8 ideas
| 10496 | Monothetic categories have fixed defining features, and polythetic categories do not [Ellen] |
| Full Idea: Many categories are 'monothetic' (the defining set of features is always unique), and others are 'polythetic' (single features being neither essential to group membership nor sufficient to allocate an item to a group). | |
| From: Roy Ellen (Anthropological Studies of Classification [1996], p.33) | |
| A reaction: This seems a rather important distinction which hasn't made its way into philosophy, where there is a horrible tendency to oversimplify, with the dream of a neat and unified picture. But see Goodman's 'Imperfect Community' problem (Idea 7957). |
| 10497 | In symbolic classification, the categories are linked to rules [Ellen] |
| Full Idea: Symbolic classification occurs when we use some things as a means of saying something about other things. ..They enhance the significance of some categories, so that categories imply rules and rules imply categories. | |
| From: Roy Ellen (Anthropological Studies of Classification [1996], p.35) | |
| A reaction: I'm afraid the anthropologists seem to have more of interest to say about categories than philosophers do. Though maybe we couldn't do anthropology if philosophers had made us more self-conscious about categories. Teamwork! |
| 10494 | Several words may label a category; one word can name several categories; some categories lack words [Ellen] |
| Full Idea: Words are not always a good guide to the existence of categories: there may be several words which label the same categories (synonyms). and the same word can be used for quite different ideas. Some categories may exist without being labelled. | |
| From: Roy Ellen (Categories, Classification, Cogn. Anthropology [2006], I) | |
| A reaction: This is the sort of point which seems obvious to anyone outside philosophy, but which philosophers seem to find difficult to accept. Philosophers should pay much more attention to animals, and to illiterate peoples. Varieties of rice can lack labels. |
| 10495 | Continuous experience sometimes needs imposition of boundaries to create categories [Ellen] |
| Full Idea: Because parts of our experience of the world are complexly continuous, it is occasionally necessary to impose boundaries to produce categories at all. | |
| From: Roy Ellen (Anthropological Studies of Classification [1996], p.33) | |
| A reaction: I like it. Ellen says that people tend to universally cut nature somewhere around the joints, but we can't cope with large things, so the sea tends to be labelled in sections, even though most of the world's seas are continuous. |
| 10498 | Classification is no longer held to be rooted in social institutions [Ellen] |
| Full Idea: The view that all classification finds its roots in social institutions is now generally considered untenable. | |
| From: Roy Ellen (Anthropological Studies of Classification [1996], p.36) | |
| A reaction: And about time too. Ellen (an anthropologist) inevitably emphasises the complexity of the situation, but endorses the idea that people everywhere largely cut nature at the joints. |
| 20422 | The experience of expression and communication are intermingled in art [Croce] |
| Full Idea: It is very difficult to perceive the frontier between expression and communication in actual fact, for the two processes usually alternate rapidly and are almost intermingled. | |
| From: Benedetto Croce (The Essence of Aesthetic [1912]), quoted by Gary Kemp - Croce and Collingwood | |
| A reaction: [text unsure] I think he is getting at seeing the painting (or whatever) as a physical object, and seeing it as the experience which results from the object. The alternation of the objective and subjective views. Reminds me of Thomas Nagel. |
| 7270 | Historical interpretation aims to recapture the author's view of the work [Croce] |
| Full Idea: Historical interpretation enables us to see a work of art as its author saw it in the moment of production. | |
| From: Benedetto Croce (Aesthetic as Science of Expression [1902], §II), quoted by W Wimsatt/W Beardsley - The Intentional Fallacy §II | |
| A reaction: Wimsatt and Beardsley quote this as the romantic antithesis of their own view, but there is a blurring between understanding a work and judging. Personally I consider intentions essential for understanding, and valuable for judgement. |
| 3029 | Stilpo said if Athena is a daughter of Zeus, then a statue is only the child of a sculptor, and so is not a god [Stilpo, by Diog. Laertius] |
| Full Idea: Stilpo asked a man whether Athena is the daughter of Zeus, and when he said yes, said,"But this statue of Athena by Phidias is the child of Phidias, so it is not a god." | |
| From: report of Stilpo (fragments/reports [c.330 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.10.5 |