29 ideas
18487 | We want to know what makes sentences true, rather than defining 'true' [McFetridge] |
18488 | We normally explain natural events by citing further facts [McFetridge] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
12184 | Logical necessity overrules all other necessities [McFetridge] |
15083 | The fundamental case of logical necessity is the valid conclusion of an inference [McFetridge, by Hale] |
15084 | In the McFetridge view, logical necessity means a consequent must be true if the antecedent is [McFetridge, by Hale] |
12180 | Logical necessity requires that a valid argument be necessary [McFetridge] |
12181 | Traditionally, logical necessity is the strongest, and entails any other necessities [McFetridge] |
12183 | It is only logical necessity if there is absolutely no sense in which it could be false [McFetridge] |
12192 | The mark of logical necessity is deduction from any suppositions whatever [McFetridge] |
12182 | We assert epistemic possibility without commitment to logical possibility [McFetridge] |
12187 | Objectual modal realists believe in possible worlds; non-objectual ones rest it on the actual world [McFetridge] |
12186 | Modal realists hold that necessities and possibilities are part of the totality of facts [McFetridge] |
3061 | Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |