33 ideas
| 10775 | The axiom of choice now seems acceptable and obvious (if it is meaningful) [Tharp] |
| 10766 | Logic is either for demonstration, or for characterizing structures [Tharp] |
| 10767 | Elementary logic is complete, but cannot capture mathematics [Tharp] |
| 10769 | Second-order logic isn't provable, but will express set-theory and classic problems [Tharp] |
| 10762 | In sentential logic there is a simple proof that all truth functions can be reduced to 'not' and 'and' [Tharp] |
| 10776 | The main quantifiers extend 'and' and 'or' to infinite domains [Tharp] |
| 10774 | There are at least five unorthodox quantifiers that could be used [Tharp] |
| 10777 | Skolem mistakenly inferred that Cantor's conceptions were illusory [Tharp] |
| 10773 | The Löwenheim-Skolem property is a limitation (e.g. can't say there are uncountably many reals) [Tharp] |
| 10765 | Soundness would seem to be an essential requirement of a proof procedure [Tharp] |
| 10763 | Completeness and compactness together give axiomatizability [Tharp] |
| 10770 | If completeness fails there is no algorithm to list the valid formulas [Tharp] |
| 10771 | Compactness is important for major theories which have infinitely many axioms [Tharp] |
| 10772 | Compactness blocks infinite expansion, and admits non-standard models [Tharp] |
| 10764 | A complete logic has an effective enumeration of the valid formulas [Tharp] |
| 10768 | Effective enumeration might be proved but not specified, so it won't guarantee knowledge [Tharp] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 19941 | Thou shalt love thy neighbour as thyself [Anon (Leviticus)] |