10 ideas
| 17771 | How we evaluate evidence depends on our background beliefs [Bayne] |
| Full Idea: A claim that might be very plausible given one set of background beliefs might be highly implausible when evaluated in the light of a different set of background beliefs. | |
| From: Tim Bayne (Thought: a very short introduction [2013], Ch.7) |
| 17770 | Clifford's dictum seems to block our beliefs in morality, politics and philosophy [Bayne] |
| Full Idea: Endorsing Clifford's dictum threatens to undermine our right to hold many of our most cherished beliefs about morality, politics, and philosophy, for these are domains in which it is notoriously difficult to secure consensus. | |
| From: Tim Bayne (Thought: a very short introduction [2013], Ch.7) | |
| A reaction: I would say that those beliefs are amenable to evidence, but the evidence is often highly generalised, which is what makes those subjects notoriously difficult. The existence of a convention is a sort of evidence. |
| 17766 | Physicalism correlates brain and mind, explains causation by thought, and makes nature continuous [Bayne] |
| Full Idea: The motivations for physicalism about the mind are that it accounts for correlations between states of the brain and states of thought, ...that it accounts for the causal role of thoughts, ...and that it does justice to the continuity of nature. | |
| From: Tim Bayne (Thought: a very short introduction [2013], Ch.2) | |
| A reaction: [summary] That is a pretty good summary of why I am a physicalist about the mind. I take all other theories to be dead footnotes in the history of thought - unless someone can produce a really good new argument. Which they can't. |
| 17768 | Perception reveals what animals think, but humans can disengage thought from perception [Bayne] |
| Full Idea: One striking feature of human thought involves our ability to disengage the focus of thought from that of our perceptual attention. ...To get a fix on what an animal is thinking about, one need only determine the object of its perceptual attention. | |
| From: Tim Bayne (Thought: a very short introduction [2013], Ch.4) | |
| A reaction: What happens when an animal closes its eyes, or stirs violently during sleep? I take the hallmark of human thought to be its multi-level character, and this offers nice evidence for that view. Doing philosophy while driving a car is very revealing. |
| 17769 | Some people centre space on themselves; others centre space on the earth [Bayne] |
| Full Idea: Egocentric conceptions of space employ a frame of reference that is focused on oneself; ...geocentric conceptions of space, by contrast, employ a frame of reference that is centred on the earth. | |
| From: Tim Bayne (Thought: a very short introduction [2013], Ch.5) | |
| A reaction: Famously, Europeans nearly always employ the egocentric conception, but many other cultures are geocentric. Thus the salt cellar is either 'to my left' or 'to the west'. In the latter view, everyone always knows their orientation (even indoors?). |
| 17767 | The alternative to a language of thought is map-like or diagram-like thought [Bayne] |
| Full Idea: One could think that the structure of thought has more in common with that of maps or diagrams, and is not particularly language-like. | |
| From: Tim Bayne (Thought: a very short introduction [2013], Ch.2) | |
| A reaction: It seems unwise to be ensnared by analogies on this one, since the phenomenon is buried deep. You can no more infer what goes on underneath than you can infer electrons from looking at trees? |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |
| 7417 | God can't have silly perfections, but how do we decide which ones are 'silly'? [Joslin] |
| Full Idea: It is clear that God cannot have all conceivable perfections, because otherwise he would have absurd perfections (like being the perfect prawn sandwich), so a line must be drawn, and how are we to decide which perfections are appropriate and essential? | |
| From: Jack Joslin (talk [2006]), quoted by PG - Db (ideas) | |
| A reaction: This is an excellent question for curbing the absurdities of those who want to load God with every good thing that can possibly be conceived. Is the God who is also a perfect prawn sandwich more perfect than the one who isn't? |