15 ideas
| 18491 | The idea of 'making' can be mere conceptual explanation (like 'because') [Künne] |
| Full Idea: If we say 'being a child of our parent's sibling makes him your first cousin', that can be paraphrased using 'because', and this is the 'because' of conceptual explanation: the second part elucidates the sense of the first part. | |
| From: Wolfgang Künne (Conceptions of Truth [2003], 3.5.2) | |
| A reaction: Fans of truth-making are certainly made uncomfortable by talk of 'what makes this a good painting' or 'this made my day'. They need a bit more sharpness to the concept of 'making' a truth. |
| 16039 | Supervenience: No A-difference without a B-difference [Bennett,K] |
| Full Idea: The slogan for supervenience might be 'there cannot be an A-difference without a B-difference'. …(qualifying as a 'perfect forgery' would be an example). | |
| From: Karen Bennett (Supervenience [2011], Intro) | |
| A reaction: The key point about supervenience is that it is one-way. Presumably 'tracking' would be a better single word for it than 'dependence', which implies some sort of causal power. Supervenience describes, but doesn't attempt to explain. |
| 16043 | Supervenience is non-symmetric - sometimes it's symmetric, and sometimes it's one-way [Bennett,K] |
| Full Idea: Supervenience is neither symmetric nor asymmetric; it is non-symmetric. Sometimes it holds symmetrically. …And sometimes it holds asymmetrically. | |
| From: Karen Bennett (Supervenience [2011], §3.2) | |
| A reaction: I think of supervenience as 'tracking'. Stalkers track victims; married couples track one another. Beauty tracks statues, but statues don't seem to track beauty. I take so-called mind-brain supervenience to be two-way, not one-way. |
| 16047 | Weak supervenience is in one world, strong supervenience in all possible worlds [Bennett,K] |
| Full Idea: Weak supervenience says there is no possible world that contains individuals that are B-indiscernible but A-discernible. Strong supervenience entails the same even if they are in different possible worlds. | |
| From: Karen Bennett (Supervenience [2011], §4.1) | |
| A reaction: In other words (I presume), in simple language, the weak version says they happen supervene, the strong version says they have to supervene. |
| 16040 | Aesthetics, morality and mind supervene on the physical? Modal on non-modal? General on particular? [Bennett,K] |
| Full Idea: It has been claimed that aesthetic, moral and mental properties supervene upon physical properties, …and that modal truths supervene on non-modal ones, and that general truths supervene on particular ones. | |
| From: Karen Bennett (Supervenience [2011], Intro) | |
| A reaction: I am attracted to the last bit. I am bewildered by people who try to derive particular truths from general ones, such as deriving physical behaviour from laws, or the nature of some creature simply from its species. Only some tigers are man-eaters. |
| 16044 | Some entailments do not involve supervenience, as when brotherhood entails siblinghood [Bennett,K] |
| Full Idea: Some entailments do not suffice for supervenience. Being a brother entails being a sibling, but being a sibling does not supervene on being a brother. Sarah has a sister and Jack in an only child. Sarah, unlike Jack, is a sibling; neither is a brother. | |
| From: Karen Bennett (Supervenience [2011], §3.2) | |
| A reaction: The whole point of supervenience, I take it, is to label a relation of tracking, while offering no explanation of the tracking. Entailment would be a rather powerful explanation, as would a dog's being tied to a cart. |
| 16046 | Reduction requires supervenience, but does supervenience suffice for reduction? [Bennett,K] |
| Full Idea: Everyone agrees that reduction requires supervenience, …but the more interesting issue is whether supervenience suffices for reduction. | |
| From: Karen Bennett (Supervenience [2011], §3.3) | |
| A reaction: I think we should assume that there is a reason for every genuine case of supervenience (i.e. there are no cases of eternal or ubiquitious coincidence). One-way causation seems to give supervenience without reduction. |
| 16049 | Definitions of physicalism are compatible with a necessary God [Bennett,K] |
| Full Idea: All definitions of physicalism are compatible with the existence of a necessarily existing God. | |
| From: Karen Bennett (Supervenience [2011], 5.4) | |
| A reaction: All the definitions seem to depend on all the facts covarying with the physical facts, so anything which is invariant (such as divine or platonic entities) will stand outside the definition. Physicalism is more like a credo about all facts whatever. |
| 16042 | The metaphysically and logically possible worlds are the same, so they are the same strength [Bennett,K] |
| Full Idea: Metaphysical necessity is just as strong as logical necessity in that the space of metaphysical possibility is exactly the same as the space of logical possibility: the logically possible worlds = the metaphysically possible worlds. | |
| From: Karen Bennett (Supervenience [2011], §3.1) | |
| A reaction: I think this is wrong. To be the 'same strength' there would also have to be the same number of logical as metaphysical truths, and I presume that is not the case. There are far more logical than metaphysical possibilities. |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |