Combining Philosophers

All the ideas for Douglas Lackey, Robert Hanna and Clive Bell

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48 ideas

1. Philosophy / F. Analytic Philosophy / 6. Logical Analysis
Frege's logical approach dominates the analytical tradition [Hanna]
1. Philosophy / G. Scientific Philosophy / 3. Scientism
Scientism says most knowledge comes from the exact sciences [Hanna]
2. Reason / F. Fallacies / 1. Fallacy
'Denying the antecedent' fallacy: φ→ψ, ¬φ, so ¬ψ [Hanna]
'Affirming the consequent' fallacy: φ→ψ, ψ, so φ [Hanna]
We can list at least fourteen informal fallacies [Hanna]
2. Reason / F. Fallacies / 4. Circularity
Circular arguments are formally valid, though informally inadmissible [Hanna]
2. Reason / F. Fallacies / 5. Fallacy of Composition
Formally, composition and division fallacies occur in mereology [Hanna]
5. Theory of Logic / A. Overview of Logic / 4. Pure Logic
Logic is explanatorily and ontologically dependent on rational animals [Hanna]
Logic is personal and variable, but it has a universal core [Hanna]
5. Theory of Logic / B. Logical Consequence / 1. Logical Consequence
Intensional consequence is based on the content of the concepts [Hanna]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / b. Cantor's paradox
Sets always exceed terms, so all the sets must exceed all the sets [Lackey]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / c. Burali-Forti's paradox
It seems that the ordinal number of all the ordinals must be bigger than itself [Lackey]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / d. Logicism critique
Logicism struggles because there is no decent theory of analyticity [Hanna]
7. Existence / C. Structure of Existence / 5. Supervenience / b. Types of supervenience
Supervenience can add covariation, upward dependence, and nomological connection [Hanna]
10. Modality / A. Necessity / 2. Nature of Necessity
A sentence is necessary if it is true in a set of worlds, and nonfalse in the other worlds [Hanna]
10. Modality / A. Necessity / 5. Metaphysical Necessity
Metaphysical necessity can be 'weak' (same as logical) and 'strong' (based on essences) [Hanna]
10. Modality / A. Necessity / 6. Logical Necessity
Logical necessity is truth in all logically possible worlds, because of laws and concepts [Hanna]
10. Modality / A. Necessity / 7. Natural Necessity
Nomological necessity is truth in all logically possible worlds with our laws [Hanna]
12. Knowledge Sources / E. Direct Knowledge / 2. Intuition
Intuition is only outside the 'space of reasons' if all reasons are inferential [Hanna]
Intuition includes apriority, clarity, modality, authority, fallibility and no inferences [Hanna]
Intuition is more like memory, imagination or understanding, than like perception [Hanna]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
Explanatory reduction is stronger than ontological reduction [Hanna]
15. Nature of Minds / C. Capacities of Minds / 2. Imagination
Imagination grasps abstracta, generates images, and has its own correctness conditions [Hanna]
18. Thought / A. Modes of Thought / 1. Thought
Should we take the 'depictivist' or the 'descriptivist/propositionalist' view of mental imagery? [Hanna]
18. Thought / A. Modes of Thought / 5. Rationality / a. Rationality
Rational animals have a normative concept of necessity [Hanna]
One tradition says talking is the essence of rationality; the other says the essence is logic [Hanna]
Hegelian holistic rationality is the capacity to seek coherence [Hanna]
Humean Instrumental rationality is the capacity to seek contingent truths [Hanna]
Kantian principled rationality is recognition of a priori universal truths [Hanna]
18. Thought / B. Mechanics of Thought / 1. Psychology
Most psychologists are now cognitivists [Hanna]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]