in ultimate analysis, a property of the whole which the two compose. | |
| From: report of F.H. Bradley (Appearance and Reality [1893]) by Bertrand Russell - My Philosophical Development Ch.5 | |
| A reaction: Russell's first big campaign was to reject this view, and his ontology from then on included relations among the catalogue of universals. The coherence theory of truth also gets thrown out at the same time. Russell seems right. |
| 7966 | Relations must be linked to their qualities, but that implies an infinite regress of relations [Bradley] |
| Full Idea: If a relation between qualities is to be something, then clearly we will now require a new connecting relation. The links are united by a link, and this link has two ends, which require a fresh link to connect them to the old. | |
| From: F.H. Bradley (Appearance and Reality [1893], p.28), quoted by Cynthia Macdonald - Varieties of Things Ch.6 | |
| A reaction: That is: external relations generates an infinite regress, so relations must be internal. Russell launched his own philosophy with an attack on Bradley's idea. Personally I take how two things 'relate' to one another as one of the deepest of mysteries. |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| Full Idea: Classes can share properties with their members (e.g. the class of big things is big), but this is very rare. ....In the case of both universals and types, there will be shared properties. Red things can be exhilarating, and so can redness. | |
| From: Richard Wollheim (Art and Its Objects [1968], 92) | |
| A reaction: 'Exhilarating' is an extrinsic property, so not the best illustration. This is interesting, but would need checking with a wide range of examples. (Too busy for that right now) |
| 6404 | British Idealists said reality is a single Mind which experiences itself [Bradley, by Grayling] |
| Full Idea: The idealism of Green and Bradley, both of whom were much influenced by the German Idealists, espoused the thesis that the universe ultimately consists of a single Mind which, so to speak, experiences itself. | |
| From: report of F.H. Bradley (Appearance and Reality [1893]) by A.C. Grayling - Russell Ch.2 | |
| A reaction: This looks now like the last (extreme) throw by the religious view of the world, which collapsed in the face of the empirical realism of Russell and Moore. It is all Kant's fault, for cutting us off from his 'noumenon'. |
| 22299 | Bradley's objective idealism accepts reality (the Absolute), but says we can't fully describe it [Bradley, by Potter] |
| Full Idea: Objective idealists such as Bradley (rather than Berkeley's subjective view) accepted the substantial existence of reality (which they called the 'Absolute') but held that thought cannot fully describe it. | |
| From: report of F.H. Bradley (Appearance and Reality [1893]) by Michael Potter - The Rise of Analytic Philosophy 1879-1930 23 'Abs' | |
| A reaction: That thought can't 'fully' describe it seems obvious, so I suspect Bradley's view are stronger than that. This sounds like modern strong and weak anti-realists; strong ones deny reality, but weak ones just deny we know where the joints are. |
| 21343 | Qualities and relations are mere appearance; the Absolute is a single undifferentiated substance [Bradley, by Heil] |
| Full Idea: In Bradley's view, qualities and relations belong to the realm of appearance. We are left with a single, undifferentiated substance: the Absolute. | |
| From: report of F.H. Bradley (Appearance and Reality [1893]) by John Heil - Relations 'Internal' | |
| A reaction: I've not read Bradley, but I can't distinguish this proposal from Parmenides's belief in The One. Or maybe Spinoza's monist view of God and Nature (but that is 'differentiated'). It doesn't sound like Hegel. |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| Full Idea: Much of the time we think and talk of a type as though it were itself a kind of token. | |
| From: Richard Wollheim (Art and Its Objects [1968], 35) | |
| A reaction: A helpful way of connecting what I call 'objectification' to the more conventional modern philosophical vocabulary. Thus I might claim that beauty is superior to truth, as if they were two tokens. |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| Full Idea: Performative interpretation occurs only with certain arts, but critical intepretation pertains to all. | |
| From: Richard Wollheim (Art and Its Objects [1968], 38) | |
| A reaction: Fairly obvious, but this is the first point to make about the concept of 'interpretation'. Does the word in fact have two meanings? Or do I perform a painting when I look carefully at it? |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| Full Idea: We could not have a feeling for the beauties of art unless we had been correspondingly moved in front of nature. | |
| From: Richard Wollheim (Art and Its Objects [1968], 43) | |
| A reaction: Wollheim offers this in defence of Kant's view, without necessarily agreeing. Similarly one could hardly care for fictional characters, but not for real people. So the aesthetic attitude may arise from life, rather than from art. Is art hence unimportant? |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| Full Idea: Maybe, rather than defining art, it would be more fruitful, and more realistic, to seek a general method of identifying works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 60) | |
| A reaction: The whole enterprise is ruined by Marcel Duchamp! I'm more interested in identifying or defining good art. |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| Full Idea: It is said that beauty cannot consist in organisation because, if it did, we would not be able to predicate beauty of totally simple objects. | |
