Combining Philosophers

All the ideas for Bonaventura, Kenneth Kunen and W Wimsatt/W Beardsley

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20 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / b. Axiom of Extensionality I
Extensionality: ∀x ∀y (∀z (z ∈ x ↔ z ∈ y) → x = y) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / c. Axiom of Pairing II
Pairing: ∀x ∀y ∃z (x ∈ z ∧ y ∈ z) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / d. Axiom of Unions III
Union: ∀F ∃A ∀Y ∀x (x ∈ Y ∧ Y ∈ F → x ∈ A) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / f. Axiom of Infinity V
Infinity: ∃x (0 ∈ x ∧ ∀y ∈ x (S(y) ∈ x) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / g. Axiom of Powers VI
Power Set: ∀x ∃y ∀z(z ⊂ x → z ∈ y) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / h. Axiom of Replacement VII
Replacement: ∀x∈A ∃!y φ(x,y) → ∃Y ∀X∈A ∃y∈Y φ(x,y) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / i. Axiom of Foundation VIII
Foundation:∀x(∃y(y∈x) → ∃y(y∈x ∧ ¬∃z(z∈x ∧ z∈y))) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
Choice: ∀A ∃R (R well-orders A) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / k. Axiom of Existence
Set Existence: ∃x (x = x) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / n. Axiom of Comprehension
Comprehension: ∃y ∀x (x ∈ y ↔ x ∈ z ∧ φ) [Kunen]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / o. Axiom of Constructibility V = L
Constructibility: V = L (all sets are constructible) [Kunen]
8. Modes of Existence / A. Relations / 4. Formal Relations / b. Equivalence relation
An 'equivalence' relation is one which is reflexive, symmetric and transitive [Kunen]
8. Modes of Existence / B. Properties / 8. Properties as Modes
Accidents always remain suited to a subject [Bonaventura]
9. Objects / E. Objects over Time / 6. Successive Things
Successive things reduce to permanent things [Bonaventura]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]