48 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
12223 | It is a fallacy to explain the obscure with the even more obscure [Hale/Wright] |
12230 | Singular terms refer if they make certain atomic statements true [Hale/Wright] |
10631 | If 'x is heterological' iff it does not apply to itself, then 'heterological' is heterological if it isn't heterological [Hale/Wright] |
10624 | The incompletability of formal arithmetic reveals that logic also cannot be completely characterized [Hale/Wright] |
8784 | Neo-logicism founds arithmetic on Hume's Principle along with second-order logic [Hale/Wright] |
8787 | The Julius Caesar problem asks for a criterion for the concept of a 'number' [Hale/Wright] |
10629 | If structures are relative, this undermines truth-value and objectivity [Hale/Wright] |
10628 | The structural view of numbers doesn't fit their usage outside arithmetical contexts [Hale/Wright] |
8788 | Logicism is only noteworthy if logic has a privileged position in our ontology and epistemology [Hale/Wright] |
10622 | The neo-Fregean is more optimistic than Frege about contextual definitions of numbers [Hale/Wright] |
8783 | Logicism might also be revived with a quantificational approach, or an abstraction-free approach [Hale/Wright] |
12225 | Neo-Fregeanism might be better with truth-makers, rather than quantifier commitment [Hale/Wright] |
12224 | Are neo-Fregeans 'maximalists' - that everything which can exist does exist? [Hale/Wright] |
12226 | The identity of Pegasus with Pegasus may be true, despite the non-existence [Hale/Wright] |
12229 | Maybe we have abundant properties for semantics, and sparse properties for ontology [Hale/Wright] |
18443 | A successful predicate guarantees the existence of a property - the way of being it expresses [Hale/Wright] |
10626 | Objects just are what singular terms refer to [Hale/Wright] |
10630 | Abstracted objects are not mental creations, but depend on equivalence between given entities [Hale/Wright] |
8786 | One first-order abstraction principle is Frege's definition of 'direction' in terms of parallel lines [Hale/Wright] |
12227 | Abstractionism needs existential commitment and uniform truth-conditions [Hale/Wright] |
12228 | Equivalence abstraction refers to objects otherwise beyond our grasp [Hale/Wright] |
12231 | Reference needs truth as well as sense [Hale/Wright] |
10627 | Many conceptual truths ('yellow is extended') are not analytic, as derived from logic and definitions [Hale/Wright] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
651 | Eurytus showed that numbers underlie things by making pictures of creatures out of pebbles [Eurytus, by Aristotle] |