Combining Philosophers

All the ideas for Christopher Peacocke, Alan Musgrave and Leo Tolstoy

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36 ideas

2. Reason / D. Definition / 13. Against Definition
Most people can't even define a chair [Peacocke]
5. Theory of Logic / C. Ontology of Logic / 3. If-Thenism
The If-thenist view only seems to work for the axiomatised portions of mathematics [Musgrave]
Perhaps If-thenism survives in mathematics if we stick to first-order logic [Musgrave]
5. Theory of Logic / I. Semantics of Logic / 3. Logical Truth
Logical truths may contain non-logical notions, as in 'all men are men' [Musgrave]
A statement is logically true if it comes out true in all interpretations in all (non-empty) domains [Musgrave]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / d. Peano arithmetic
No two numbers having the same successor relies on the Axiom of Infinity [Musgrave]
6. Mathematics / C. Sources of Mathematics / 7. Formalism
Formalism seems to exclude all creative, growing mathematics [Musgrave]
Formalism is a bulwark of logical positivism [Musgrave]
12. Knowledge Sources / B. Perception / 1. Perception
Perceptual concepts causally influence the content of our experiences [Peacocke]
12. Knowledge Sources / B. Perception / 6. Inference in Perception
Perception has proto-propositions, between immediate experience and concepts [Peacocke]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / f. Higher-order thought
Consciousness of a belief isn't a belief that one has it [Peacocke]
18. Thought / A. Modes of Thought / 6. Judgement / a. Nature of Judgement
Concepts are distinguished by roles in judgement, and are thus tied to rationality [Peacocke]
18. Thought / D. Concepts / 1. Concepts / b. Concepts in philosophy
Philosophy should merely give necessary and sufficient conditions for concept possession [Peacocke, by Machery]
Peacocke's account of possession of a concept depends on one view of counterfactuals [Peacocke, by Machery]
Peacocke's account separates psychology from philosophy, and is very sketchy [Machery on Peacocke]
18. Thought / D. Concepts / 2. Origin of Concepts / a. Origin of concepts
The concept 'red' is tied to what actually individuates red things [Peacocke]
18. Thought / D. Concepts / 3. Ontology of Concepts / a. Concepts as representations
If concepts just are mental representations, what of concepts we may never acquire? [Peacocke]
18. Thought / D. Concepts / 3. Ontology of Concepts / b. Concepts as abilities
Possessing a concept is being able to make judgements which use it [Peacocke]
A concept is just what it is to possess that concept [Peacocke]
Employing a concept isn't decided by introspection, but by making judgements using it [Peacocke]
18. Thought / D. Concepts / 3. Ontology of Concepts / c. Fregean concepts
A sense is individuated by the conditions for reference [Peacocke]
Fregean concepts have their essence fixed by reference-conditions [Peacocke]
18. Thought / D. Concepts / 4. Structure of Concepts / a. Conceptual structure
Concepts have distinctive reasons and norms [Peacocke]
18. Thought / D. Concepts / 4. Structure of Concepts / b. Analysis of concepts
An analysis of concepts must link them to something unconceptualized [Peacocke]
Any explanation of a concept must involve reference and truth [Peacocke]
18. Thought / D. Concepts / 4. Structure of Concepts / f. Theory theory of concepts
Concepts are constituted by their role in a group of propositions to which we are committed [Peacocke, by Greco]
19. Language / A. Nature of Meaning / 5. Meaning as Verification
Logical positivists adopted an If-thenist version of logicism about numbers [Musgrave]
19. Language / B. Reference / 1. Reference theories
A concept's reference is what makes true the beliefs of its possession conditions [Peacocke, by Horwich]
19. Language / C. Assigning Meanings / 4. Compositionality
Encountering novel sentences shows conclusively that meaning must be compositional [Peacocke]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
True works of art transmit completely new feelings [Tolstoy]
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
The highest feelings of mankind can only be transmitted by art [Tolstoy]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]