57 ideas
| 12027 | There must be a plausible epistemological theory alongside any metaphysical theory [Forbes,G] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 12005 | The symbol 'ι' forms definite descriptions; (ιx)F(x) says 'the x which is such that F(x)' [Forbes,G] |
| 12010 | Is the meaning of 'and' given by its truth table, or by its introduction and elimination rules? [Forbes,G] |
| 12023 | Vagueness problems arise from applying sharp semantics to vague languages [Forbes,G] |
| 12017 | In all instances of identity, there must be some facts to ensure the identity [Forbes,G] |
| 12024 | If we combined two clocks, it seems that two clocks may have become one clock. [Forbes,G] |
| 11885 | Only individual essences will ground identities across worlds in other properties [Forbes,G, by Mackie,P] |
| 12014 | An individual essence is a set of essential properties which only that object can have [Forbes,G] |
| 12015 | Non-trivial individual essence is properties other than de dicto, or universal, or relational [Forbes,G] |
| 12013 | Essential properties depend on a category, and perhaps also on particular facts [Forbes,G] |
| 13804 | A property is essential iff the object would not exist if it lacked that property [Forbes,G] |
| 13805 | Properties are trivially essential if they are not grounded in a thing's specific nature [Forbes,G] |
| 12012 | Essential properties are those without which an object could not exist [Forbes,G] |
| 13808 | A relation is essential to two items if it holds in every world where they exist [Forbes,G] |
| 13806 | Trivially essential properties are existence, self-identity, and de dicto necessities [Forbes,G] |
| 13807 | A property is 'extraneously essential' if it is had only because of the properties of other objects [Forbes,G] |
| 12025 | Artefacts have fuzzy essences [Forbes,G] |
| 12022 | Same parts does not ensure same artefact, if those parts could constitute a different artefact [Forbes,G] |
| 13809 | One might be essentialist about the original bronze from which a statue was made [Forbes,G] |
| 12020 | An individual might change their sex in a world, but couldn't have differed in sex at origin [Forbes,G] |
| 11888 | Identities must hold because of other facts, which must be instrinsic [Forbes,G, by Mackie,P] |
| 12003 | De re modal formulae, unlike de dicto, are sensitive to transworld identities [Forbes,G] |
| 12028 | De re necessity is a form of conceptual necessity, just as de dicto necessity is [Forbes,G] |
| 13810 | The source of de dicto necessity is not concepts, but the actual properties of the thing [Forbes,G] |
| 12008 | Unlike places and times, we cannot separate possible worlds from what is true at them [Forbes,G] |
| 12009 | The problem with possible worlds realism is epistemological; we can't know properties of possible objects [Forbes,G] |
| 12007 | Possible worlds are points of logical space, rather like other times than our own [Forbes,G] |
| 12011 | Transworld identity concerns the limits of possibility for ordinary things [Forbes,G] |
| 12016 | The problem of transworld identity can be solved by individual essences [Forbes,G] |
| 12004 | Counterpart theory is not good at handling the logic of identity [Forbes,G] |
| 12021 | Haecceitism attributes to each individual a primitive identity or thisness [Forbes,G] |
| 12029 | We believe in thisnesses, because we reject bizarre possibilities as not being about that individual [Forbes,G] |
| 15282 | Facts should be deducible from the theory and initial conditions, and prefer the simpler theory [Osiander, by Harré/Madden] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |