Combining Philosophers

All the ideas for Anaxarchus, Albert Casullo and Richard Wollheim

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24 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
10. Modality / A. Necessity / 11. Denial of Necessity
Maybe modal sentences cannot be true or false [Casullo]
10. Modality / D. Knowledge of Modality / 1. A Priori Necessary
If the necessary is a priori, so is the contingent, because the same evidence is involved [Casullo]
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
Epistemic a priori conditions concern either the source, defeasibility or strength [Casullo]
The main claim of defenders of the a priori is that some justifications are non-experiential [Casullo]
12. Knowledge Sources / A. A Priori Knowledge / 4. A Priori as Necessities
Analysis of the a priori by necessity or analyticity addresses the proposition, not the justification [Casullo]
12. Knowledge Sources / A. A Priori Knowledge / 10. A Priori as Subjective
Maybe imagination is the source of a priori justification [Casullo]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / c. Defeasibility
'Overriding' defeaters rule it out, and 'undermining' defeaters weaken in [Casullo]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]