Combining Philosophers

All the ideas for Adolph Rami, Proclus and Stephen Davies

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47 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
3. Truth / B. Truthmakers / 1. For Truthmakers
There are five problems which the truth-maker theory might solve [Rami]
The truth-maker idea is usually justified by its explanatory power, or intuitive appeal [Rami]
3. Truth / B. Truthmakers / 2. Truthmaker Relation
The truth-making relation can be one-to-one, or many-to-many [Rami]
3. Truth / B. Truthmakers / 3. Truthmaker Maximalism
Central idea: truths need truthmakers; and possibly all truths have them, and makers entail truths [Rami]
3. Truth / B. Truthmakers / 4. Truthmaker Necessitarianism
Most theorists say that truth-makers necessitate their truths [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
It seems best to assume different kinds of truth-maker, such as objects, facts, tropes, or events [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / c. States of affairs make truths
Truth-makers seem to be states of affairs (plus optional individuals), or individuals and properties [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / d. Being makes truths
'Truth supervenes on being' only gives necessary (not sufficient) conditions for contingent truths [Rami]
'Truth supervenes on being' avoids entities as truth-makers for negative truths [Rami]
3. Truth / B. Truthmakers / 7. Making Modal Truths
Maybe a truth-maker also works for the entailments of the given truth [Rami]
3. Truth / B. Truthmakers / 11. Truthmaking and Correspondence
Truth-making is usually internalist, but the correspondence theory is externalist [Rami]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
Correspondence theories assume that truth is a representation relation [Rami]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Deflationist truth is an infinitely disjunctive property [Rami]
4. Formal Logic / D. Modal Logic ML / 7. Barcan Formula
Truth-maker theorists should probably reject the converse Barcan formula [Rami]
8. Modes of Existence / A. Relations / 2. Internal Relations
Internal relations depend either on the existence of the relata, or on their properties [Rami]
9. Objects / C. Structure of Objects / 2. Hylomorphism / a. Hylomorphism
The extremes of essentialism are that all properties are essential, or only very trivial ones [Rami]
9. Objects / D. Essence of Objects / 3. Individual Essences
An 'individual essence' is possessed uniquely by a particular object [Rami]
9. Objects / D. Essence of Objects / 5. Essence as Kind
'Sortal essentialism' says being a particular kind is what is essential [Rami]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / b. Essence not necessities
Unlosable properties are not the same as essential properties [Rami]
10. Modality / A. Necessity / 3. Types of Necessity
Physical possibility is part of metaphysical possibility which is part of logical possibility [Rami]
10. Modality / B. Possibility / 2. Epistemic possibility
If it is possible 'for all I know' then it is 'epistemically possible' [Rami]
14. Science / D. Explanation / 2. Types of Explanation / g. Causal explanations
Geometrical proofs do not show causes, as when we prove a triangle contains two right angles [Proclus]
18. Thought / E. Abstraction / 1. Abstract Thought
The origin of geometry started in sensation, then moved to calculation, and then to reason [Proclus]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]