16 ideas
| 7460 | The great moments are the death of Aristotle, Machiavelli, and Romanticism [Berlin, by Watson] |
| Full Idea: Berlin says there were three great turning points: after the death of Aristotle (when Greek schools focused on the inner life of individuals, instead of as social beings), Machiavelli's division of political and individual virtues, and Romanticism. | |
| From: report of Isaiah Berlin (The Sense of Reality [1996], p.168-9) by Peter Watson - Ideas Intro | |
| A reaction: I have the impression that Machiavelli introduced a new hard-boiled ethics, which dominated the sixteenth century, but in the seventeenth and eighteenth century they fought back, and Machiavellianism turned out to be just a phase. |
| 7662 | Romanticism is the greatest change in the consciousness of the West [Berlin] |
| Full Idea: Romanticism seems to me the greatest single shift in the consciousness of the West that has occurred. | |
| From: Isaiah Berlin (The Roots of Romanticism [1965], Ch.1) | |
| A reaction: Far be it from me to challenge Berlin on such things, but I think that the scientific revolution of the seventeenth century (though acting more slowly and less dramatically than romanticism) may well be more significant in the long run. Ideas filter down. |
| 7665 | Most Enlightenment thinkers believed that virtue consists ultimately in knowledge [Berlin] |
| Full Idea: What is common to most of the main thinker of the Enlightenment is the view that virtue consists ultimately in knowledge. | |
| From: Isaiah Berlin (The Roots of Romanticism [1965], Ch.2) | |
| A reaction: I have always found this view (which seems to originate with Socrates) rather sympathetic. What is so frustrating about cheerful optimists who smoke cigarettes is not the weakness of will or strong desires, but their apparent failure of understanding. |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 7676 | If we are essentially free wills, authenticity and sincerity are the highest virtues [Berlin] |
| Full Idea: Since (for romantics) we are wills, and we must be free, in the Kantian sense, controllable motives count more than consequences, and the greatest virtue of all is what existentialists call 'authenticity' and what romantics called 'sincerity'. | |
| From: Isaiah Berlin (The Roots of Romanticism [1965], Ch.6) | |
| A reaction: The case of the sincere or authentic Nazi shows the problems with this. However, I agree that sincerity is a key virtue, perhaps the crucial preliminary to all the other virtues. It is hard to imagine a flow of other virtues from an insincere person. |
| 7664 | The Greeks have no notion of obligation or duty [Berlin] |
| Full Idea: There is an absence among the Greeks of a notion of obligation, and hence of duty, which is difficult to grasp for people who read the Greeks through spectacles partly affected by the jews. | |
| From: Isaiah Berlin (The Roots of Romanticism [1965], Ch.1) | |
| A reaction: This doesn't quite fit early section of 'Republic', in which morality is a mutual agreement not to do harm. Presumably the Greek word 'deon' refers to what needs to be done, rather than to anyone's obligation to do it(?). Contracts need duty? Cf. 4133 |
| 7677 | Central to existentialism is the romantic idea that there is nothing to lean on [Berlin] |
| Full Idea: The central sermon of existentialism is essentially a romantic one, namely, that there is in the world nothing to lean on. | |
| From: Isaiah Berlin (The Roots of Romanticism [1965], Ch.6) | |
| A reaction: He tracks this back to Kant's view that our knowledge of the world arises out of our own minds. So what is there to lean on? Rational consistency? Natural human excellence? God? Pleasure? Anonymous duty? I like the second one. |
| 20544 | Berlin distinguishes 'negative' and 'positive' liberty, and rejects the latter [Berlin, by Swift] |
| Full Idea: Isaiah Berlin draws a famous distinction between 'negative' and 'positive' concepts of liberty, and argues that the latter should be seen as a wrong turning (because totalitarian regimes have invoked it). | |
| From: report of Isaiah Berlin (Two Concepts of Liberty [1958]) by Adam Swift - Political Philosophy (3rd ed) 2 'Intro' | |
| A reaction: Swift argues against him, saying that positive liberty is not a single concept (it's three), and has aspects that should be defended. I think I'm with Swift on that. Is religious freedom a freedom 'from' something, or a freedom 'to do' something? |
| 15150 | The properties of an electron can't be explained just as 'clustering' [Chakravartty on Boyd] |
| Full Idea: Boyd's homeostatic mechanisms are not responsible for the co-instantiation of the mass, charge and spin of an electron. | |
| From: comment on Richard Boyd (Homeostasis, Species and Higher Taxa [1999]) by Anjan Chakravarrty - Inessential Aristotle: Powers without Essences 3 | |
| A reaction: I would have thought that no one has the foggiest idea (unless I have missed something?) about why electrons have those three properties. What is it about electrons that makes them do that? Explanations always run out somewhere. Substratum! |
| 15149 | Properties cluster together, either because of intrinsic relations, or because of an underlying process [Boyd, by Chakravartty] |
| Full Idea: Boyd analyses 'sociability' between properties in terms of 'homeostasis', as causal relations between properties that favour clustering, or underlying processes that favour coinstantiation, or both. | |
| From: report of Richard Boyd (Homeostasis, Species and Higher Taxa [1999]) by Anjan Chakravarrty - Inessential Aristotle: Powers without Essences 3 | |
| A reaction: Chakravarty criticises this claim, by Boyd is clearly onto something. If, like me, you think natural kinds are overrated, you have to like his view. |
| 7663 | Judaism and Christianity views are based on paternal, family and tribal relations [Berlin] |
| Full Idea: The notion from which both Judaism and Christianity to a large degree sprang is the notion of family life, the relations of father and son, perhaps the relations of members of a tribe to one another. | |
| From: Isaiah Berlin (The Roots of Romanticism [1965], Ch.1) | |
| A reaction: He compares this with Plato's mathematical view of reality. Key stories would be Abraham and Isaac, and Jesus being the 'son' of God, which both touch the killing of the child. Berlin means that the universe is explained this way. |