Combining Philosophers

All the ideas for Anaxarchus, Timothy McGrew and Clive Bell

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29 ideas

13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / a. Pro-internalism
19682 Internalists are much more interested in evidence than externalists are [McGrew]
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / a. Evidence
19687 Absence of evidence proves nothing, and weird claims need special evidence [McGrew]
19684 Does spotting a new possibility count as evidence? [McGrew]
19688 Every event is highly unlikely (in detail), but may be perfectly plausible [McGrew]
19686 Criminal law needs two separate witnesses, but historians will accept one witness [McGrew]
19680 Maybe all evidence consists of beliefs, rather than of facts [McGrew]
19681 If all evidence is propositional, what is the evidence for the proposition? Do we face a regress? [McGrew]
19689 Several unreliable witnesses can give good support, if they all say the same thing [McGrew]
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / b. Evidentialism
19683 Narrow evidentialism relies wholly on propositions; the wider form includes other items [McGrew]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
3061 Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius]
14. Science / A. Basis of Science / 6. Falsification
19685 Falsificationism would be naive if even a slight discrepancy in evidence killed a theory [McGrew]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]