39 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 10855 | Actual infinities are not allowed in mathematics - only limits which may increase without bound [Gauss] |
| 14064 | If a statue is identical with the clay of which it is made, that identity is contingent [Gibbard] |
| 14066 | A 'piece' of clay begins when its parts stick together, separately from other clay [Gibbard] |
| 14067 | Clay and statue are two objects, which can be named and reasoned about [Gibbard] |
| 14069 | We can only investigate the identity once we have designated it as 'statue' or as 'clay' [Gibbard] |
| 14076 | Essentialism is the existence of a definite answer as to whether an entity fulfils a condition [Gibbard] |
| 14077 | Essentialism for concreta is false, since they can come apart under two concepts [Gibbard] |
| 14070 | A particular statue has sortal persistence conditions, so its origin defines it [Gibbard] |
| 14073 | Claims on contingent identity seem to violate Leibniz's Law [Gibbard] |
| 14065 | Two identical things must share properties - including creation and destruction times [Gibbard] |
| 14074 | Leibniz's Law isn't just about substitutivity, because it must involve properties and relations [Gibbard] |
| 14072 | Possible worlds identity needs a sortal [Gibbard] |
| 14078 | Only concepts, not individuals, can be the same across possible worlds [Gibbard] |
| 14079 | Kripke's semantics needs lots of intuitions about which properties are essential [Gibbard] |
| 14071 | Naming a thing in the actual world also invokes some persistence criteria [Gibbard] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |