12 ideas
| 16519 | No one can conceive of a possible substance, apart from those which God has created [Arnauld] |
| Full Idea: I am much mistaken if there is anyone who dares to say that he can conceive of a purely possible substance, …for although one talks so much of them, one never conceives them except according to the notion of those which God has created. | |
| From: Antoine Arnauld (Letters to Leibniz [1686], 1686.05.13), quoted by David Wiggins - Sameness and Substance 4.2 | |
| A reaction: This idea cashes out in the 'necessitism' of Tim Williamson, and views on the Barcan formulae in modal logic. |
| 14637 | Only individuals have essences, so numbers (as a higher type based on classes) lack them [McMichael] |
| Full Idea: Essentialism is not verified by the observation that numbers have interesting essential properties, since they are properties of classes and so are entities of a higher logical type than individuals. | |
| From: Alan McMichael (The Epistemology of Essentialist Claims [1986], Intro) | |
| A reaction: This relies on a particular view of number (which might be challenged), but is interesting when it comes to abstract entities having essences. Only ur-elements in set theory could have essences, it seems. Why? Rising in type destroys essence? |
| 14636 | Essences are the interesting necessary properties resulting from a thing's own peculiar nature [McMichael] |
| Full Idea: Essentialism says some individuals have certain 'interesting' necessary properties. If it exists, it has that property. The properties are 'interesting' as had in virtue of their own peculiar natures, rather than as general necessary truths. | |
| From: Alan McMichael (The Epistemology of Essentialist Claims [1986], Intro) | |
| A reaction: [compressed] This is a modern commentator caught between two views. The idea that essence is the non-trivial-necessary properties is standard, but adding their 'peculiar natures' connects him to Aristotle, and Kit Fine's later papers. Good! |
| 14640 | Maybe essential properties have to be intrinsic, as well as necessary? [McMichael] |
| Full Idea: There is a tendency to think of essential properties as having some characteristic in addition to their necessity, such as intrinsicality. | |
| From: Alan McMichael (The Epistemology of Essentialist Claims [1986], VIII) | |
| A reaction: Personally I am inclined to take this view of all properties, and not just the 'essential' ones. General necessities, relations, categorisations, disjunctions etc. should not be called 'properties', even if they are 'predicates'. Huge confusion results. |
| 14638 | Essentialism is false, because it implies the existence of necessary singular propositions [McMichael] |
| Full Idea: Essentialism entails the existence of necessary singular propositions that are not instances of necessary generalizations. Therefore, since there are no such propositions, essentialism is false. | |
| From: Alan McMichael (The Epistemology of Essentialist Claims [1986], I) | |
| A reaction: This summarises the attack which McMichael wishes to deal with. I am wickedly tempted to say that essences actually have a contingent existence (or a merely hypothetical dependent necessity), and this objection might be grist for my mill. |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 14639 | Individuals enter into laws only through their general qualities and relations [McMichael] |
| Full Idea: Individuals appear to enter into laws only through their general qualities and relations. | |
| From: Alan McMichael (The Epistemology of Essentialist Claims [1986], VIII) | |
| A reaction: This is a very significant chicken-or-egg issue. The remark seems to offer the vision of pre-existing general laws, which individuals then join (like joining a club). But surely the laws are derived from the individuals? Where else could they come from? |