Combining Philosophers

All the ideas for Carl Ginet, Sebastian Gardner and Michael Stanford

expand these ideas     |    start again     |     specify just one area for these philosophers


15 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner]
Kant halted rationalism, and forced empiricists to worry about foundations [Gardner]
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner]
2. Reason / E. Argument / 2. Transcendental Argument
Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner]
6. Mathematics / A. Nature of Mathematics / 2. Geometry
Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner]
7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
Leibnizian monads qualify as Kantian noumena [Gardner]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / a. Justification issues
Must all justification be inferential? [Ginet]
Inference cannot originate justification, it can only transfer it from premises to conclusion [Ginet]
14. Science / D. Explanation / 1. Explanation / b. Aims of explanation
Audience-relative explanation, or metaphysical explanation based on information? [Stanford]
Explanation is for curiosity, control, understanding, to make meaningful, or to give authority [Stanford]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
We can explain by showing constitution, as well as showing causes [Stanford]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]