50 ideas
16567 | Scientists know everything about nothing, philosophers nothing about everything [Sagan,D] |
9456 | Modal logic is multiple systems, shown in the variety of accessibility relations between worlds [Jacquette] |
7689 | The modal logic of C.I.Lewis was only interpreted by Kripke and Hintikka in the 1960s [Jacquette] |
9457 | The two main views in philosophy of logic are extensionalism and intensionalism [Jacquette] |
7681 | Logic describes inferences between sentences expressing possible properties of objects [Jacquette] |
9463 | Classical logic is bivalent, has excluded middle, and only quantifies over existent objects [Jacquette] |
7682 | Logic is not just about signs, because it relates to states of affairs, objects, properties and truth-values [Jacquette] |
7697 | On Russell's analysis, the sentence "The winged horse has wings" comes out as false [Jacquette] |
9466 | Nominalists like substitutional quantification to avoid the metaphysics of objects [Jacquette] |
9465 | Substitutional universal quantification retains truth for substitution of terms of the same type [Jacquette] |
9458 | Extensionalists say that quantifiers presuppose the existence of their objects [Jacquette] |
9461 | Intensionalists say meaning is determined by the possession of properties [Jacquette] |
7701 | Can a Barber shave all and only those persons who do not shave themselves? [Jacquette] |
7707 | To grasp being, we must say why something exists, and why there is one world [Jacquette] |
7687 | Existence is completeness and consistency [Jacquette] |
7692 | Being is maximal consistency [Jacquette] |
7679 | Ontology is the same as the conceptual foundations of logic [Jacquette] |
7678 | Ontology must include the minimum requirements for our semantics [Jacquette] |
7683 | Logic is based either on separate objects and properties, or objects as combinations of properties [Jacquette] |
7684 | Reduce states-of-affairs to object-property combinations, and possible worlds to states-of-affairs [Jacquette] |
7703 | If classes can't be eliminated, and they are property combinations, then properties (universals) can't be either [Jacquette] |
7685 | An object is a predication subject, distinguished by a distinctive combination of properties [Jacquette] |
7699 | Numbers, sets and propositions are abstract particulars; properties, qualities and relations are universals [Jacquette] |
7691 | The actual world is a consistent combination of states, made of consistent property combinations [Jacquette] |
7688 | The actual world is a maximally consistent combination of actual states of affairs [Jacquette] |
7695 | Do proposition-structures not associated with the actual world deserve to be called worlds? [Jacquette] |
7694 | We must experience the 'actual' world, which is defined by maximally consistent propositions [Jacquette] |
7706 | If qualia supervene on intentional states, then intentional states are explanatorily fundamental [Jacquette] |
7704 | Reduction of intentionality involving nonexistent objects is impossible, as reduction must be to what is actual [Jacquette] |
9460 | Extensionalist semantics forbids reference to nonexistent objects [Jacquette] |
9459 | Extensionalist semantics is circular, as we must know the extension before assessing 'Fa' [Jacquette] |
7702 | The extreme views on propositions are Frege's Platonism and Quine's extreme nominalism [Jacquette] |
23928 | Good art produces exaltation and detachment [Bell,C] |
23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
23923 | Visual form can create a sublime mental state [Bell,C] |
23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |