13 ideas
| 15785 | Our commitments are to an 'ontology', but also to an 'ideology', or conceptual system [Hintikka] |
| Full Idea: We must distinguish between what we are committed to existing in the actual world or a possible world ('ontology'), and what we are committed to as a part of our ways of dealing with the world conceptually, as a part of our conceptual system ('ideology'). | |
| From: Jaakko Hintikka (Semantics for Propositional Attitudes [1969], p.95), quoted by William Lycan - The Trouble with Possible Worlds 02 | |
| A reaction: I think this is the most illuminating idea I have read on the subject of ontological commitment. I'm fighting for the idea that what we think is true should be kept separate from what we think exists. Ideology is a nice addition to the mix. |
| 22142 | In future, only logical limits can be placed on divine omnipotence [Anon (Par), by Boulter] |
| Full Idea: The Condemnation stipulated that all portions of the ancient intellectual heritage that placed non-logical limits on divine omnipotence were no longer to be tolerated. ...Philosophers now had to entertain the wildest ideas with all seriousness. | |
| From: report of Anon (Par) (The Condemnation of 1277 [1277]) by Stephen Boulter - Why Medieval Philosophy Matters 3 | |
| A reaction: Boulter identifies this as 'the ultimate source of Hume's philosophical delirium'. Presumably the angels-on-a-pinhead stuff originated with this. It is crazy to think that the only limit on possible existence is logic. Can God make a planet of uranium? |
| 15786 | Commitment to possible worlds is part of our ideology, not part of our ontology [Hintikka] |
| Full Idea: Quantification over members of one particular world is a measure of ideology, quantification that crosses possible worlds is often a measure of ideology. | |
| From: Jaakko Hintikka (Semantics for Propositional Attitudes [1969], p.95), quoted by William Lycan - The Trouble with Possible Worlds 02 | |
| A reaction: I like this. See Idea 15785 for the underlying distinction. It leaves the question open of what we might mean by 'ideological commitment'. |
| 16716 | It is heresy to require self-evident foundational principles in order to be certain [Anon (Par)] |
| Full Idea: Heresy 151: 'To have certainty regarding any conclusion, it must be founded on self-evident principles'. | |
| From: Anon (Par) (The Condemnation of 1277 [1277], 151), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 20.3 | |
| A reaction: The correct view is obviously to found certainty on faith and authority. It is one thing to be told that foundationalism is a poor theory, but another to be told it is a heresy, and thus a potential capital crime! |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 1866 | It is heresy to teach that history repeats every 36,000 years [Anon (Par)] |
| Full Idea: It is heresy to teach that with all the heavenly bodies coming back to the same point after a period of thirty-six thousand years, the same effects as now exist will reappear. | |
| From: Anon (Par) (The Condemnation of 1277 [1277], §92) |
| 1865 | It is heresy to teach that natural impossibilities cannot even be achieved by God [Anon (Par)] |
| Full Idea: It is heresy to teach that what is absolutely impossible according to nature cannot be brought about by God or another agent. | |
| From: Anon (Par) (The Condemnation of 1277 [1277], §17) |
| 1864 | It is heresy to teach that we can know God by his essence in this mortal life [Anon (Par)] |
| Full Idea: It is heresy to teach that we can know God by his essence in this mortal life. | |
| From: Anon (Par) (The Condemnation of 1277 [1277], §9) |