13 ideas
| 20768 | Like spiderswebs, dialectical arguments are clever but useless [Ariston, by Diog. Laertius] |
| Full Idea: He said that dialectical arguments were like spiderswebs: although they seem to indicate craftsmanlike skill, they are useless. | |
| From: report of Ariston (fragments/reports [c.250 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 07.161 | |
| A reaction: Useful for the spider, but useless to Ariston. |
| 16659 | Relations do not add anything to reality, though they are real aspects of the world [Olivi] |
| Full Idea: It does not seem that a relation adds anything real to that on which it is founded, but only makes for another real aspect belonging to the same thing. It is real since an aspect exists in re, not solely in the intellect, but it is not another thing. | |
| From: Peter John Olivi (Summa quaestionum super Sententias [1290], II.54), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 12.4 |
| 16672 | Quantity is the quantified parts of a thing, plus location and coordination [Olivi] |
| Full Idea: Quantity refers to nothing other than the parts of the thing quantified, together with their location or position, being extrinsically coordinated with each other. | |
| From: Peter John Olivi (Treatise on Quantity [1286], f. 49vb), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 14.1 | |
| A reaction: I'm not sure I understand 'extrinsically'. Is there some external stretching force? God spends his time spreading out his stuff? It is nice that being spread out isn't taken for granted. We take much more for granted than they did. Motion, for example. |
| 16673 | Quantity just adds union and location to the extension of parts [Olivi] |
| Full Idea: Quantity or extension adds absolutely nothing really distinct to the quantified matter or to the extended and quantified form, except perhaps the union and location and position of those parts. | |
| From: Peter John Olivi (Summa quaestionum super Sententias [1290], II:58,II:440), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 14.1 | |
| A reaction: Other views seem to say that the Quantity provides the extension, but he seems to take that as given. |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 3049 | The chief good is indifference to what lies midway between virtue and vice [Ariston, by Diog. Laertius] |
| Full Idea: The chief good is to live in perfect indifference to all those things which are of an intermediate character between virtue and vice. | |
| From: report of Ariston (fragments/reports [c.250 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 07.2.1 |
| 3549 | Ariston says rules are useless for the virtuous and the non-virtuous [Ariston, by Annas] |
| Full Idea: Ariston says that rules are useless if you are virtuous, and useless if you are not. | |
| From: report of Ariston (fragments/reports [c.250 BCE]) by Julia Annas - The Morality of Happiness 2.4 |
| 16663 | Things are limited by the species to certain modes of being [Olivi] |
| Full Idea: A subject is limited by its species to certain modes of being. | |
| From: Peter John Olivi (Summa quaestionum super Sententias [1290], I:586-7), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 13.2 | |
| A reaction: I think this is so very the wrong way round. Species characteristics are generalisations about similar individual creatures. The 'species' doesn't do anything at all. It is a classification. See ring species, for example. |