| From: Richard Wollheim (Art and Its Objects [1968], 59) | |
| A reaction: [He says this idea originates in Plotinus] I'm struggling to think of an example of something which is 'totally' simple and beautiful. Maybe a patch of colour like the breast of a bullfinch? |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| Full Idea: The view that a work of art expresses nothing if it can't be put into other words ...is reduced by the view that a work of art has no value if what it expresses or says can be put into (other) words. | |
| From: Richard Wollheim (Art and Its Objects [1968], 49) | |
| A reaction: I prefer the second view. Poetry is what is lost in translation. Good art actually seems to evoke emotions which one virtually never feels in ordinary life. But how could that be possible? What are those emotions doing there? |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| Full Idea: The argument that works of art have properties that physical objects could not have characteristically concentrates on the expressive properties of works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 10) | |
| A reaction: Since the idea of an object having non-physical properties strikes me as ridiculous, this gets off to a bad start. If artworks are abstract objects, then all of their properties are non-physical. |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| Full Idea: 'Style' would seem to be a concept that cannot be applied to a work solely on the basis of what is represented and yet it is also essential to a proper understanding or appreciation of a work. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Sounds right. One long held musical note creates an expectation which depends on the presumed style of the piece of music. A single bar from a piece may well not exhibit its characteristic style. |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| Full Idea: From Aristotle onwards it has been a tenet of the traditional rhetoric that the proper understanding of a literary work involves the location of it in the correct genre, that is, as drama, epic or lyric. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Walton argues this persuasively. I've seen the climax of a Jacobean tragedy ruined by laughter from the audience. Genre dictates appropriate responses, so it is a communal concept. |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| Full Idea: In denying that works of art are physical objects, one theory (the 'ideal') withdraws them altogether from experience, and a second theory ('phenomenal') pins them too it inescapably and at all points. | |
| From: Richard Wollheim (Art and Its Objects [1968], 21) | |
| A reaction: I incline towards them being transient ideals, created by human minds. As with so much, we idealise and objectify them as 'works', and abstract their image from the instance(s) we encounter. |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| Full Idea: The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form. | |
| From: Richard Wollheim (Art and Its Objects [1968], 22) | |
| A reaction: [compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong. |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| Full Idea: Because the ideal theory makes a work of art inner or mental, the link between the artist and the audience has been severed .....and it also totally ignores the significance of the medium. | |
| From: Richard Wollheim (Art and Its Objects [1968], 23) | |
| A reaction: Emily Dickinson had virtually no audience for her poetry. The medium used to perform Bach's 'Art of Fugue' seems unimportant. For paintings of painterly painters paint matters. For some visual art many different media will suffice. |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| Full Idea: With the usual reservations, there is nothing that can be predicated of a performance of a piece of music that could not also be predicated of that piece of music itself. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: He offers this as evidence that it fits the performance being a token, and music (and all other art) being a type. There are quite a few 'reservations'. Music too difficult to perform. Great music always badly performed. |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| Full Idea: Interpretation may be regarded as the production of a token that has properties in excess of those of the type. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: I suppose so. If you play accurately everything that is written in the score, then anything else has to be an addition. If you play less than the score, you aren't quite playing that piece of music. |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| Full Idea: It is necessary, if a drawing is to represent Napoleon, that the draughtsman should intend it to be Napoleon. | |
| From: Richard Wollheim (Art and Its Objects [1968], 13) | |
| A reaction: Does a perfect and intended representation of a person also count as a representation of the person's identical twin? The families of both might well order copies. |
| 5655 | Happiness is not satisfaction of desires, but fulfilment of values [Bradley, by Scruton] |
| Full Idea: For Bradley, the happiness of the individual is not to be understood in terms of his desires and needs, but rather in terms of his values - which is to say, in terms of those of his desires which he incorporates into his self. | |
