Combining Philosophers

All the ideas for Clive Bell, E Nagel / JR Newman and Richard Taylor

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27 ideas

18. Thought / A. Modes of Thought / 5. Rationality / b. Human rationality
9591 The human intellect has not been, and cannot be, fully formalized [Nagel/Newman]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / d. Ethical theory
5078 Kant and Mill both try to explain right and wrong, without a divine lawgiver [Taylor,R]
5067 Morality based on 'forbid', 'permit' and 'require' implies someone who does these things [Taylor,R]
22. Metaethics / C. The Good / 2. Happiness / a. Nature of happiness
5079 Pleasure can have a location, and be momentary, and come and go - but happiness can't [Taylor,R]
22. Metaethics / C. The Good / 2. Happiness / b. Eudaimonia
5068 'Eudaimonia' means 'having a good demon', implying supreme good fortune [Taylor,R]
23. Ethics / C. Virtue Theory / 1. Virtue Theory / b. Basis of virtue
5076 To Greeks it seemed obvious that the virtue of anything is the perfection of its function [Taylor,R]
23. Ethics / D. Deontological Ethics / 1. Deontology
5077 The modern idea of obligation seems to have lost the idea of an obligation 'to' something [Taylor,R]
23. Ethics / D. Deontological Ethics / 2. Duty
5066 If we are made in God's image, pursuit of excellence is replaced by duty to obey God [Taylor,R]
5065 The ethics of duty requires a religious framework [Taylor,R]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]