Combining Philosophers

All the ideas for Clive Bell, Amie L. Thomasson and Johann Gottfried Herder

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43 ideas

1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
Thoughts are learnt through words, so language shows the limits and shape of our knowledge [Herder]
3. Truth / B. Truthmakers / 12. Rejecting Truthmakers
Maybe analytic truths do not require truth-makers, as they place no demands on the world [Thomasson]
5. Theory of Logic / B. Logical Consequence / 6. Entailment
Analytical entailments arise from combinations of meanings and inference rules [Thomasson]
7. Existence / A. Nature of Existence / 6. Criterion for Existence
Existence might require playing a role in explanation, or in a causal story, or being composed in some way [Thomasson]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
Rival ontological claims can both be true, if there are analytic relationships between them [Thomasson]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / d. Commitment of theories
Theories do not avoid commitment to entities by avoiding certain terms or concepts [Thomasson]
9. Objects / A. Existence of Objects / 1. Physical Objects
Ordinary objects may be not indispensable, but they are nearly unavoidable [Thomasson]
The simple existence conditions for objects are established by our practices, and are met [Thomasson]
9. Objects / A. Existence of Objects / 6. Nihilism about Objects
It is analytic that if simples are arranged chair-wise, then there is a chair [Thomasson, by Hofweber]
Eliminativists haven't found existence conditions for chairs, beyond those of the word 'chair' [Thomasson]
Ordinary objects are rejected, to avoid contradictions, or for greater economy in thought [Thomasson]
To individuate people we need conventions, but conventions are made up by people [Thomasson]
9. Objects / B. Unity of Objects / 1. Unifying an Object / c. Unity as conceptual
Wherever an object exists, there are intrinsic properties instantiating every modal profile [Thomasson]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
If the statue and the lump are two objects, they require separate properties, so we could add their masses [Thomasson]
Given the similarity of statue and lump, what could possibly ground their modal properties? [Thomasson]
9. Objects / F. Identity among Objects / 6. Identity between Objects
Identity claims between objects are only well-formed if the categories are specified [Thomasson]
Identical entities must be of the same category, and meet the criteria for the category [Thomasson]
10. Modality / C. Sources of Modality / 3. Necessity by Convention
Modal Conventionalism says modality is analytic, not intrinsic to the world, and linguistic [Thomasson]
12. Knowledge Sources / E. Direct Knowledge / 1. Common Sense
A chief task of philosophy is making reflective sense of our common sense worldview [Thomasson]
19. Language / A. Nature of Meaning / 6. Meaning as Use
Study the use of words, not their origins [Herder]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
How can causal theories of reference handle nonexistence claims? [Thomasson]
Pure causal theories of reference have the 'qua problem', of what sort of things is being referred to [Thomasson]
19. Language / E. Analyticity / 1. Analytic Propositions
Analyticity is revealed through redundancy, as in 'He bought a house and a building' [Thomasson]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value
We cannot attain all the ideals of every culture, so there cannot be a perfect life [Herder, by Berlin]
24. Political Theory / D. Ideologies / 7. Communitarianism / a. Communitarianism
Herder invented the idea of being rooted in (or cut off from) a home or a group [Herder, by Berlin]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]