| From: report of F.H. Bradley (Ethical Studies [1876]) by Roger Scruton - Short History of Modern Philosophy Ch.16 | |
| A reaction: Good. Bentham will reduce the values to a further set of desires, so that a value is a complex (second-level?) desire. I prefer to think of values as judgements, but I like Scruton's phrase of 'incorporating into his self'. Kant take note (Idea 1452). |
| 23429 | The environment needs localised politics, with its care for the land [Dobson] |
| Full Idea: More localised politics helps to generate the disposition of care for the land which is a core feature of environmental politics. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 4) | |
| A reaction: I currently live in a time when localised politics is hugely devalued, because centralisation and privatisation are cheaper. It seems obvious that many human needs require a commitment to a particular locality. |
| 23424 | An ideology judges things now, and offers an ideal, with a strategy for reaching it [Dobson] |
| Full Idea: An ideology generally has three components: a judgement (usually critical) of how things are, a picture of the ideology's ideal society, and a strategy for progressing towards the ideal. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 2) | |
| A reaction: Conservatives tend to think we are already living in the ideal, and they reject most ideologies for being 'idealistic' (which presumably means delusional). I'm a fan of ideals, but combined with cool judgement. |
| 23426 | Ecologism is often non-liberal, by claiming to know other people's best interests [Dobson] |
| Full Idea: Liberals say that their preferences are their interests, and resist the idea that anyone could know their interests better than they can. …To this degree, ecologism might be regarded as 'non-liberal'. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 2) | |
| A reaction: There are lots of other cases where liberal citizens may not realise their best interests, such as in the control of traffic, or of drugs. |
| 23427 | Socialism can be productive and centralised, or less productive and decentralised [Dobson] |
| Full Idea: Marx and his heirs promote a productivist socialism, but utopian socialists such as William Morris offer a less productivist and more decentralised form of socialism. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 2) | |
| A reaction: Modern history teaches us to be very cautious about the centralised version. Presumably you could be decentralised but still value production highly, even if it is a bit less efficient. |
| 23428 | Difference feminists say women differ fundamentally from men [Dobson] |
| Full Idea: Difference feminists argue that men and women are fundamentally different. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 2) | |
| A reaction: You can be significantly different without being 'fundamentally' different. Personally I don't see a huge difference, even though history may have greatly exaggerated and dramatised what differences there are. |
| 23422 | For the environment, affluence and technology matter as much as population size [Dobson] |
| Full Idea: Although bare population figures are important for environmental impact, the level of affluence and the technology are also crucial factors. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 2) | |
| A reaction: It is worth noting that the technology can also have a good impact, though affluence is nearly always bad. |
| 23425 | Ecologism says growth must be reduced, and efficiency is not enough [Dobson] |
| Full Idea: A central belief of the ideology of ecologism is that aggregate growth must be reduced, and that this is very unlikely to be achieved by efficiency gains alone. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 2) | |
| A reaction: He argues that efficiency gains invariably lead to increased production. Trickle down economics needs huge growth to deliver a good life for the poorest sector. Ecologism has to be fairly egalitarian about wealth. |
| 23423 | We currently value the present fourteen times more highly than the future [Dobson] |
| Full Idea: At current rates we seem to value present concerns as fourteen times more valuable than future concerns. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 2) | |
| A reaction: A sobering figure, which sounds about right. This directly influences how much we spend on future concerns. One thought is that future generations may be much more affluent than us! |
| 23430 | A million years is a proper unit of political time [Dobson] |
| Full Idea: We must acknowledge that a million years is a proper unit of political time. | |
| From: Andrew Dobson (Environmental Politics: very short intro [2016], 5) | |
| A reaction: [He cites Colin Tudge] Such thinking is almost impossible, but owners of large aristocratic estates seem to have thought in centuries, because they were confident of continuity. The more we identify with all of humanity, the more this is possible. |
| 6406 | Reality is one, because plurality implies relations, and they assert a superior unity [Bradley] |
| Full Idea: Reality is one. It must be simple because plurality, taken as real, contradicts itself. Plurality implies relations, and, through its relations it unwillingly asserts always a superior unity. | |
| From: F.H. Bradley (Appearance and Reality [1893], p.519), quoted by A.C. Grayling - Russell Ch.2 | |
| A reaction: This argument depends on a belief in 'internal' relations, which Russell famously attacked. If an internal feature of every separate item was its relation to other things, then I suppose Bradley would be right. But it isn't, and he isn't. |