32 ideas
23708 | Humeans see properties as having no more essential features and relations than their distinctness [Friend/Kimpton-Nye, by PG] |
23709 | Dispositions are what individuate properties, and they constitute their essence [Friend/Kimpton-Nye] |
23707 | Powers are properties which necessitate dispositions [Friend/Kimpton-Nye] |
23714 | Dispositional essentialism (unlike the grounding view) says only fundamental properties are powers [Friend/Kimpton-Nye] |
23711 | A power is a property which consists entirely of dispositions [Friend/Kimpton-Nye] |
23712 | Powers are qualitative properties which fully ground dispositions [Friend/Kimpton-Nye] |
23698 | Dispositions have directed behaviour which occurs if triggered [Friend/Kimpton-Nye] |
23699 | 'Masked' dispositions fail to react because something intervenes [Friend/Kimpton-Nye] |
23700 | A disposition is 'altered' when the stimulus reverses the disposition [Friend/Kimpton-Nye] |
23701 | A disposition is 'mimicked' if a different cause produces that effect from that stimulus [Friend/Kimpton-Nye] |
23702 | A 'trick' can look like a stimulus for a disposition which will happen without it [Friend/Kimpton-Nye] |
23703 | Some dispositions manifest themselves without a stimulus [Friend/Kimpton-Nye] |
23704 | We could analyse dispositions as 'possibilities', with no mention of a stimulus [Friend/Kimpton-Nye] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
23710 | Dispositionalism says modality is in the powers of this world, not outsourced to possible worlds [Friend/Kimpton-Nye] |
3061 | Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
23706 | Hume's Dictum says no connections are necessary - so mass and spacetime warping could separate [Friend/Kimpton-Nye] |