Combining Philosophers

All the ideas for W Wimsatt/W Beardsley, Peter Schulte and Fabrice Correia

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20 ideas

5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
The nature of each logical concept is given by a collection of inference rules [Correia]
     Full Idea: The view presented here presupposes that each logical concept is associated with some fixed and well defined collection of rules of inference which characterize its basic logical nature.
     From: Fabrice Correia (On the Reduction of Necessity to Essence [2012], 4)
     A reaction: [He gives Fine's 'Senses of Essences' 57-8 as a source] He seems to have in mind natural deduction, where the rules are for the introduction and elimination of the concepts.
10. Modality / A. Necessity / 6. Logical Necessity
Explain logical necessity by logical consequence, or the other way around? [Correia]
     Full Idea: One view is that logical consequence is to be understood in terms of logical necessity (some proposition holds necessarily, if some group of other propositions holds). Alternatively, logical necessity is a logical consequence of the empty set.
     From: Fabrice Correia (On the Reduction of Necessity to Essence [2012], 3)
     A reaction: I think my Finean preference is for all necessities to have a 'necessitator', so logical necessity results from logic in some way, perhaps from logical consequence, or from the essences of the connectives and operators.
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
Some explanations offer to explain a mystery by a greater mystery [Schulte]
     Full Idea: An 'obscurum per obscurius' explanation is explaining something mysterious by something even more mysterious,
     From: Peter Schulte (Mental Content [2023], 6)
     A reaction: Schulte's example is trying to explain mental content in terms of phenomenal experience. That is, roughly, explaining content by qualia, when the latter is the 'hard problem'.
18. Thought / C. Content / 1. Content
Naturalistic accounts of content cannot rely on primitive mental or normative notions [Schulte]
     Full Idea: A 'naturalistic' explanation of content excludes primitive mental or normative notions, but allows causation, counterfactual dependence, probabilistic dependence or structural similarity.
     From: Peter Schulte (Mental Content [2023], 4)
     A reaction: Apart from causation, what is permissible to naturalists (like me) all sounds rather superficial (and thus not very explanatory). I'm sure we can do better than this. How about using non-primitive mental notions?
On the whole, referential content is seen as broad, and sense content as narrow [Schulte]
     Full Idea: We can say that non-Fregean content [reference] is (virtually) always contrued as broad, while Fregean content [sense] is usually contrued as narrow.
     From: Peter Schulte (Mental Content [2023], 3.2)
     A reaction: I can't make sense of mental content actually being outside the mind, so I see all content as narrow - but that doesn't mean that externals are irrelevant to it. If I think that is an oak, and it's an elm, the content is oak.
Phenomenal and representational character may have links, or even be united [Schulte]
     Full Idea: Some theorists maintain that all states with representational content or intentionality must have phenomenal character …and we can also ask whether all states with phenomenal character also have representional content.
     From: Peter Schulte (Mental Content [2023], 2.4)
     A reaction: He mentions that beliefs could involve inner speech. And pains and moods may be phenomenal but lack content. He also asks which determines which.
Maybe we can explain mental content in terms of phenomenal properties [Schulte]
     Full Idea: The phenomenal intentionality approach says that the content properties of mental states can be explained in terms of the phenomenal properties of mental states.
     From: Peter Schulte (Mental Content [2023], 6)
     A reaction: [Searle and Loar are cited] Tends to be 'non-naturalistic'. We might decide that content derives from the phenomenal, but still without saying anything interesting about content. Mathematical content? Universally generalised content?
Naturalist accounts of representation must match the views of cognitive science [Schulte]
     Full Idea: Recent naturalisation of content now also has to offer a matching account of representational explanations in cognitive science.
     From: Peter Schulte (Mental Content [2023], 08.1)
     A reaction: [He cites Cummins, Neander and Shea] This is in addition to the 'status' and 'content' questions of Idea 23796. This seems to be an interesting shift to philosophers working backwards from the theories of empirical science. Few are qualified for this job!
Naturalists must explain both representation, and what is represented [Schulte]
     Full Idea: Naturalistic accounts of content ask 1) what makes a state qualify as a representational state?, and 2) what makes a representational state have one specific content rather than another?
     From: Peter Schulte (Mental Content [2023], 4)
     A reaction: [As often in this collection, the author uses algebraic letters, but I prefer plain English] I would say that the first question looks more amenable to an answer than the second. Do we know the neuronal difference between seeing red and blue?
18. Thought / C. Content / 9. Conceptual Role Semantics
Conceptual role semantics says content is determined by cognitive role [Schulte]
     Full Idea: Conceptual role semantics says the content of a representation is determined by the cognitive role it plays with a system.
     From: Peter Schulte (Mental Content [2023], 4.5)
     A reaction: Obvious problem: if 'swordfish' is the password, its role is quite different from its content. I've never thought that the role of something tells you anything about what it is. Hearts pump blood, but how do they fulfil that role?
18. Thought / C. Content / 10. Causal Semantics
Cause won't explain content, because one cause can produce several contents [Schulte]
     Full Idea: A simple causal theory of content has the 'content indeterminacy' problem - that the presence of a cow causes 'a cow is present', but also 'an animal is present' and 'a biological organism is present'.
     From: Peter Schulte (Mental Content [2023], 4.1)
     A reaction: That only rules out the 'simple' version. We just need to add that the cause (cow experience) is shaped by current knowledge and interests. Someone buying cows and someone terrified of them thereby produce different concepts.
18. Thought / C. Content / 11. Teleological Semantics
Teleosemantics explains content in terms of successful and unsuccessful functioning [Schulte]
     Full Idea: The core idea of teleosemantics is that we need to explain how content can be accurate or inaccurate, true or false, realised or unrealised …which must appeal to the distinction between proper functioning and malfunctioning.
     From: Peter Schulte (Mental Content [2023], 4.4)
     A reaction: My immediate reaction to this is that you don't learn about content by assessing its success. Surely (as with eyesight) you first need to understand what it does, and only then judge its success. …Though success and failure are implicit in function.
Teleosemantic explanations say content is the causal result of naturally selected functions [Schulte]
     Full Idea: Teleosemantic theories usually give a causal account of mental functions …where some trait has a particular function if it was selected for that function by a process of natural selection.
     From: Peter Schulte (Mental Content [2023], 4.4)
     A reaction: This is an idea I like - that something has a specific function if without that function it wouldn't have come into existence (eyes, for example). But presumably the function of a mind is to collect content - which does nothing to explain content!
18. Thought / C. Content / 12. Informational Semantics
Information theories say content is information, such as smoke making fire probable [Schulte]
     Full Idea: Information theories of content [usually assume that] a column of smoke over there carries the information that fire is over there because it raises the probability of fire being over there.
     From: Peter Schulte (Mental Content [2023], 4.2)
     A reaction: Theorists usually add further conditions to this basic one. Fred Dretske is the source of this approach. Not promising, in my opinion. Surely the content is just smoke, and fire is one of dozens of possible inferences from it?
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
     Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help.
     From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3
     A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work.
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
     Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys).
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
     Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point.
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
     Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft.
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
     Full Idea: The intentional fallacy is a romantic one.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II)
     A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour.
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
     Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV)
     A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc.