20 ideas
20955 | Art can make reason more all-inclusive, by articulating what seemed inexpressible [Bowie] |
13913 | The four 'perfect syllogisms' are called Barbara, Celarent, Darii and Ferio [Engelbretsen/Sayward] |
13914 | Syllogistic logic has one rule: what is affirmed/denied of wholes is affirmed/denied of their parts [Engelbretsen/Sayward] |
13915 | Syllogistic can't handle sentences with singular terms, or relational terms, or compound sentences [Engelbretsen/Sayward] |
13916 | Term logic uses expression letters and brackets, and '-' for negative terms, and '+' for compound terms [Engelbretsen/Sayward] |
13850 | In modern logic all formal validity can be characterised syntactically [Engelbretsen/Sayward] |
13849 | Classical logic rests on truth and models, where constructivist logic rests on defence and refutation [Engelbretsen/Sayward] |
13851 | Unlike most other signs, = cannot be eliminated [Engelbretsen/Sayward] |
13852 | Axioms are ω-incomplete if the instances are all derivable, but the universal quantification isn't [Engelbretsen/Sayward] |
22049 | Transcendental idealism aims to explain objectivity through subjectivity [Bowie] |
20950 | German Idealism says our thinking and nature have the same rational structure [Bowie] |
22055 | The Idealists saw the same unexplained spontaneity in Kant's judgements and choices [Bowie] |
22054 | German Idealism tried to stop oppositions of appearances/things and receptivity/spontaneity [Bowie] |
22056 | Crucial to Idealism is the idea of continuity between receptivity and spontaneous judgement [Bowie] |
20942 | Nazis think race predetermines the self [Bowie] |
20946 | Rhetoric is built into language, so it cannot be stripped from philosophy [Bowie] |
20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |