Combining Philosophers

All the ideas for Anaxarchus, Clive Bell and Charles Parsons

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27 ideas

4. Formal Logic / D. Modal Logic ML / 4. Alethic Modal Logic
9470 Modal logic is not an extensional language [Parsons,C]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
13418 The old problems with the axiom of choice are probably better ascribed to the law of excluded middle [Parsons,C]
5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
9469 Substitutional existential quantifier may explain the existence of linguistic entities [Parsons,C]
9468 On the substitutional interpretation, '(∃x) Fx' is true iff a closed term 't' makes Ft true [Parsons,C]
6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / c. Counting procedure
17447 Parsons says counting is tagging as first, second, third..., and converting the last to a cardinal [Parsons,C, by Heck]
6. Mathematics / C. Sources of Mathematics / 4. Mathematical Empiricism / c. Against mathematical empiricism
18201 General principles can be obvious in mathematics, but bold speculations in empirical science [Parsons,C]
6. Mathematics / C. Sources of Mathematics / 8. Finitism
13419 If functions are transfinite objects, finitists can have no conception of them [Parsons,C]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / e. Ontological commitment problems
13417 If a mathematical structure is rejected from a physical theory, it retains its mathematical status [Parsons,C]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
3061 Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]