31 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 14508 | A 'thisness' is a thing's property of being identical with itself (not the possession of self-identity) [Adams,RM] |
| 14511 | There are cases where mere qualities would not ensure an intrinsic identity [Adams,RM] |
| 16463 | Adams says actual things have haecceities, but not things that only might exist [Adams,RM, by Stalnaker] |
| 12031 | Essences are taken to be qualitative properties [Adams,RM] |
| 12034 | If the universe was cyclical, totally indiscernible events might occur from time to time [Adams,RM] |
| 14510 | Two events might be indiscernible yet distinct, if there was a universe cyclical in time [Adams,RM] |
| 16455 | Black's two globes might be one globe in highly curved space [Adams,RM] |
| 14507 | Are possible worlds just qualities, or do they include primitive identities as well? [Adams,RM] |
| 11964 | Possible worlds are world-stories, maximal descriptions of whole non-existent worlds [Adams,RM, by Molnar] |
| 16451 | Adams says anti-haecceitism reduces all thisness to suchness [Adams,RM, by Stalnaker] |
| 11901 | Haecceitism may or may not involve some logical connection to essence [Adams,RM, by Mackie,P] |
| 14512 | Moderate Haecceitism says transworld identities are primitive, but connected to qualities [Adams,RM] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 12032 | Direct reference is by proper names, or indexicals, or referential uses of descriptions [Adams,RM] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 1868 | The world was made as much for animals as for man [Celsus] |
| 1867 | Christians presented Jesus as a new kind of logos to oppose that of the philosophers [Celsus] |