20 ideas
| 8368 | A correct definition is what can be substituted without loss of meaning [Ducasse] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| 7810 | The 'Eumenides' of Aeschylus shows blood feuds replaced by law [Aeschylus, by Grayling] |
| 8367 | Causation is defined in terms of a single sequence, and constant conjunction is no part of it [Ducasse] |
| 8372 | We see what is in common between causes to assign names to them, not to perceive them [Ducasse] |
| 8369 | Causes are either sufficient, or necessary, or necessitated, or contingent upon [Ducasse] |
| 8373 | When a brick and a canary-song hit a window, we ignore the canary if we are interested in the breakage [Ducasse] |
| 8370 | A cause is a change which occurs close to the effect and just before it [Ducasse] |
| 8371 | Recurrence is only relevant to the meaning of law, not to the meaning of cause [Ducasse] |
| 8374 | We are interested in generalising about causes and effects purely for practical purposes [Ducasse] |