Combining Philosophers

All the ideas for Charles Parsons, T.H. Huxley and Gary Kemp

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14 ideas

4. Formal Logic / D. Modal Logic ML / 4. Alethic Modal Logic
Modal logic is not an extensional language [Parsons,C]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
The old problems with the axiom of choice are probably better ascribed to the law of excluded middle [Parsons,C]
5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
Substitutional existential quantifier may explain the existence of linguistic entities [Parsons,C]
On the substitutional interpretation, '(∃x) Fx' is true iff a closed term 't' makes Ft true [Parsons,C]
6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / c. Counting procedure
Parsons says counting is tagging as first, second, third..., and converting the last to a cardinal [Parsons,C, by Heck]
6. Mathematics / C. Sources of Mathematics / 4. Mathematical Empiricism / c. Against mathematical empiricism
General principles can be obvious in mathematics, but bold speculations in empirical science [Parsons,C]
6. Mathematics / C. Sources of Mathematics / 8. Finitism
If functions are transfinite objects, finitists can have no conception of them [Parsons,C]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / e. Ontological commitment problems
If a mathematical structure is rejected from a physical theory, it retains its mathematical status [Parsons,C]
17. Mind and Body / A. Mind-Body Dualism / 6. Epiphenomenalism
T.H.Huxley gave the earliest clear statement of epiphenomenalism [Huxley, by Rey]
Brain causes mind, but it doesn't seem that mind causes actions [Huxley]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]