20 ideas
| 7508 | Good reductionism connects fields of knowledge, but doesn't replace one with another [Pinker] |
| Full Idea: Good reductionism (also called 'hierarchical reductionism') consists not of replacing one field of knowledge with another, but of connecting or unifying them. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.4) | |
| A reaction: A nice simple clarification. In this sense I am definitely a reductionist about mind (indeed, about everything). There is nothing threatening to even 'spiritual' understanding by saying that it is connected to the brain. |
| 4483 | If abstract terms are sets of tropes, 'being a unicorn' and 'being a griffin' turn out identical [Loux] |
| Full Idea: If trope theorists say abstract singular terms name sets of tropes, what is the referent of 'is a unicorn'? The only candidate is the null set (with no members), but there is just one null set, so 'being a unicorn' and 'being a griffin' will be identical. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.86) | |
| A reaction: Not crucial, I would think, given that a unicorn is just a horse with a horn. Hume explains how we do that, combining ideas which arose from actual tropes. |
| 4481 | Austere nominalists insist that the realist's universals lack the requisite independent identifiability [Loux] |
| Full Idea: Austere nominalists insist that the realist's universals lack the requisite independent identifiability. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.60) | |
| A reaction: Plato's view seems to be that we don't identify universals independently. We ascend The Line, or think about the shadows in The Cave, and infer the universals from an array of particulars (by dialectic). |
| 4477 | Universals come in hierarchies of generality [Loux] |
| Full Idea: Universals come in hierarchies of generality. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.24) | |
| A reaction: If it is possible to state facts about universals, this obviously encourages a rather Platonic approach to them, as existent things with properties. But maybe the hierarchies are conventional, not natural. |
| 4482 | Austere nominalism has to take a host of things (like being red, or human) as primitive [Loux] |
| Full Idea: In return for a one-category ontology (with particulars but no universals), the austere nominalist is forced to take a whole host of things (like being red, or triangular, or human) as unanalysable or primitive. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.68) | |
| A reaction: I see that 'red' might have to be primitive, but being human can just be a collection of particulars. It is no ontologically worse to call them 'primitive' than to say they exist. |
| 4478 | Nominalism needs to account for abstract singular terms like 'circularity'. [Loux] |
| Full Idea: Nominalists have been very concerned to provide an account of the role of abstract singular terms (such as 'circularity'). | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.34) | |
| A reaction: Whether this is a big problem depends on our view of abstraction. If it only consists of selecting one property of an object and reifying it, then we can give a nominalist account of properties, and the problem is solved. |
| 4480 | Times and places are identified by objects, so cannot be used in a theory of object-identity [Loux] |
| Full Idea: Any account of the identity of material objects which turns on the identity of places and times must face the objection that the identity of places and times depends, in turn, on the identities of the objects located at them. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.56) | |
| A reaction: This may be a benign circle, in which we concede that there are two basic interdependent concepts of objects and space-time. If you want to define identity - in terms of what? |
| 7510 | Connectionists say the mind is a general purpose learning device [Pinker] |
| Full Idea: Connectionists do not, of course, believe that the mind is a blank slate, but they do believe in the closest mechanistic equivalent, a general purpose learning device. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.5) | |
| A reaction: This shows the closeness of connectionism to Hume's associationism (Idea 2189), which was just a minimal step away from Locke's mind as 'white paper' (Idea 7507). Pinker is defending 'human nature', but connectionism has a point. |
| 7513 | Is memory stored in protein sequences, neurons, synapses, or synapse-strengths? [Pinker] |
| Full Idea: Are memories stored in protein sequences, in new neurons or synapses, or in changes in the strength of existing synapses? | |
| From: Steven Pinker (The Blank Slate [2002], Ch.5) | |
| A reaction: This seems to be a neat summary of current neuroscientific thinking about memory. If you are thinking that memory couldn't possibly be so physical, don't forget the mind-boggling number of events involved in each tiny memory. See Idea 6668. |
| 7509 | Roundworms live successfully with 302 neurons, so human freedom comes from our trillions [Pinker] |
| Full Idea: The roundworm only has 959 cells, and 302 neurons in a fixed wiring diagram; it eats, mates, approaches and avoids certain smells, and that's about it. This makes it obvious that human 'free' behaviour comes from our complex biological makeup. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.5) | |
| A reaction: I find this a persuasive example. Three hundred trillion neurons cannot possibly produce behaviour which is more than broadly predictable, and then it is the environment and culture that make it predictable, not the biology. |
| 7511 | Neural networks can generalise their training, e.g. truths about tigers apply mostly to lions [Pinker] |
| Full Idea: The appeal of neural networks is that they automatically generalize their training to similar new items. If one has been trained to think tigers eat frosted flakes, it will generalise that lions do too, because it knows tigers as sets of features. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.5) | |
| A reaction: This certainly is appealing, because it offers a mechanistic account of abstraction and universals, which everyone agrees are central to proper thinking. |
| 7512 | There are five types of reasoning that seem beyond connectionist systems [Pinker, by PG] |
| Full Idea: Connectionist networks have difficulty with the kind/individual distinction (ducks/this duck), with compositionality (relations), with quantification (reference of 'all'), with recursion (embedded thoughts), and the categorical reasoning (exceptions). | |
| From: report of Steven Pinker (The Blank Slate [2002], Ch.5) by PG - Db (ideas) | |
| A reaction: [Read Pinker p.80!] These are essentially all the more sophisticated aspects of logical reasoning that Pinker can think of. Personally I would be reluctant to say a priori that connectionism couldn't cope with these things, just because they seem tough. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 7505 | Many think that accepting human nature is to accept innumerable evils [Pinker] |
| Full Idea: To acknowledge human nature, many think, is to endorse racism, sexism, war, greed, genocide, nihilism, reactionary politics, and neglect of children and the disadvantaged. | |
| From: Steven Pinker (The Blank Slate [2002], Pref) | |
| A reaction: The point is that modern liberal thinking says everything is nurture (which can be changed), not nature (which can't). Virtue theory, of which I am a fan, requires a concept of human nature, as the thing which can attain excellence in its function. |
| 7516 | In 1828, the stuff of life was shown to be ordinary chemistry, not a magic gel [Pinker] |
| Full Idea: In 1828 Friedrich Wöhler showed [by synthesising urea in the laboratory] that the stuff of life is not a magical, pulsating gel, but ordinary compounds following the laws of chemistry. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.3) | |
| A reaction: Wöhler synthesised urea in the laboratory. |
| 7515 | All the evidence says evolution is cruel and wasteful, not intelligent [Pinker] |
| Full Idea: The overwhelming evidence is that the process of evolution, far from being intelligent and purposeful, is wasteful and cruel. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.7) | |
| A reaction: This is why opponents should reject evolution totally, rather than compromise with it. Stick to a 6000-year-old world, fossils sent to test our faith, and species created in a flash (with no pain or waste). |
| 7514 | Intelligent Design says that every unexplained phenomenon must be design, by default [Pinker] |
| Full Idea: The originator of 'intelligent design' (the biochemist Michael Behe) takes every phenomenon whose evolutionary history has not yet been figured out, and chalks it up to design by default. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.7) | |
| A reaction: This seems to summarise the strategy very nicely. The theory essentially exploits the 'wow!' factor. The bigger the wow! the more likely it is that it was created by God. But research has been eroding our wows steadily for four hundred years. |